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BWW Review: RAYMONDA, London Coliseum

Tamara Rojo doesn't go far enough in re-inventing Raymonda, its new story lacking the boldness of its new setting in the Crimean War.

San Francisco Ballet Appoints Tamara Rojo As New Artistic Director

San Francisco Ballet today announced the appointment of Tamara Rojo, its first new artistic director in nearly four decades and first woman to lead the internationally-recognized company that has balanced an innovative focus on new and contemporary choreography with a deeply held dedication to classical ballet for nine decades.

MOULIN ROUGE! Leads January's Top 10 New London Shows

Though hardly an ideal start to the new theatrical year, we want to applaud all of the incredible casts, creatives, backstage and front-of-house staff who are working so hard to keep shows on. If you can support productions, please do – whether revisiting an amazing long-running show or checking out something new. And speaking of which: here are some of the most intriguing London additions for this month. Keep checking back for our reviews, interviews and features!

Works & Process At The Guggenheim to Present the 2021 Dance Magazine Awards

Works & Process, the performing arts series at the Guggenheim, will continue its fall 2021 Season with more evening performances in the Frank Lloyd Wright-designed Peter B. Lewis Theater this November and December at the Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York, NY 10128.

Dancing Times Magazine Celebrates 110 Years This Month

1910 saw George V ascend to the throne, the trial and execution of Dr Crippen, the publication of EM Forster's Howard's End and the birth of Alice Marks, later Alicia Markova, the country's first prima ballerina. It also witnessed the establishment of the Dancing Times, the first independent magazine devoted solely to dance.

BWW Review: CINDERELLA IN-THE-ROUND, Royal Albert Hall

There were few greater joys in dance in 2019 than English National Ballet's Cinderella-in-the-round, which played to full auditoriums for 10 days last summer in London. After recent events, it already feels like a lifetime ago, so it's a particular treat to relive it now, as the last of their series of Watch Parties.

BWW Review: ENGLISH NATIONAL BALLET'S DUST, Milton Keynes Theatre

I've written about Dust, Akram Khan's work for English National Ballet World War One programme, Lest We Forget, several times. Somehow, each time, even knowing what's coming, it still packs a chilling, earth shattering punch both through the screen and on stage.

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