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Review: PETER PAN GOES WRONG at SF Playhouse

Co-founder and producing director Susi Damilano is at it again. Her previous comic stagings include Noises Off, Clue, The 39 Steps and the successful predecessor of this show, The Play That Goes Wrong back in 2024.

Review: 1776 at Musicals At Richter

On Saturday, July 11th, I had the pleasure of seeing yet another phenomenal production at Musicals at Richter, in Danbury, 1776. Seeing this show at this outdoor venue on a clear night is a thoroughly enjoyable experience. Robert Bria designed the set, which primarily depicts the inside of Independence Hall. Director David Halliwell, music director Andrew Gadwah, and choreographer Emma Kelly help bring out the best in this stellar cast! The stage chemistry and stage presence of this cast is so strong that the audience can easily forget that we are not watching an actual debate. I had never seen this show before and was quite impressed by how it draws the audience right in and consistently holds our attention. It was clear that the entire cast had fun performing.

Review: THE PLAY THAT GOES WRONG at Keegan Theatre

The Play That Goes Wrong, now playing at the Keegan Theatre, amusingly subverts classic murder mystery tropes by merrily mixing the physical comedy of the Three Stooges with the verbal intricacy of the Marx Brothers. This frenetically and madcap play conveys the double-entendre of Charlie Chan and the mass appeal of detectives we have all come to know through literature and film (for, indeed, the marvelous Matthew Pauli does a superb job of portraying “Chris” as Inspector Carter-- who reminded me of an absent-minded  Hercule Poirot or Miss Marple).

THE BARBER OF SEVILLE Will Come to Calgary Opera

Calgary Opera will close its season with a lively celebration of comedy and vocal brilliance in The Barber of Seville. Learn more about the upcoming production and how to get tickets here!

Review: SPAMALOT at Golden Gate

For every lover of Ibsen, Arthur Miller and Stephen Sondheim, there’s a lover of The Three Stooges, Abbott & Costello and of course, Monty Python. Back in the 1970’s Monty Python’s Flying circus was a sensation with their irreverent and risqué observational comedy. If you couldn’t recite the week’s show the next day, you were ‘square.’

Review: SUMMER CABARET SERIES: CELEBRATING TOM JONES WITH DAVID BURNHAM at CVRep

When I was a kid, I’d come home after school, immediately turn on the tv and watch Sally Starr (the blondest, ponytailed cowgirl in the tristate area) introduce cartoons and episodes of The Three Stooges (not a fan, I’d go get a snack). And then in 1966 Dark Shadows premiered at 4pm on channel 7 and it was “Sally who?” until April 2, 1971 when ABC thrust a stake through its time slot. 

Review: THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) at UD Rep Ensemble

Aisle Say began reviewing UD REP - Resident Ensemble Players – in a campus gym, long before the capacious and elegant Roselle Center for the Arts became a reality. I was always struck with their overarching quality of both acting and tech. In many reviews called them the pre-eminent acting company in the region. REP is entering its 15th year, with many of the original actors still plying their craft.


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