The new comedy musical, MR. SATURDAY NIGHT, will launch a digital lottery powered by Broadway Direct on Monday, March 28, making a limited number of $45 tickets available. Find out how to get Lotto tickets!
Mr. Saturday Night, co-written by and starring Tony and Emmy Award winner Billy Crystal, officially begins previews tonight, March 29, 2022. The show will officially open on April 27, 2022 at the Nederlander Theatre (208 West 41st Street). Meet the cast bringing the show to Broadway here!
Coventry audiences will be among the first to experience a brand new on-stage thriller when Robin Hawdon's Revenge comes to the Belgrade Theatre next month.
Louise Jameson (EastEnders, Doctor Who, Bergerac) will direct a new stage production of Robin Hawdon's suspense-filled thriller Revenge. The play opens at Greenwich Theatre, London, on 6th February before touring the UK. There will be a national press night on Thursday 6th February.
Florida Repertory Theatre's Education Department is pleased to present a?oeSpring Awakening,a?? with music by Duncan Sheik and book and lyrics by Steven Sater. The eight-time Tony Award-winning Best Musical is the next offering in the theatre's popular Conservatory Program and runs August 9-11 and 15-17 in the Historic Arcade Theatre. Conservatory tickets are $25/$20 for adults and $10 for students.
Agatha Christie's The Mousetrap will continue its record-breaking, and first ever, UK tour into 2016. The beloved murder mystery will begin the 2016 leg of its tour at Nottingham Theatre Royal, where it originally opened in 1952, on 19 January
Louise Jameson (Doctor Who, EastEnders, Doc Martin) will star as Mrs Boyle in the record-breaking 60th anniversary tour of Agatha Christie's The Mousetrap from January 2016. The beloved murder mystery will begin the 2016 leg of its tour at Nottingham Theatre Royal on 19 January before visiting more than 25 further venues across the UK. Further casting will be announced in due course.
Lois Weaver is co-founder (with Peggy Shaw and Deb Margolin) of Split Britches, the world's premiere lesbian theater troupe, and is well-known for her dramatis persona, Tammy WhyNot, an aging trailer trash blonde who threw away Nashville stardom for a career as a contemporary performance artist. Tammy returns to La MaMa tonight, November 6 to 23 with 'What Tammy Needs to Know about Getting Old and Having Sex,' a new performance created with elderly women in Zagreb, Croatia and NYC that illuminates the taboo subject of desire, pleasure and intimacy in old people. This show is the project for which she was awarded a 2014 Guggenheim Fellowship.
Lois Weaver is co-founder (with Peggy Shaw and Deb Margolin) of Split Britches, the world's premiere lesbian theater troupe, and is well-known for her dramatis persona, Tammy WhyNot, an aging trailer trash blonde who threw away Nashville stardom for a career as a contemporary performance artist. Tammy returns to La MaMa November 6 to 23 with 'What Tammy Needs to Know about Getting Old and Having Sex,' a new performance created with elderly women in Zagreb, Croatia and NYC that illuminates the taboo subject of desire, pleasure and intimacy in old people. This show is the project for which she was awarded a 2014 Guggenheim Fellowship.
In spite of Winter Storm Hercules, over 300 well-wishers filled La MaMa's La Galleria, 6 East 1st Street, on Friday, January 3 for the opening of 'Desperate Archives' by Split Britches, the legendary lesbian performance troupe. 'Desperate Archives' is a gallery exhibition in which Peggy Shaw and Lois Weaver of Split Britches re-purpose their own archival material from the last 20 years to explore the issues of having, holding, and letting go. Scroll down for photos from the opening!
La MaMa kicks off 2014 with two offerings by Split Britches, New York's premiere lesbian performance troupe: 'Ruff,' Peggy Shaw's performance about life and art following her 2011 stroke, and 'Desperate Archives,' a gallery show of installations made from remnants of the company's last 20 years of work. 'Ruff' is performed by Peggy Shaw; it is written by Shaw and Lois Weaver and directed by Weaver. 'Desperate Archives' features contributions by Vivian Stoll, Stormy Brandenberger, Susan Young, Lori E Seid, Matt Delbridge, Helaine Gawlica, Eva Weiss, Saskia Scheffer, Jo Palmer and the Man Meat Collective.
Cameron Moir's new drama, CLASS A, will receive its premiere this February at the historic Gene Frankel Theatre, running February 23rd-27th. Directed by Alyse M. Frosch, CLASS A centers on four addicts, each partnered with their drug of choice (personified as a separate character), and the conversations between these drugs and their respective addicts lead to startling conclusions and hilarious revelations. The production is presented by Valhalla Productions and will feature lighting design by Tom Wilson and costume design by Nina Vartanian. CLASS A is a play about drugs and addictions that have become the embodiments of us all. In the play, four addicts sit at separated class desks, each with two chairs centered downstage while Dorey, the drug dealer, pimp and teacher of the class takes her pupils and the audience through a journey exploring various aspects of these addicts' lives, eventually revealing their fate. An inquiry into the public and cultural space through which our notions of good, evil, right, wrong, joy and sorrow circulate, CLASS A is a powerful meditation on human emotion in the landscape of addiction and will feature an exciting array of avant garde costumes.
Cameron Moir's new drama, CLASS A, will receive its premiere this February at the historic Gene Frankel Theatre, running February 23rd-27th. Directed by Alyse M. Frosch, CLASS A centers on four addicts, each partnered with their drug of choice (personified as a separate character), and the conversations between these drugs and their respective addicts lead to startling conclusions and hilarious revelations. The production is presented by Valhalla Productions and will feature lighting design by Tom Wilson and costume design by Nina Vartanian. CLASS A is a play about drugs and addictions that have become the embodiments of us all. In the play, four addicts sit at separated class desks, each with two chairs centered downstage while Dorey, the drug dealer, pimp and teacher of the class takes her pupils and the audience through a journey exploring various aspects of these addicts' lives, eventually revealing their fate. An inquiry into the public and cultural space through which our notions of good, evil, right, wrong, joy and sorrow circulate, CLASS A is a powerful meditation on human emotion in the landscape of addiction and will feature an exciting array of avant garde costumes.