Performance Space New York continues its second themed season of performances and events-the Posthuman Series-with the U.S. Premiere of choreographer and dancer Mette Ingvartsen's 21 pornographies(October 3-5). The solo performance expands on Ingvartsen's body of work exploring an all-pervasive sexuality, here using physical action and narrative description to take audiences through pornographic history in associative tour de force that is equally stimulating, disturbing, cheerful, and sensuous. Ingvartsen also brings The Permeable Stage - Reimagining the Social, a new installment of her ongoing series of performative conferences, to Performance Space New York (October 7),engaging artists, thinkers, filmmakers, and activists in a dialogue drawing on various Posthuman ideas.
Crowded Fire Theater (CFT) Young Jean Lee (author of 2016's THE SHIPMENT) returns to Crowded Fire with CHURCH, the second revolutionary production in Crowded Fire's 20th Anniversary Season of new and contemporary plays. Praised by the New York Times as "slyly subversive" and "earnest and surprisingly moving," this new production of CHURCH will feature an inspiring cast directed by the theater company's Artistic Director, Mina Morita.
Soho Rep. announces its 2018-2019 season, with two world premieres that demonstrate the small but flexible space's 'indispensible' (New York Magazine) presence as 'a 70-seat house filled with big ideas' (Hilton Als, The New Yorker). Through singular and irreverent stylistic approaches, Kate Tarker's Thunderbodies,directed by Lileana Blain-Cruz (October 16-November 18, 2018), and Christopher Chen's Passage, directed by Saheem Ali (April 23-May 26, 2019),interrogate the staggering ramifications of U.S and global imperialism.
New Repertory Theatre presents the New England premiere of Young Jean Lee's STRAIGHT WHITE MEN, most recently seen on Broadway over the summer. Lee became the first Asian-American female playwright to have a play produced on Broadway with this exploration of privilege, identity, and American values in a white, middle-class family.
The Martin E. Segal Theatre Center presents its annual PRELUDE FESTIVAL on October 4, 5, and 6 at The Graduate Center, CUNY, The City University of New York, curated by Andrew Kircher in collaboration with Frank Hentschker.
Florida Studio Theatre (FST) has announced its lineup for the 2018-2019 Winter Mainstage and Cabaret Seasons. On the Mainstage, FST presents its largest marquee season in over a decade with two multi-Tony Award winners, an Obie-Award-winning playwright, a play fresh off Broadway, and a World Premiere. In the Cabaret, three original FST productions bring the music of male harmony groups, female singer-songwriters, and The Baby Boomer generation to life.
Good morning BroadwayWorld! Today's top stories: Jesus Christ Superstar took home Emmy Awards last night, making Andrew Lloyd Webber, John Legend, and Tim Rice EGOTs, and more!
Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.
New Light Theater Project is thrilled to present the New York premiere of HITLER'S TASTERS written by Michelle Kholos Brooks and directed by Sarah Norris. HITLER'S TASTERS begins performances on Friday, October 5 for a limited engagement through Saturday, October 27. Press opening is Wednesday, October 10 at 7:30 PM. The performance schedule is Wednesday - Friday at 7:30 PM, Saturday at 3 PM & 7:30 PM, and Sunday at 3 PM. Please note the following schedule adjustments: the Sunday, October 7 performance is at 7 PM and there are added performances on Monday, October 8 and Monday, October 22 at 7:30 PM. Performances are at IRT Theater (154 Christopher Street, between Greenwich & Washington Streets). Tickets are $25. To purchase tickets, visit www.newlighttheaterproject.com.
The Department of Theater at Brooklyn College is one of New York City's outstanding institutions in the training of theater artists. With the assistance of a generous grant from the Tow Foundation, the Department of Theater, in conjunction with the MFA Playwriting Program, headed by co-coordinators Mac Wellman and Erin Courtney, will present the annual Weasel Festival, hosted by The Public Theater (August 17-24). This festival of new works, previously produced by the playwrights, will feature performances of full length plays written by Kate Dakota Kremer, Rachel Kauder Nalebuff, Jerry Lieblich, and April Ranger all of whom are recent graduates of the MFA Playwrighting Program at Brooklyn College.
