Review: On Site Opera's TABARRO Brings Noir Puccini to New York's South Street Seaport
IL TABARRO has a special relationship to New York, since it’s the only Puccini to premiere here at the Metropolitan, in 1918.
IL TABARRO has a special relationship to New York, since it’s the only Puccini to premiere here at the Metropolitan, in 1918.
Celebrating its 10th anniversary season, On Site Opera gave its audiences a present: The lively, fun-filled GIANNI SCHICCHI--the only comedy in Puccini’s trifecta, IL TRITTICO, which had its world premiere at the Met in 1918 and is surely its most popular of the triptych of one-acts.
On Site Opera, New York's pioneer opera company rooted in site-specific storytelling and the immersive experience, announced today a three week initiative to bring industry operatic giants from their Artistic Advisory Council together to initiate discussions across multiple areas of focus.
On Site Opera, New York's pioneer opera company rooted in site-specific storytelling and the immersive experience, will host a series of online performance live streams and events to remote patrons and audiences as social distancing becomes a necessary norm all over the world.
On Site Opera, an organization dedicated to presenting site-specific opera productions in non-traditional venues throughout New York City, has announced casting for Das Barbecü at Hill Country Barbecue Market, January 26- February 11, 2020.
On Site Opera, an organization dedicated to presenting site-specific opera productions in non-traditional venues throughout New York City, will present the return of Gian Carlo Menotti's perennial one act opera Amahl and the Night Visitors at Holy Apostles Soup Kitchen December 4-8, following
Known for pioneering rare and captivating site-specific performances, On Site Opera (OSO) will produce the New York premiere (and the first production since its world premiere) of Ricky Ian Gordon's Morning Star on March 21-22, and 25, 2018, at the Eldridge Street Synagogue, in partnership with the
Well, three cheers for On Site Opera, for completing its trilogy of works based on Beaumarchais' 18th century 'Figaro' plays and digging deep into the repertoire to deliver some lesser known works.
It had a great score but an unmanageable book.