Sarah Bernhardt News

Oregon Shakespeare Festival (OSF) Incoming Artistic Director Nataki Garrett and Artistic Director Bill Rauch announced the Festival's 2020 playbill today. The season celebrates OSF's ongoing commitment to the work of Shakespeare, imaginative adaptations of beloved classics and illuminating new plays in a Jubilee year that includes two world-premiere American Revolutions commissions for only the second time in the Festival's history.

A glorious group of ghosts are converging on Theater for the New City - and it has nothing to do with the theater's annual Halloween ball slated for later in the year.

El encuentro entre un seminarista con la reconocida actriz Sarah Bernhardt, quien en 1905 visita un pueblo canadiense, desata la polémica al proponer una obra protagonizada por ella, escrita a partir de la vida de otro seminarista que considera a la fe como única forma de salir de la miseria, punto que recrea La divina ilusión, a cargo de la compañía Los Endebles, A.C., y Petit Comité Teatro, quienes retoman la obra de Michel Marc Bouchard, traducida al español y dirigida por Boris Schoemann.

The Goodman Theatre announces the new 2019/2020 Season of 'Theater That Moves'-three world premiere productions (including a new musical), four Chicago premieres and a major revival of a beloved contemporary classic-on the theater's two stages (the 856-seat Albert Theatre and 350-seat flexible Owen Theatre).

Unicorn Theatre, under the leadership of Producing Artistic Director Cynthia Levin, announces the 46th season of thought provoking new plays that will delve into today's most pressing social issues and reflect on our history through a modern lens. This season will include a new musical, a world premiere and two new comedies. The new season will open September 4th, 2019.

Where Do All the Ghosts Go? is a dark comedy about the demolition of a historic NYC building and the ghosts of significant people who have made it their post-life home. They must convince a young lesbian couple that ghosts really exist in order to get their help. Written and directed by Barbara Kahn. Set and Lights by Mark Marcante. Prop design by Lytza Colon. Costumes by Everett Clark. Sound by Joy Linsheid. With Chloe Simone Crawford, David Leeper, Christopher Lowe, Sarah Teed, Steph Van Vlack, Ashley Versher, Fleur Voorn. 155 First Ave (9th & 10th Sts). April 11-28 2019. Thus-Sat at 8pm, Sun at 3pm. Res/Info: 212-254-1109

Edmond de Bergerac, Alexis Michalik's hilarious comedy and French theatre phenomenon, will have its UK premiere at Birmingham Repertory Theatre from 15 30 March with a star cast led by Freddie Fox as Edmond Rostand, alongside Henry Goodman as Constant Coquelin, Josie Lawrence as Sarah Bernhardt and Chizzy Akudolu as Maria.

In Oscar Wilde's THE IMPORTANCE OF BEING EARNEST, Gwendolen says, "In matters of grave importance, style, not sincerity, is the vital thing." It seems that NY Classical's new production took this quip to heart as their stylizing replaces more nuanced characterization at times, at least in the gender-reversed version.

New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”,  and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.

Edmond de Bergerac, Alexis Michalik's hilarious comedy and French theatre phenomenon, will have its UK premiere at Birmingham Repertory Theatre from 15 30 March with a star cast led by Freddie Fox as Edmond Rostand, alongside Henry Goodman as Constant Coquelin, Josie Lawrence as Sarah Bernhardt and Chizzy Akudolu as Maria.

Geffen Playhouse today announced eight productions that will make up its 2019/2020 season, with one additional production to be announced. This marks the second lineup curated by Artistic Director Matt Shakman and the 24th season for the Los Angeles theater. The season will launch Tuesday, August 20, 2019 and run through Sunday, July 19, 2020.

Go back in time to 1665 and learn about the theatre world in London.

From the Pulitzer Prize-winning play wright Tennessee Williams, take a look through the fading memory books of Tom's fractured life in The Glass Menagerie. Living with his controlling mother and introverted sister Laura, who lives in her own world of make believe, Tom struggles as the pillar of his family. As the memories are revealed, Tom and his mother Amanda, wish for nothing more than for Laura to find a loving husband. When Tom sets up a blind date for his sister with his coworker from the shoe warehouse, Amanda's obsession and frustration is pushed to new extremes, while Laura is left vulnerable and exposed like her glass figurines.

The production of Chicago at the Fulton Theatre has added 6 more performances and is now extended through February 24th!

Diablo Ballet opens the new year with the second program of its landmark 25th Season, Balanchine and Beyond, February 1-2, 2019, at the Del Valle Theatre in Walnut Creek. This program features three ballets including the classic masterpiece Apollo by George Balanchine.

Well, next up in decluttering my apartment is clearing out the big, tall stack of different Guys and Dolls CDs I've spent a few decades collecting. I think I could hack this particular task without any tears (or maybe like you know without having to blog about it) were it not for that gorgeous black square with the orange and yellow title letters thrown into the air alongside perfect pair of cartoon dice. 1992 Grammy Award-winning New Broadway Cast Recording, it's gonna be hard to leave you, baby.

The illustrious Triple Door transforms into 1890s Prague in Bohemia, a story about love, classical music, art nouveau, green fairies and absinthe. Presented by Opal Peachey and Mark Siano, this new musical combines live orchestral music from composers Antonin Dvorak and Frederic Chopin, with original musical works; a set inspired by the art of Alphonse Mucha; and historic artists Sarah Bernhardt and George Sand interweave with beautiful green fairies, aerial numbers, dance, burlesque, classical piano battles, comedy, and new and original songs.

The Fulton Theatre swings into the new year with one of Broadway's longest running musicals, Chicago. Opening on January 24, 2019, the Fulton's distinctive production of Chicago is set to be the hottest show of the season, and will channel the alluring luster of 1920's vaudeville. Featuring a two story band stand, flying jail cells, and set elements that extend into the audience, Chicago is sure to be a spectacle so alluring it should be criminal. The dazzling set was designed by Adam Koch, who recently wowed audiences with his set design for Fulton Theatre's The Hunchback of Notre Dame. The Fulton's costumes are a departure from the simple all-black garb of the Broadway revival. Featuring glistening sequins, feathers, and boas, the Fulton's costumes epitomize one of the show's most iconic numbers, "Razzle Dazzle". The exquisite costumes are designed by Fulton regular, Ryan J. Moller, who has crafted wardrobes for some of the Fulton Theatre's biggest shows including Disney's Beauty and the Beast and Robin and Clark's Treasure Island, A Musical Adventure.

Diablo Ballet opens the new year with the second program of its landmark 25th Season, Balanchine and Beyond, February 1-2, 2019, at the Del Valle Theatre in Walnut Creek. This program features three ballets including the classic masterpiece Apollo by George Balanchine.

The illustrious Triple Door transforms into 1890s Prague in Bohemia, a story about love, classical music, art nouveau, green fairies and absinthe. Presented by Opal Peachey and Mark Siano, this new musical combines live orchestral music from composers Antonin Dvorak and Frederic Chopin, with original musical works; a set inspired by the art of Alphonse Mucha; and historic artists Sarah Bernhardt and George Sand interweave with beautiful green fairies, aerial numbers, dance, burlesque, classical piano battles, comedy, and new and original songs.