The TexARTS Professional Series celebrates the extraordinary legacy of the late Stephen Sondheim with a reimagined version of his grisly 1979 masterpiece Sweeney Todd: The Demon Barber of Fleet Street.
The TexARTS Professional Series celebrates the extraordinary legacy of the late Stephen Sondheim with a reimagined version of his grisly 1979 masterpiece Sweeney Todd: The Demon Barber of Fleet Street.
Austin Playhouse is celebrating the holiday season with the romantic musical comedy, She Loves Me. She Loves Me is a charming story set in the 1930's about two feuding shop clerks, Amalia and Georg. By Day, the two sparring co-workers can't seem to find common ground, but by night write beautiful love letters to their a?oesecret admirersa??. The unlikely romance unfolds as Georg and Amalia discover the truth that the anonymous pen pals they are falling for happen to be each other! But will their love continue to blossom once their identities are finally revealed? Musical favorites include, a?oeVanilla Ice Creama??, and a?oeShe Loves Mea??. She loves me is a musical adaption of the 1937 play Parfumerie. The story has also been adapted into the popular films The Shop around the Corner (1949) and You've Got Mail (1998).
In short, THE LITTLE MERMAID taps into the magic of Disney and brings it to Central Texas. It offers family-friendly summer fun that is accessible to all.
Jarrott Productions presents Pulitzer Prize nominee Theresa Rebeck's hit Broadway comedy SEMINAR, May 10-June 3 at the Trinity Street Theatre, 901 Trinity in downtown Austin. This provocative comedy about four aspiring writers who take private classes from an international literary figure features a quintet of actors all making their Jarrott Productions debut!
Jarrott Productions presents Pulitzer Prize nominee Theresa Rebeck's hit Broadway comedy SEMINAR, May 10-June 3 at the Trinity Street Theatre, 901 Trinity in downtown Austin. This provocative comedy about four aspiring writers who take private classes from an international literary figure features a quintet of actors all making their Jarrott Productions debut!
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET is the 1979 Tony Award winning Best Musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler which is based on Christopher Bond's 1973 play of the same name. It has enjoyed several revivals and has been presented by multiple opera companies. Set in 19th century England, the show details barber Sweeney Todd's (Joe Penrod) return to London after 15 years of exile to take revenge on the corrupt judge who banished him. He conspires with a local baker, Mrs. Lovett (Cathie Sheridan), who has a struggling pie shop below the space that becomes Todd's tonsorial parlor. The character originated in serialized Victorian popular fiction, known as 'penny dreadfuls'
The City Theatre is thrilled to continue its 2016 summer season with the Tennessee Williams American classic THE GLASS MENAGERIE. The show runs three more weeks at The City Theatre, July 28 - August 14. BroadwayWorld has a first look at the cast in action below!
The City Theatre is thrilled to continue its 2016 summer season with the Tennessee Williams American classic THE GLASS MENAGERIE. The show runs three more weeks at The City Theatre, July 28 - August 14. BroadwayWorld has a first look at the cast in action below!
THE GLASS MENAGERIE was Tennessee Williams first successful play. It premiered in Chicago in 1944 and later transferred to Broadway. This four character memory play took Williams from obscurity to fame, winning the New York Drama Critics Circle Award in 1945. The most strongly autobiographical of his work it features characters based on his overbearing mother and his fragile sister Rose. Before the play Williams had covered the material in both a short story called 'Portrait of a Girl in Glass' and a screenplay written earlier called The Gentleman Caller. The play is the most lyrically beautiful of all of Williams work, due mostly to the poetry of Tom's soliloquies to the audience. It examines the isolation of people who can't connect to each other or the world at large.
The City Theatre continues its summer season with the Tennessee Williams American classic, The Glass Menagerie, which revolutionized modern drama and is still an undisputed masterpiece from one of the great voices of the American theatre. Directed by Jeff Hinkle and starring Ben McLemore, Sarah Zeringue, Terri Bennett, and Donato De Luca. The production runs July 22 - August 14, 2016.
Different Stages continues its 2013 - 2014 season with Brandon Thomas's Charley's Aunt. Oxford students Jack and Charley can't court their sweethearts without a chaperone. Charley's aunt is on her way from Brazil and will fit the bill - until her arrival is delayed! What to do, what to do? By George, they hire an impersonator, or rather coerce their rascally schoolmate Fancourt to pose as Charley's aunt from Brazil, -'where the nuts come from.' Complications begin when the schoolmate, in drag, becomes the love object of two older men.
Different Stages continues its 2013 - 2014 season with Brandon Thomas's Charley's Aunt. Oxford students Jack and Charley can't court their sweethearts without a chaperone. Charley's aunt is on her way from Brazil and will fit the bill - until her arrival is delayed! What to do, what to do? By George, they hire an impersonator, or rather coerce their rascally schoolmate Fancourt to pose as Charley's aunt from Brazil, -"where the nuts come from." Complications begin when the schoolmate, in drag, becomes the love object of two older men.
Tradition. The world in itself embodies the theme of the well-known and beloved musical Fiddler on the Roof. For over half a century now, the timeless tale of Teyve, a loveable yet customary man raising five daughters in 19th century Russia, has touched a plethora of audiences, ranging in age, faith, and beliefs. As far as old-fashioned musical theater goes, Fiddler reaps tradition in every which way. From its hummable, fun-loving numbers, to its relatable characters and relationships, Fiddler on the Roof encompasses known tradition, both within the script and upon the stage.