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Review: THE BARBER OF SEVILLE, Wilton's Music Hall

Review: THE BARBER OF SEVILLE, Wilton's Music Hall

by Franco Milazzo — March 18, 2024

In the week when an Arts Council England report lambasted the current state of opera and questioned its relevance to wider society, Charles Court Opera’s The Barber Of Seville stands as a stern rebuff to those who consider this art form to be dated and irrelevant.

Review: IOLANTHE, London Coliseum

Review: IOLANTHE, London Coliseum

by Franco Milazzo — October 9, 2023

If a revival is akin to colouring in someone else’s artwork, Cal McCrystal’s Iolanthe for the ENO does so with every shade under the sun.

Photos: First Look at IOLANTHE at the London Coliseum

Photos: First Look at IOLANTHE at the London Coliseum

by Stephi Wild — October 5, 2023

Following a series of successful hits which have cemented the English National Opera’s (ENO) place as a major home for Gilbert & Sullivan’s works, Cal McCrystal’s  Iolanthe returns to the London Coliseum for its first revival this October.

Photo Flash: Babes With Blades Theatre Company Presents WOMEN OF 4G

Photo Flash: Babes With Blades Theatre Company Presents WOMEN OF 4G

by A.A. Cristi — August 9, 2019

Babes With Blades Theatre Company's (BWBTC) 22nd anniversary season launches with Women Of 4G, August 1 – September 14, written by Amy Tofte, direction by Lauren Katz, assistant direction by Stephanie Mattos and fight direction by Maureen Yasko.

Babes With Blades Takes Off With WOMEN OF 4G

Babes With Blades Takes Off With WOMEN OF 4G

by A.A. Cristi — July 8, 2019

Babes With Blades Theatre Company's (BWBTC) 22nd anniversary season launches with Women Of 4G, August 1 - September 14, written by Amy Tofte, direction by Lauren Katz, assistant direction by Stephanie Mattos and fight direction by Maureen Yasko.

BWW Review: A PRISM of PROTOTYPE's INFINITE PSYCHOSIS for 2019

BWW Review: A PRISM of PROTOTYPE's INFINITE PSYCHOSIS for 2019

by Richard Sasanow — January 9, 2019

Where are our Violettas, our Salomes, our Elektras--even our Lulus--for opera to move forward as an art form for the 21 century? They're all victims of stress and suffering of one sort or another, but still worth meeting up with--not only musically but dramatically--more than once.

BWW Review: IOLANTHE, London Coliseum

BWW Review: IOLANTHE, London Coliseum

by Aliya Al-Hassan — February 18, 2018

Originally intended as a stinging satire on Victorian politics and the House of Lords in particular, Gilbert and Sullivan's supremely silly comic opera Iolanthe is in fine form as it returns to the Coliseum.


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