Phone rings. Door chimes. In comes Company, one of legendary composer Stephen Sondheim's most beloved musicals, produced at Signature Theatre for the first time in twenty years and directed by Artistic Director Eric Schaeffer. The cast of fourteen, led by Matthew Scott (First You Dream: The Music of Kander & Ebb; Side By Side By Sondheim) in the role of Bobby, features many of Signature's most well-known stars in an enchanting, deeply funny exploration of love and marriage. BroadwayWorld has a first look below.
Maurice Hines puts his passion for tap, his late brother Gregory, and classic Big Band music on display in TAPPIN' THRU LIFE: AN EVENING WITH MAURICE HINES. Backed by the Berklee College of Music Select Big Band, under the direction of drummer Sherrie Maricle, Hines tells his story, shows off his vocal chops, and delights the audience with his warm, relaxed presence. The program is stingy with his dancing, but The Manzari Brothers ratchet up the excitement and kick up a lot of dust in their turn in the spotlight.
THE SCREWTAPE LETTERS, the provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon's point of view, will return to Atlanta by popular demand for two performances only, after successful engagements in June 2011 and June 2012. The production will run at the Alliance Theatre at the Woodruff Arts Center, 1280 Peachtree Street NE in Atlanta, from Friday, June 7 through Sunday, June 9. Get a sneak peek at the show below!
Folger Theatre's TWELFTH NIGHT is simply perfection. A complete triumph, TWELFTH NIGHT, directed by Robert Richmond, is a clear, funny and touching rendering of a Shakespeare play that can appeal to any theatre-goer. After their sell-out production of HENRY V, which received all sorts of accolades, Folger may have topped itself. TWELFTH NIGHT is one you don't want to miss.
SHOW BOAT is back in an appealing production by the Washington National Opera. The Kennedy Center Opera House is a fitting berth for Captain Andy's Cotton Blossom and the happy/troubled show folk who make it their home. Boasting a cast and chorus of 100, WNO's SHOW BOAT allows the story to roll along the 40-year time span and the glorious music to enthrall the audience once again.
Lead by Helen Carey and Larry Bryggman, Jon Robin Baitz's OTHER DESERT CITIES at Arena Stage boasts strong performances and clear direction by Kyle Donnelly.
WALLENSTEIN deserves to be considered a regular visitor to classical theatres throughout the world. Robert Pinsky's free adaptation of an 18th century epic is one more fabulous rediscovery of a near-forgotten classic to the company's production. The play is anchored by Steve Pickering's performance in the title role.
Shakespeare Theatre Company's new production of Coriolanus offers a no-nonsense approach to the text and memorable performances that go a long way to make a case for audiences to discover this difficult play.
Mary T. & Lizzy K. stitches together an insider's look at the unique friendship between Mary Todd Lincoln and her talented dressmaker, the successful freed slave Elizabeth 'Lizzy' Keckly. Written and directed by Thompson, Mary T. & Lizzy K. runs now through April 28, 2013 in the Arlene and Robert Kogod Cradle at Arena Stage. BroadwayWorld has a first look at the cast in action below!
Helen Hayes Award winner and former Arena Stage Associate Artistic Director Kyle Donnelly (Ah, Wilderness!) directs the D.C.-area premiere of Jon Robin Baitz's smash hit OTHER DESERT CITIES with a cast that features Tony Award nominee and two-time Helen Hayes Award winner Helen Carey (Arena Stage's Long Day's Journey into Night, Broadway's Hedda Gabler) and two-time Daytime Emmy Award winner Larry Bryggman (Broadway's Harvey, CBS's As the World Turns).
4,000 Miles is right at home at Studio Theatre: a crackling good contemporary script, first class actors, and a top notch production. If we gave out stars at Broadway World, I would give this show five out of five.
Ford's Theatre Society and Signature Theatre co-present the Tony-winning musical "Hello, Dolly!," directed by Eric Schaeffer, March 15 through May 18, 2013, at Ford's Theatre (511 Tenth Street NW, Washington, D.C.). The production features Broadway's Nancy Opel in the title role and Edward Gero as Horace Vandergelder. Check out a first look at the cast in costume below!
Woolly has done justice to this ambitious piece and I, for one, am happy they have included a truly dramatic play in its season - particularly one as compelling as this.
OUR TOWN gets a reverent 75th anniversary production at Ford's Theatre. Thornton Wilder's classic drama still shines, in spite of some forced moments. Director Stephen Rayne allows the play to remain imaginative, while not offering a definitive take on it.
Overall, this show is highly recommended. Folger doesn't employ gimmicks, but does justice to the material at a time when state governments across our globe are struggling with territorial disputes, the realities of political leadership, and the forces of socio-political change not unlike the ones presented in this play.
When exceptional actors deliver an equally strong script, the end result is usually a ‘must-see' theatrical production. This is certainly the case with the Studio 2nd Stage production of 'Contractions.'
