Target Margin Theater News

Japan Society presents a staged reading of Manhood by Japanese playwright Hideto Iwai, led by director Sarah Hughes, taking place Monday, March 26 at 7:30 PM at Japan Society (333 East 47th Street). Manhood marks the 13th installment of the Society's Play Reading Series of contemporary Japanese plays in English translation, introducing topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S. This event, part of Japan Society's 110th Anniversary Season, aligns with the Spring 2018 Performing Arts focus on deepening the Society's relationship with New York artists.

What Makes Us Feel Good begins with a cow attempting to put the audience at ease. In reality, however, this is an actor looking for self validation. We cannot be certain how the audiences at The Tank will respond, but Johnny the Cow will most certainly ignore them. Especially once he has asked them a question. You see, he wants to get to the good stuff. A trauma involving his mother. A lifetime of self doubt. Forgiveness. Anyway, there's another actor on stage now. They are preparing to present an educational children's theatre show based on the life of murderer William Bradford Bishop. They are certain that it will be both marketing and compelling. The resulting performance is an amalgam of children's broadcast programming, live educational theatre, and William Bradford Bishop's violent acts in Bethesda, Maryland in 1976.

Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director), has extended the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar, a second time, through March 31.

Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.

Following a five year search for a permanent home, Target Margin Theater (Founding Artistic Director David Herskovits, Associate Artistic Director Moe Yousuf, General Manager Lu Liu) is proud to present the world premiere of Pay No Attention To The Girl (March 29-April 21), which marks the Company's debut off-Broadway performances in their new 3,250 sq. ft. home in Brooklyn. Directed by Founding Artistic Director David Herskovits, Pay No Attention To The Girl is an interlocking set of tales about the deceptions of the sexes that lead us deep into the labyrinth of The Thousand and One Nights, a collection of Silk Road, MENA (Middle Eastern / North African), and South Asian stories.

In response to popular demand, Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) extends the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar by two weeks, through March 25. In this play, which dauntlessly cracks jokes as it eviscerates, twin sisters Anaia (Alfie Fuller) and Racine (Dame-Jasmine Hughes) undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.

Journey into the soul of a woman betrayed by her famed husband, philosopher Karl Marx.

Syndrome illustrates the seemingly simple dilemma of a man with Tourette's Syndrome working up the nerve to meet his parents for dinner, and goes on to portray the varied complexity of the Syndrome and its effect upon the person who must live with it.

THE IN[HEIR]ITANCE PROJECT and THE THEATER AT THE 14TH STREET Y are pleased to present THE GENESIS PLAYS, created in a collaborative process led by Jon Adam Ross and directed by Chantal Pavageaux. THE GENESIS PLAYS, a collection of plays inspired by stories in the book of Genesis, will perform in rep during a three-week limited engagement at The Theater at the 14th Street Y (344 E 14th St at 1st Ave, New York, NY 10003) and are funded with generous support by The Covenant Foundation. Performances begin Tuesday, May 1st and continue through Friday, May 18, 2018.  Tickets are $18 (or see three plays for $14 each with a Flex Pass) and are now available online at www.14streety.org

THE IN HEIR ITANCE PROJECT and THE THEATER AT THE 14TH STREET Y are pleased to present THE GENESIS PLAYS, created in a collaborative process led by Jon Adam Ross and directed by Chantal Pavageaux. THE GENESIS PLAYS, a collection of plays inspired by stories in the book of Genesis, will perform in rep during a three-week limited engagement at The Theater at the 14th Street Y (344 E 14th St at 1st Ave, New York, NY 10003) and are funded with generous support by The Covenant Foundation. Performances begin Tuesday, May 1st and continue through Friday, May 18, 2018. Tickets are $18 (or see three plays for $14 each with a Flex Pass) and are now available online at www.14streety.org.

Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) today announces the complete cast and creative team for the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar (Ars Nova's Underground Railroad Game), February 6 - March 11, 2018. The play, with which Soho Rep. reopens its longtime Tribeca theater, dauntlessly cracks jokes as it eviscerates. Alfie Fuller and Dame-Jasmine Hughes play Anaia and Racine, twin sisters who undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.

The Tank will present the World Premiere of PILLOWTALK by Kyoung's Pacific Beat written and directed by Kyoung H. Park and presented as part of The Exponential Festival at The Tank (312 West 36th Street between 8th and 9th Avenues), January 11-27.

Following the opening of the Company's first permanent home, Target Margin Theater has announced that 13 diverse artists, via three distinct programs, will be supported in 2018. The Company's new home, located in the Sunset Park section of Brooklyn, enables Target Margin Theater to deepen their support of the next generation of theater makers through its annual incubator LAB festival, it's five-year-old fellowship program, and its new artist-in-residency program.

Enter Claire's brain. A psychic parasite lives there: a hungry ghost, her mother. In order to exorcise this haunt from her brain, femme pathos breaks open on the Brocken at Walpurgis Night: a gay bacchanal where the doctor and Three Lords will surgically remove the pathogen of misplaced femininity - or was it homosexuality - or some other trauma lodged in the depressed body? Claire and her mother un/become each other in the limbo of a dance-theater spectacle attempting to answer the queer eng nue's burning question: 'What is insanity without the patriarchal landscape?'

James and Jerome make hyper-literary live-music storytelling spectacles for the theater. With MUSEUM: Lecture, co-created with media designer Shawn Duan and co-directed by Tony-nominee Rachel Chavkin and Annie Tippe, they turn their attention to visual art, calligraphy, and illuminated manuscripts to create a love letter to the museum experience one that is at once an art lecture, a personal essay, a piece of theater, and a live electronic music composition, all meditated through with the audience. MUSEUM: Lecture is James and Jerome's answer to Susan Sontag's call for an erotics of art.

In an observation room deep beneath the Capital, a new surveillance program launches to discover threats to the American people. Secret agents hack phones, computers, sex cams, security feeds, and even minds in the name of homeland security. Functioning as a series of pre-recorded episodes as well as a live performance, agents switch between different streams spying on flagged citizens who are struggling with forming their identities amidst a sea of technological, governmental, and societal restrictions.

The Exponential Festival presents and promotes theatrical performances created by New York-based artists and exhibited across Brooklyn (and now sneaking into Manhattan). The Exponential Festival celebrates the increasing growth and importance of Brooklyn venues, unique Manhattan spaces and local artists, working together to keep theatre kicking.

William Burke wrote a monologue. 20 performers are doing it their way while they respectfully dismantle and rearrange and rejuvenate the American flag with scissors, moxie and glue while explaining the unifying and important factors of their favorite beverages.

Producers Scott Rudin and Barry Diller just announced the cast and itinerary for the national tour of the most acclaimed American play in recent memory: The Humans. This November, The Humans kicks off its coast-to-coast national tour at Seattle Repertory Theatre before moving on to engagements in top markets across the United States.

The national tour of the most acclaimed American play in recent memory, The Humans, features Richard Thomas as Erik, Pamela Reed as Deirdre, Daisy Eagan as Brigid, Lauren Klein as Momo, Therese Plaehn as Aimee, and Luis Vega as Richard. The Humans kicks off its coast-to-coast national tour at Seattle Repertory Theatre tonight, November 17, before moving on to engagements in top markets across the United States.