Wiley Naman Strasser News

There's magic brewing at the Bank's home on 17 Cherry Tree Lane courtesy of the new enchanting nanny Mary Poppins, who as her name suggests, 'pops in' and 'pops out' of her wards lives in SF Playhouse's delightful production of the award-winning Broadway musical based on the similarly titled Mary Poppins children's books by P. L. Travers and the 1964 Disney film.

San Francisco Playhouse celebrates the magic of the holiday season with the hit Broadway musical Mary Poppins. Susi Damilano will direct the Playhouse production, with music direction by Katie Coleman and choreography by Kimberly Richards.

Magic Theatre presents Ashlin Halfnight's World Premiere The Resting Place, the first production of the 2018- 2019 season. The Resting Place will be directed by Jessica Holt. Previews begin on Wednesday, October 10, 2018 at Magic Theatre's Fort Mason location, with a press opening on Wednesday, October 17, 2018 at 8:00 p.m. Tickets are on-sale now.

San Francisco Playhouse celebrates the magic of the holiday season with the hit Broadway musical Mary Poppins. Susi Damilano will direct the Playhouse production, with music direction by Katie Coleman and choreography by Kimberly Richards.

Magic Theatre (Loretta Greco, Artistic Director and Jaimie Mayer, Managing Director) announced today the complete cast of Ashlin Halfnight's World Premiere The Resting Place, the first production of the 2018- 2019 season. The Resting Place will be directed by Jessica Holt. Previews begin onWednesday, October 10, 2018 at Magic Theatre's Fort Mason location, with a press opening on Wednesday, October 17, 2018 at 8:00 p.m. Tickets are on-sale now.

Golden Thread Productions, the first American theatre company devoted to the Middle East, presents a season that fosters real conversations about issues that matter. The 2018 mainstage season begins with the return of the West Coast premiere of Amir Nizar Zuabi's Oh My Sweet Land in an extended tour of Bay Area kitchens (March 1-30, 2018). Inspired by interviews with Syrian refugees, the production, which was called extraordinary by the San Francisco Chronicle, is directed by Torange Yeghiazarian and features Nora el Samahy. Each performance will be followed by food sharing and a community conversation. The second show of the 2018 season is the critically-acclaimed production of Hassan Abdulrazzak's Love, Bombs, and Apples, which will make its U.S. debut after two sold-out runs in London (April 19-May 6, 2018). The tour-de-force solo show features Asif Khan, who brings to life four men of Middle Eastern descent, each from different parts of the globe, all experiencing a moment of revelation. Directed by Rosemunde Hutt and presented in association with Turtle Key Arts, the comedy was heralded as a quartet of monologues with a profound ability to find bubbling humor in the most over-trodden tragedies by The Stage. The mainstage season culminates in the world premiere of award winning playwright Mona Mansour's We Swim, We Talk, We Go to War, directed by Evren Odcikin (November 16-December 16, 2018). A Middle East America National New Plays Initiative commission, the play is a literal conversation between an American woman of Arab descent and her nephew, who has enlisted in the American military. Structurally adventurous with a third of the play taking place in the Pacific Ocean, We Swim welcomes Mansour for her fourth and most ambitious production with Golden Thread. Love, Bombs, and Apples and We Swim, We Talk, We Go to War will both be presented at San Francisco's Potrero Stage (1695 18th Street), where Golden Thread is a resident company. The 3 Show Pass ($87) offers the best value and priority access to our 2018 Season. Each pass includes one ticket to each of the three mainstage productions at a 20% discount: goldenthread.org.

Detour dance, an Izzie Award-nominated live performance and film company, has announced the dates for the world premiere of FUGUE: December 1 - 10, 2017.

Detour dance, an Izzie Award-nominated live performance and film company, has announced the dates for the world premiere of FUGUE: December 1 - 10, 2017.

