Mischief, the multi award-winning company responsible for the global comedy phenomenon, The Play That Goes Wrong, and the BBC One television series, The Goes Wrong Show, has announced full casting for its forthcoming UK Tour of Peter Pan Goes Wrong.
The “greatest spy movie never made” revolves around writer Ian Flemish and real-life spy, Jane Blonde. A group of villains known by EVIW is using the adventures of Flemish’s main character, spy Dick Hardwood, as inspiration for their own evil schemes, and Flemish and Blonde must stop them before they get their hands on his latest work.
The Queen’s English Theatre Company has been surprising audiences in Amsterdam since 2002, with often a very gay take on productions, such as Cabaret and The Importance of Being Earnest. They now take a new, innovative direction with an immersive staging of a double bill of two plays. For this production, the main stage of the CC Amstel Theater will have its own bar serving drinks before both the shows. The immersive tickets transport you to the streets, bars, clubs and parks of London and Barcelona. You’ll be part of the ‘crowd’ without being in the spotlight. But if you want a more relaxed evening at the show, seated tickets are also available, in the usual auditorium, in rows B,C and D. Staged intimately in the round, the plays share a number of themes. Love, sex and... going out! There are just 100 tickets per show.
Mischief has announced full casting for its forthcoming UK Tour of Peter Pan Goes Wrong. The tour opens at Richmond Theatre on 23 September. Learn more about the show, and who's starring, here!
Following its success with the musical Cabaret, The Queen's English Theatre Company now tackles a very different subject. Their March offering is Endless Second; a drama about romance, sex and respect. QETC was delighted to announce today that the play's author, Theo Toksvig- Stuart will be in Amsterdam for Netherlands premiere.
It’s a show about everything and nothing, with comic patterns that are so deliciously millennial and referential that a lack of contextual knowledge from the audience destroys its outcome. When the pieces fit together, however, your cheeks will be sore from laughing for an hour straight. They’re unafraid to overdo all of it, resulting in effectively caustic observations on the entertainment industry and how its advocacy is ultimately a self-serving sham.
The Queen's English Theatre Company kicks off its 20th anniversary year with a remarkably relevant play for the Netherlands - Endless Second. We talked to QETC's director Mark Winstanley. Dealing with issues of #metoo and sexual consent he told us it could almost be considered essential viewing for Talpa Media and for that matter for all men. (Talpa's The Voice of Holland has been taken off the air in the Netherlands amid a sexual misconduct scandal.)
The panellists and cast have been announced for the New Nordics Festival at Jacksons Lane, which brings together five days of the best new plays from Denmark, Sweden, Norway, Finland, Iceland and the Faroe Islands, as well as free talks and workshops with Nordic industry professionals.
Mary Rodger's (yes, daughter of that Richard Rodgers) 1959 musical Once Upon a Mattress makes an appearance in Highgate in a revival that, unfortunately, looks old and stuffy despite all the talent on stage.
Once Upon a Mattress opens Upstairs at the Gatehouse in March 2020. Returning to the Gatehouse with another classic musical rarely seen in London, Mark Giesser steps back into the director's chair for his new production of Once Upon A Mattress, the first musical by Mary Rodgers, daughter of legendary musical composer Richard Rodgers.
ENDLESS SECOND is a new play about consent between a young and in love couple and explores how we talk about sexual violence. Ahead of the show's run at Edinburgh Festival Fringe, writer Theo Toksvig-Stewart, co-star Maddie Gray and director Camilla Gürtler, talk to us about ENDLESS SECOND.
W and M are thrown together as scene partners on the first day of their Drama degree. Their off-stage relationship soon develops into a real-life love story. Amateur dramatics free, their romance unfolds without incident and in the haze of young passion; they meet the families, go away together and carry one another through the stresses of their degree. They listen to each other. They respect each other.
It's a common complaint that as you get older, you start to become invisible to others. This is compounded further if you are an actress over a certain age. The recent performances of actresses such as Glenda Jackson as the titular role in King Lear have highlighted even more that there is dearth of roles for older women.
On one dark and stormy night in the upper day room of the Silver Retirement Home, five elderly ladies are trading stories of their remarkable lives. With the storm floods rising and no rescue team in sight, the ladies are faced with the sudden realisation that in order to survive they are going to have to do what they have done for their entire lives - do it themselves!
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