Theatre in the Round Players presents the area premiere of The Burial at Thebes in weekend performances February 12th through March 7th. Irish poet and Nobel Prize winning author Seamus Heaney wrote this new adaptation of the Greek tragedy Antigone. When Creon, the king, refuses to bury her traitorous brother, Antigone defies him and takes the law into her own hands. This short but powerful staging features a striking version of a wise Chorus, and vivid, poetic writing.
Theatre in the Round Players presents the area premiere of The Burial at Thebes in weekend performances February 12th through March 7th. Irish poet and Nobel Prize winning author Seamus Heaney wrote this new adaptation of the Greek tragedy Antigone. When Creon, the king, refuses to bury her traitorous brother, Antigone defies him and takes the law into her own hands. This short but powerful staging features a striking version of a wise Chorus, and vivid, poetic writing.
Theatre in the Round Players presents the area premiere of The Burial at Thebes in weekend performances February 12th through March 7th. Irish poet and Nobel Prize winning author Seamus Heaney wrote this new adaptation of the Greek tragedy Antigone. When Creon, the king, refuses to bury her traitorous brother, Antigone defies him and takes the law into her own hands. This short but powerful staging features a striking version of a wise Chorus, and vivid, poetic writing.
Pioneer Theatre Company presents the world premiere of TOUCH(ED) by Bess Wohl, the first production of the theatre's recently instituted New Plays Initiative.
Pioneer Theatre Company presents the world premiere of TOUCH(ED) by Bess Wohl, the first production of the theatre's recently instituted New Plays Initiative.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
The Public Theater's Music Theater Initiative presents its first Songwriter Showcase, featuring sneak previews of three musicals in development by today's hottest young writing teams, curated by MTI director, Ted Sperling, Tony Award winner for THE LIGHT IN THE PIAZZA.
The Public Theater's Music Theater Initiative presents its first Songwriter Showcase, featuring sneak previews of three musicals in development by today's hottest young writing teams, curated by MTI director, Ted Sperling, Tony Award winner for THE LIGHT IN THE PIAZZA.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Due to sustained audience interest and enthusiastic reviews, Handcart Ensemble, in cooperation with THEATRES AT 45 BLEECKER STREET, will extend the off-Broadway run of 'Homer's Odyssey: a Retelling by Simon Armitage' until October 25.
Due to sold-out houses and enthusiastic reviews, Handcart Ensemble, in cooperation with THEATRES AT 45 BLEECKER STREET, will extend 'Homer's Odyssey: a Retelling by Simon Armitage' through October 25th.
Due to sustained audience interest and enthusiastic reviews, Handcart Ensemble, in cooperation with THEATRES AT 45 BLEECKER STREET, will extend the off-Broadway run of 'Homer's Odyssey: a Retelling by Simon Armitage' until October 25.