Tonya Pewitt News

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

2014 First Night Honoree – and one of Nashville's most acclaimed actresses, cabaret artists and music directors – Ginger Newman is “ready for [her] close-up,” as Norma Desmond in The Larry Keeton Theatre puts the finishing touches on their upcoming production of Andrew Lloyd Weber's Sunset Boulevard.

Thus, we are happy to present one of our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come

Thus, we are happy to present one of our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2016 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

Nashville actor and NFL Hall of Famer Eddie George, who makes his Broadway debut Tuesday night in the iconic musical Chicago, was named First Night's Outstanding Leading Actor in a Play for his searing portrayal of a former slave haunted by the spectre of abuse in Nashville Repertory Theatre's The Whipping Man. Rene Dunshee Copeland, producing artistic director of Nashville Rep, was named Outstanding Director of a Play, while her three-actor ensemble (which included James Rudolph and Matthew Rosenbaum) were awarded as First Night's Outstanding Performance by an Ensemble in a Play for their rendition of the Matthew Lopez play.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

There's the definite feeling of autumn in the air that makes you want to gut a pumpkin or at least have a pumpkin spice latte, chances are you are definitely going to need a sweater in the early morning hours, and it's past the perfect time for you to pick out a Halloween costume. Luckily, theater companies are well into their new seasons and there's plenty of shows to entertain you while you take time off from berating yourself for wearing that same tricked-out Star Wars costume you wore the past fwo-and-one-half years.

We're back! After an extended absence due to The Last Five Years (we directed it to boffo notices from our critical colleagues), The 2015 First Night Honors (which played to SRO crowds at Chaffin's Barn in September) and a sense of overwhelming malaise and ennui (we are ever so dramatic at times), BWW Nashville's Critic's Choice is back on the interwebs, offering you our insights and advice on the shows that are coming up and what you should try to find time to see - or to avoid at all costs, depending on our perspective.

If you were to ask me to list my five favorite musicals (or even my top ten), there is a very good chance I would not include Meredith Willson's The Music Man among my chosen favorites. But then I see another production of that particular Willson tribute to Americana that features a fast-talking salesman and a beautiful young librarian named Marian and I am suddenly reminded that I absolutely adore The Music Man and all 76 of its trombones - and I feel remiss in not listing it among the shows I love.

Opening tonight at The Larry Keeton Theatre in Donelson is a sparkling new revival of Meredith Willson's The Music Man, directed and choreographed by Stephanie Jones-Benton, with musical direction by Ginger Newman. Featuring a roster of the Keeton Theatre's favorite stars, the show runs through October 28.

Its Vacation Bible School vibe aside, Godspell - the Stephen Schwartz musical from 1971 that grew from a class project at Carnegie Mellon University that most recently was revived on Broadway in 2011 - relates the parables of Jesus Christ in a sprightly, colorful way that can be entertaining and elucidating. Now onstage at The Larry Keeton Theatre, Nashville's theater home for classic musical comedies, Godspell features a winning cast led by Wesley King and Elliott Robinson under the direction of musical theater veterans Jamie London and Ginger Newman.

Godspell features the talents of Wesley King as Jesus, Elliott Robinson in the dual role of John-Judas. Playing themselves as "disciples" are Keeton Theatre regulars Tonya Pewitt, Stella London, Christina Redden, Santyana Harris, plus two newcomers to the Keeton Theatre family: Lisa Graham and Rachel Wilson.

In a town where everyone from your next-door neighbor to your favorite barista - from your dental hygienist to your manicurist, your seatmate on the bus, your friendly neighborhood bartender and maybe even the guy who does your taxes - is a songwriter, you'll find that there's never a shortage of opinions on the topic of favorite songs. Ask a cross-section of Nashville theater-types what their favorite love song is from the annals of musical theater and you're going to get a barrage of answers.

Celebrating its 65th season, Nashville's Circle Players is Middle Tennessee's oldest community theater organization and I can think of no better way to celebrate that milestone than with the company's current show, the Tim Larson-directed version of Ragtime, the musical adaptation of the acclaimed E.L. Doctorow novel.

Today, in our second installment of Nashville Theater 101, in which we introduce members of the Nashville theater family to the larger theatrical world: Tonya Pewitt, Shawn Whitsell and Denice Hicks.

Despite terrific performances by the show's three leading ladies, The Larry Keeton Theatre's production of Sweet Charity, that 1966 musical theater oddity that spawned two of pop music's favorite showtunes-"If My Friends Could See Me Now" and "Hey, Big Spender"-lacks the polish and pizzazz expected from a theatre company known for its top-flight musical revivals.

Theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors to pay tribute to a group of eight remarkable people who have made indelible marks on the theater scene throughout their storied careers. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored the eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.

In fact, director Kate Adams and musical director Ginger Newman have crafted Nashville's own lovely and, I daresay, star-studded version of the musical which simply proves once again that Into the Woods is one of the most enchanting, most entertaining and most moving examples of contemporary musical theater at its best

Directed by Kate Adams-with musical direction by Ginger Newman-The Larry Keeton Theatre will present Into the Woods, Stephen Sondheim's musical retelling of classic fairy tales, July 12- 28 at the Donelson venue. Nashville photographer (and drummer!) Rick Malkin captured the show's all-star cast in some great promotional shots.