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Photo Flash: DANCE NATION Host Meet & Greet at Playwrights Horizons

Somewhere in America, an army of pre-teen competitive dancers plots to take over the world. And if their new routine is good enough, they'll claw their way to the top at the Boogie Down Grand Prix in Tampa Bay. But in Clare Barron's raucous pageant of ambition and ferocity, these young dancers have more than choreography on their minds, because every plie and jete is a step toward finding themselves, and a fight to unleash their power.

Playwrights Horizons Announces Cast for World Premiere of DANCE NATION

Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) has announced complete casting for the Susan Smith Blackburn Prize-winning DANCE NATION, the world premiere of a new play by Obie Award winner Clare Barron (You Got Older, I'll Never Love Again). Directed and choreographed by Obie Award winner Lee Sunday Evans (Caught, D Deb Debbie Deborah, A Beautiful Day in November…, [Porto]), the play will be the fifth production of the theater company's 2017/2018 Season.

THE AMATEURS Extends Two Weeks at the Vineyard

Vineyard Theatre's Artistic Directors, Douglas Aibel and Sarah Stern announce that the  world premiere production of THE AMATEURS by Jordan Harrison (2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction) will extend through Thursday, March 29.

Review Roundup: THE AMATEURS Opens at the Vineyard

Vineyard Theatre's world premiere production of The Amateurs by Jordan Harrison (2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction), opened last night. Let's see what the critics had to say...

Photo Flash: First Look Vineyard's THE AMATEURS

BroadwayWorld has the newest production photos for Vineyard Theatre's world premiere production of THE AMATEURS by Jordan Harrison (2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction), check them out below!

Photo Coverage: Meet the Company of Vineyard Theatre's THE AMATEURS

Vineyard Theatre's world premiere production of THE AMATEURS by Jordan Harrison(2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction), begins performances Thursday, February 8 with opening night set for Tuesday, February 27.

Tickets to THE AMATEURS are on Sale Now, SPONGEBOB's David Zinn Leads Design Team

Tickets for Vineyard Theatre's world premiere production of THE AMATEURS by Jordan Harrison (2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction) are currently available for purchase online at www.vineyardtheatre.org or by calling the box office at 212-353-0303.

Cast Announced for Jordan Harrison's THE AMATEURS at Vineyard Theatre

Artistic Directors Douglas Aibel and Sarah Stern announce casting for Vineyard Theatre's world premiere production of The Amateurs by Jordan Harrison (2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction).

Simon Godwin's MEASURE FOR MEASURE Enters Final Week at TFANA

Simon Godwin's (Associate Director, London's National Theatre) acclaimed staging of Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex and family, will close as scheduled next week, on July 16. Just 15 New York performances remain of the production.

Simon Godwin's MEASURE FOR MEASURE Begins This Weekend at TFANA

Theatre for a New Audience presents Simon Godwin's (Associate Director, London's National Theatre) Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex and family. Measure for Measure is the first time Godwin is directing Shakespeare with an American company. The production runs this weekend, June 17, through July 16 at Polonsky Shakespeare Center (262 Ashland Place) in the Brooklyn Cultural District.

TFANA Presents Simon Godwin's New Staging of MEASURE FOR MEASURE

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) is pleased to announce casting for British director Simon Godwin's new staging of Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex, and family. The production, which marks Godwin's first time directing Shakespeare for an American company, runs June 17 - July 16 at Polonsky Shakespeare Center (262 Ashland Place) in the Brooklyn Cultural District.

BWW Review: A VIEW FROM THE BRIDGE is Bleak and Beautiful at the Kennedy Center

The plot of A VIEW FROM THE BRIDGE is straightforward, and the source material by Arthur Miller is pretty good, but the spectacular staging of this classic work at the Kennedy Center elevates what could have been a fairly pedestrian family drama to atmospheric heights. The very definition of 'catharsis', this spellbinding production stuns with stripped-down, potent emotion.

L.A. Cast Set for Ivo van Hove's A VIEW FROM THE BRIDGE at Kennedy Center

The Kennedy Center presents the Young Vic Production of A View From the Bridge, the renowned drama by Arthur Miller. The show is directed by Belgian visionary Ivo van Hove, whose lauded production of Antigone was staged at the Eisenhower Theater in the fall of 2015.

L.A. Cast Set for Ivo van Hove's A VIEW FROM THE BRIDGE at Kennedy Center

The Kennedy Center presents the Young Vic Production of A View From the Bridge, the renowned drama by Arthur Miller. The show is directed by Belgian visionary Ivo van Hove, whose lauded production of Antigone was staged at the Eisenhower Theater in the fall of 2015.

BWW Review: Unusual Staging Intensifies Tony Winning A VIEW FROM THE BRIDGE

I hate when one acoustical element in a theatrical production prevents me from thoroughly enjoying the play. In A View From the Bridge, the Young Vic production currently at the Ahmanson through October 16, my concern was regarding Frederick Weller playing Eddie Carbone. He's a fine actor, but for some reason, from the very top, his voice was not carrying adequately over the stage to the audience. I could not hear many of his line deliveries in the first several minutes, and I was straining to understand. Perhaps because of the shell-like structure surrounding the actors center stage? Other voices seemed dimmed as well, so this set may have caused the problem. For a while, I thought it was me, that I was going deaf, but after the performance other audience members voiced the same complaint. Other than that, I have mostly good things to report about this piece directed incisively by Ivo van Hove. It comes to LA from Broadway where it won last year's Tony Award for Best Revival of a Play.

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