ODC Theater will present the ninth home season of Hope Mohr Dance, a company esteemed for its 'rigorous conceptual approach to fundamental questions about the body in space and time' (Dance View Times). A company-in-residence at ODC, Hope Mohr Dance will perform a double bill featuring the world premiere of Manifesting, a dance theater work inspired by art manifestos, and the revival of Stay, Mohr's choreographic response to paintings of Francis Bacon. Hope Mohr Dance's ninth home season runs June 9 - 11, Thursday to Saturday at 8 p.m. Tickets are $30 - $45, and may be purchased online at odcdance.org/tickets.

Due to popular demand, Cutting Ball Theater announces that it will add an additional six performances of its current production of Sophocles' ANTIGONE.

Cutting Ball Theater continues its 16th season with a new translation of ANTIGONE (today, February 19-March 22; press opening February 22). Exploring the struggle between the individual and the state, this elegant tragedy about tyrannical power and civil disobedience is considered to be Sophocles' masterpiece and has become synonymous with political protest.

Cutting Ball Theater continues its 16th season, devoted to the theme of 'Injustice,' with a new translation of Sophocles' ANTIGONE. Associate Artistic Director Paige Rogers, who helmed Cutting Ball's productions of Tontlawald and Mud, directs this new translation from Daniel Sullivan using music and movement techniques inspired by Poland's famed Teatr ZAR. Check out a first look at the rehearsals and behind the scenes below!

Cutting Ball Theater continues its 16th season, devoted to the theme of 'Injustice,' with a new translation of Sophocles' ANTIGONE. Associate Artistic Director Paige Rogers, who helmed Cutting Ball's productions of Tontlawald and Mud, directs this new translation from Daniel Sullivan using music and movement techniques inspired by Poland's famed Teatr ZAR. Check out a first look at the production below!

Cutting Ball Theater continues its 16th season with a new translation of ANTIGONE (February 19-March 22; press opening February 22). Exploring the struggle between the individual and the state, this elegant tragedy about tyrannical power and civil disobedience is considered to be Sophocles' masterpiece and has become synonymous with political protest.

Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays tonight, April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.

Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.

Cutting Ball Theater concludes its 14th season with the World Premiere of KRISPY KRITTERS IN THE SCARLETT NIGHT, San Francisco playwright Andrew Saito's poetic portrayal of the heart of the city in the spirit of Alan Ginsburg's Howl, William S. Burroughs, and the plays of Suzan-Lori Parks. Directed by Cutting Ball Artistic Director Rob Melrose, KRISPY KRITTERS IN THE SCARLETT NIGHT dazzles with sublime, surreal language and images fit for a Dali painting in a play about love and longing in the neglected neighborhoods of a fictional city.

Cutting Ball Theater concludes its 14th season with the World Premiere of KRISPY KRITTERS IN THE SCARLETT NIGHT, San Francisco playwright Andrew Saito's poetic portrayal of the heart of the city in the spirit of Alan Ginsburg's Howl, William S. Burroughs, and the plays of Suzan-Lori Parks. Directed by Cutting Ball Artistic Director Rob Melrose, KRISPY KRITTERS IN THE SCARLETT NIGHT dazzles with sublime, surreal language and images fit for a Dali painting in a play about love and longing in the neglected neighborhoods of a fictional city.

Adventurous, award-winning theater ensemble Mugwumpin in association with Z Space present the world premiere of The Great Big Also, a performance experiment borne out of the American prophetic tradition. Created and written by Mugwumpin under the direction of Christopher W. White, The Great Big Also runs from tonight, March 7 to Sunday, March 24, 2013 at Z Space in San Francisco.

Adventurous, award-winning theater ensemble Mugwumpin in association with Z Space are proud to announce the world premiere of The Great Big Also, a performance experiment borne out of the American prophetic tradition. Created and written by Mugwumpin under the direction of Christopher W. White, The Great Big Also runs from Thursday, March 7 to Sunday, March 24, 2013 at Z Space in San Francisco.