The Boston Symphony Orchestra and Music Director Andris Nelsons will present a 2021-22 Symphony Hall season, September 30-April 30, that will first and foremost celebrate reuniting with their music community post-pandemic, while also continuing the orchestra’s commitment to welcoming new audiences.
Boston Baroque has announced a 2021-2022 Season with both in-person and virtual concerts and events. Boston Baroque’s five-concert series will be presented exclusively from the 5,000 square foot GBH Calderwood Studio, where live audiences on site and virtual audiences around the world will be welcomed to a new concert experience.
A dauntless performer of the most demanding piano repertoire, be it Romantic or contemporary
Chamber Music Society of Detroit at Oakland University Series presents Shuai Wang, piano, Thursday, October 1 at 8 p.m.. Livestreamed and free via CameraMusic
During what will be an unprecedented concert season for all arts organizations, Boston Baroque is committed to finding innovative and safe ways to share our music with audiences across Massachusetts and around the world. Subscriptions are on sale now.
Third Street Music School Settlement presents 20-21 Vision- their annual new music festival that traces the heritage of contemporary composers through links to the great 20th century masters. This year the focus is on Paul Hindemith, who, like Third Street, is celebrating his 125th anniversary. Composer and Hindemith student Yehudi Wyner will be on hand to discuss Hindemith's legacy, his influence on his own work and on others. Mr. Wyner will be among the performers is a concert of his music spanning seven decades.
Boston Baroque presents Monteverdi's final opera, L'incoronazione di Poppea, on Friday, April 26th at 7:30pm and on Sunday, April 28th at 3pm at New England Conservatory's Jordan Hall. These will be the first performances of a new performing edition of the opera by Boston Baroque founder and Music Director Martin Pearlman. The all-star cast includes soprano Amanda Forsythe in the title role and countertenor Anthony Roth Costanzo making his Boston Baroque debut as Nero.
The thoughtful and persuasive pianist Ian Hobson, whose playing has been described by Gramophone as 'intensely alive to expressive nuance, textural clarity and elastic shaping,' will appear in solo recital at Zankel Hall at Carnegie Hall on Monday evening, March 11, 2019, at 7:30 pm, presented by Florida State University.
Cantata Singers season continues today, January 25, 2019 at 8pm in New England Conservatory's Jordan Hall with a program of music by James Primosch, Bela Bartok, and Arvo Part.
Cantata Singers season continues on Friday, January 25, 2019 at 8pm in New England Conservatory's Jordan Hall with a program of music by James Primosch, Bela Bartok, and Arvo Part.
Brooklyn Art Song Society (BASS) is proud to announce its 2018-2019 season beginning in October of 2018. BASS's ninth season features all the innovative programming and world-class performers audiences have come to expect, plus some new surprises. By the numbers, season nine includes 250 songs by nearly 20 composers over 10 concerts, performed by 40 of today's top interpreters of song.
The immensely versatile and renowned pianist Ian Hobson, whose playing has been described by Gramophone as 'intensely alive to expressive nuance, textural clarity and elastic shaping,' will continue his Sound Impressions: The Piano Music of Debussy and Ravel, on Wednesday Evening, April 4, 2018, 7:30pm, at SubCulture, 45 Bleecker Street (between Bowery and Lafayette Streets.) The program for this performance follows:
Mirror Visions Ensemble (MVE) an acclaimed vocal chamber ensemble dedicated to exploring the relationship between music and text presents its newest program, Of Beasts and Brutes, in the Loreto Theater at The Sheen Center on Monday, March 12, 2018 at 8:00 p.m.
Modfest, Vassar College's annual exploration of the arts of the 20th and 21st centuries, will consider the concept of Adapting, February 1 11, 2018. Throughout these two weeks, artists will examine different perspectives of what this can mean in our ever-changing world through written and spoken words, visual arts and performance.
The immensely versatile and renowned pianist Ian Hobson, whose playing has been described by Gramophone as 'intensely alive to expressive nuance, textural clarity, and elastic shaping,' will perform 'Sound Impressions: The Piano Music of Debussy and Ravel,' a six-recital cycle of the complete solo piano works of the two composers, at SubCulture, 45 Bleecker Street (between Bowery and Lafayette Streets).
The immensely versatile and renowned pianist Ian Hobson, whose playing has been described by Gramophone as 'intensely alive to expressive nuance, textural clarity, and elastic shaping,' will perform 'Sound Impressions: The Piano Music of Debussy and Ravel,' a six-recital cycle of the complete solo piano works of the two composers, at SubCulture, 45 Bleecker Street (between Bowery and Lafayette Streets).
Mirror Visions Ensemble (MVE) announces its 2017-2018 season, which brings the group to Hudson, Quebec; Jamaica Plain and Salem, Massachusetts; Philadelphia, Pennsylvania; Fullerton, California; Morristown, New Jersey; and New York City. Now in its 26th season, MVE was founded from a desire to explore the relationship between music and text, initially through the creation of 'mirror visions' - settings of the same text to music by different composers.
Cantata Singers concludes its season with a program exploring Jewish history, culture, and music on Friday, May 12, 2017 at 8pm in Jordan Hall. Paired with Arthur Honegger's dramatic psalm King David, Cantata Singers will present Yehudi Wyner's Torah Service alongside Yiddish art songs and choruses by his father, Lazar Weiner, works rarely heard on the concert stage.
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