Originally conceived by playwright Young Jean Lee, it was performed as spoken word broken up by punk rock songs about pain and death. Somehow performer Alli Villines has turned it into a ukulele folk festival! But I ask dear reader, what could be more punk rock than a collection of named ukuleles played without an ounce of irony whatsoever?
New Ohio Theatre and The Mill present the New York premiere of Mark Chrisler's WORSE THAN TIGERS, directed by Jaclyn Biskup. WORSE THAN TIGERS runs from August 24 - September 8, 2018 in a limited engagement at New Ohio Theatre, located at 154 Christopher Street between Greenwich and Washington Streets in New York City. Previews begin August 24 for an August 26 opening.
Ted Austin, Chair of the Board of Directors at Portland Center Stage at The Armory in Portland, Oregon, announced today that Marissa Wolf has been selected as the next Artistic Director at Portland Center Stage at The Armory, after an eight-month, nationwide search. Wolf, who is currently the Associate Artistic Director/Director of New Works at Kansas City Repertory Theatre, previously served as the Artistic Director at San Francisco's innovative Crowded Fire Theater. Wolf will join Managing Director Cynthia Fuhrman as co-leader of Portland Center Stage and begins her role full-time on September 15, 2018.
Greenway Arts Alliance (Whitney Weston and Pierson Blaetz, Co-Founders and Co-Artistic Directors) announces its 2018-2019 Season, which includes the Tony Award-winning musical The Color Purple, the Rolling World Premiere play Herland and the 3rd Annual L.A. Get Down Festival, A Celebration of Hip Hop and Spoken Word. The season productions and festival will be presented at Greenway Court Theatre (544 N. Fairfax Avenue, Los Angeles).
Ted Austin, Chair of the Board of Directors at Portland Center Stage at The Armory, announced today that Marissa Wolf has been selected as the next Artistic Director at Portland Center Stage at The Armory, after an eight-month, nationwide search. Wolf, most recently the Associate Artistic Director at Kansas City Repertory Theatre, previously served as the Artistic Director at San Francisco's innovative Crowded Fire Theater. Wolf joins Managing Director Cynthia Fuhrman as co-leader of the city's leading professional theater and begins her role full-time on September 15, 2018.
As BroadwayWorld previously reported, Straight White Men will conclude its limited run today, September 9. The play began previews at the Hayes Theater (240 West 44th Street) on Friday, June 29, 2018 and officially opened on Broadway on July 23, 2018. Young Jean Lee's dark comedy, directed by Anna D. Shapiro, stars Kate Bornstein, Josh Charles, Ty Defoe, Armie Hammer, Stephen Payne and Paul Schneider.
National New Play Network (NNPN), the country's alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays, has added three new Core Members: Silk Road Rising (Chicago), Company One (Boston), and City Theatre Company (Pittsburgh). As of the date of this release, NNPN has 114 Members Theaters, comprised of 32 Cores and 82 Associates.
The Department of Theater at Brooklyn College is one of New York City's outstanding institutions in the training of theater artists. With the assistance of a generous grant from the Tow Foundation, the Department of Theater, in conjunction with the MFA Playwriting Program, headed by co-coordinators Mac Wellman and Erin Courtney, will present the annual Weasel Festival, hosted by The Public Theater (August 17-24). This festival of new works, previously produced by the playwrights, will feature performances of full length plays written by Kate Dakota Kremer, Rachel Kauder Nalebuff, Jerry Lieblich, and April Ranger all of whom are recent graduates of the MFA Playwrighting Program at Brooklyn College.
Created in collaboration between Drama Desk award-winning playwright Adam Mathias and Bakerloo Theatre Project Artistic Director William Addis, this stunning, fast-paced, four person adaptation uses Shakespeare's text in a post-modern exploration of the English language's most enigmatic anti-hero. In the instant following his death, Hamlet awakens in a surreal dreamscape and must replay the pivotal moments of his tragedy with the help of his mother, his friend, and his love.
Join Monsterpiece Theater Collective as it tries to solve Shakespeare's problem play by tearing it down brick by brick. An all female cast takes on Two Gentlemen of Verona, kickin it where it needs to be kicked and lovin it how it should be loved. These 9 warriors set out to confront the poetic words and misogynistic tendencies of the man whose work is constantly referred to as timeless... Is it really? Come see a bunch of girls make Bill Shakes roll over in his grave.
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