BWW Reviews: MOCKINGBIRD Teaches Empathy at the Kennedy Center
There is a scene about two thirds of the way through Mockingbird, currently playing at the Family Theater at the Kennedy Center, that cuts straight to the emotional core of the play.
There is a scene about two thirds of the way through Mockingbird, currently playing at the Family Theater at the Kennedy Center, that cuts straight to the emotional core of the play.
It seems only fitting that in its efforts to introduce a musical form as grown-up as the opera to younger audiences, that the Kennedy Center has picked for this holiday season the children's classic THE LITTLE PRINCE, a story all about grown-ups trying to understand children trying to understand gro
Some classic stories, tales, myths and legends do more than stand the test of time.
Director Ethan McSweeny clearly knows his way around the play, and offers mature Washington audiences a visually rich, complex Tempest that has its share of magical moments, but which at its core is unvarnished by sentiment.
The Ford's Theatre 2014-2015 season continues with A Christmas Carol by Charles Dickens and adapted by Michael Wilson, November 20, 2014, to January 1, 2015.
The Gift of Nothing is the perfect outing for families with young children hoping to see a meaningful show this holiday season.
Ford's Theatre 2014-2015 season continues with A Christmas Carol by Charles Dickens and adapted by Michael Wilson, tonight, November 20, 2014 to January 1, 2015.
Ford's Theatre 2014-2015 season continues with A Christmas Carol by Charles Dickens and adapted by Michael Wilson, November 20, 2014 to January 1, 2015.
If you are a Shakespeare connoisseur who knows the plays and who thrills at new stagings of familiar material, by all means get thee to the Lansburgh Theatre to see Michael Attenborough's fascinating production of As You Like It.
The 2014/2015 National Tour of Lerner & Loewe's CAMELOT re-imagines the tale of King Arthur, Guenevere and Lancelot.
Turns out, the decision Ford's Theatre Society made to present this award-winning work might not have only been a good idea in theory, but also in execution.
The enchanted journey we embark upon with Washington National Opera's season opener Florencia in the Amazon is a production filled with beauty and a timeless truth.
I love theater that challenges me as an audience member and An American Soldier does just that.
THE MAGIC FLUTE (Die Zauberflote), Mozart's last great work, is sometimes viewed as the precursor to musical theater.
A winner from start to finish, THE MAGIC FLUTE features Mozart's score, a delightful new translation, superb casting, and the stunning design work of Jun Kaneko.
Washington National Opera (WNO) continues its 2013-2014 season with a new English-language production of one of the most beloved and family-friendly operas in the repertory: Wolfgang Amadeus Mozart's The Magic Flute, tonight, May 3-18 in the Kennedy Center Opera House.
Washington National Opera (WNO) continues its 2013-2014 season with a new English-language production of one of the most beloved and family-friendly operas in the repertory: Wolfgang Amadeus Mozart's The Magic Flute, May 3-18 in the Kennedy Center Opera House.
The Shakespeare Theatre Company's revival of Henry IV, Part 2 is a fine production filled with terrific acting and some wonderful ensemble moments.
The Shakespeare Theatre Company's well-crafted, well-acted and magnificently directed revival of William Shakespeare's Henry IV, Part 1 is an exciting production perfect for a novice theatergoer or the most seasoned Shakespearean veteran.
The Shakespeare Theatre Company, recipient of the 2012 Regional Theatre Tony Award, presents Shakespeare's Henry IV, Parts 1 and 2 as part of the Clarice Smith Repertory, starring Stacy Keach.