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The Civilians Presents Claire Kiechel's PAUL SWAN IS DEAD AND GONE

The Civilians, under the leadership of Founding Artistic Director Steve Cosson and Managing Director Margaret Moll, is proud to present the world premiere of Paul Swan is Dead and Gone by Claire Kiechel, a former member of The Civilians' R&D Group where the play was first developed. Directed by Cosson and starring Tony Torn as the real-life Paul Swan, the production marks Kiechel's New York debut and runs April 25 - May 19, with an opening night set for May 1. For an audience of only 30, the intimate and immersive performance takes place at Torn Page (435 West 22nd Street, Manhattan), a salon-style performance space located inside a historic Chelsea townhouse originally purchased by Torn's parents, Geraldine Page and Rip Torn.

VIDEO: Frank Wildhorn Teases THE MAN WHO LAUGHS in Seoul

Here's the WORLD PREMIERE video debut of Frank Wildhorn's THE MAN WHO LAUGHS, opening on July 10, 2018 Art Hall Opera Theater, Seoul. The spot features a solo violin and revealing the composer at the piano performing the theme from the show began running on Korean media this week. The Man Who Laughs is Wildhorn's 12th musical to open in Seoul. Based on Victor Hugo's novel, the romantic melodrama is credited with inspiring the comic book figure The Joker, based on the character, Gwynplaine.

Photo Flash: THE MUSIC MAN Brings His 76 Trombones to Sharon Playhouse

In 1957 Meredith Willson's The Music Man opened on Broadway and the rest is history. To celebrate it's 60th anniversary as an American classic the Sharon Playhouse and director Morgan Green invite you to experience The Music Man as you've never seen it. The story of a lovable conman who warms his way into the heart of small town America has never been more relevant.

Sharon Playhouse Sets Star-Studded Casts for 2017 Summer Season

Sharon Playhouse has announced complete casting for its 2017 Season. The season kicks off with MINOR CHARACTER: SIX TRANSLATIONS OF UNCLE VANYA, created by New Saloon (Morgan Green, Madeline Wise, and Milo Cramer), followed by FAR AWAY by Caryl Churchill (Love and Information). The season will conclude with a new, intimate chamber production of Meredith Willson's THE MUSIC MAN. In a shift that begins this season, Morgan Green (William Shakespeare's Mom) will direct all three productions, showcasing the talents and range of the rising director.

Photo Flash: THE MUSIC MAN Prepares to Roll Into Sharon Playhouse

In 1957 Meredith Willson's The Music Man opened on Broadway and the rest is history. To celebrate it's 60th anniversary as an American classic the Sharon Playhouse and director Morgan Green invite you to experience The Music Man as you've never seen it. The story of a lovable conman who warms his way into the heart of small town America has never been more relevant.

Colony Theatre Opens West Coast Premiere of BLAME IT ON BECKETT Tonight, 8/11

The Colony Theatre presents the second production of its "Season of Premieres" with the West Coast Premiere Premiere of BLAME IT ON BECKETT, written by John Morogiello and directed by Andrew Barnicle. BLAME IT ON BECKETT opens tonight, Saturday, August 11 at 8:00pm and continues through Sunday, September 2 at The Colony Theatre, 555 North Third Street (at Cypress) adjacent to the Burbank Town Center.

Colony Theatre Opens West Coast Premiere of BLAME IT ON BECKETT, 8/11

The Colony Theatre presents the second production of its "Season of Premieres" with the West Coast Premiere Premiere of BLAME IT ON BECKETT, written by John Morogiello and directed by Andrew Barnicle. BLAME IT ON BECKETT will preview on Wednesday, August 8; Thursday, August 9; and Friday, August 10 at 8:00pm and will open on Saturday, August 11 at 8:00pm and continue through Sunday, September 2 at The Colony Theatre, 555 North Third Street (at Cypress) adjacent to the Burbank Town Center.

BWW Reviews: Brazilian WIZARD OF OZ is a Sparkling Emerald

Charles Moeller and Claudio Botelho bring to Brazil the most expensive musical ever produced here. An amazing concept and strong production values, as well as a gifted cast and creative team, turn the Brazilian production of Wizard of Oz in a landmark of the contemporary musical theater in this Country. Based on the theatrical RSC aproach of the original work (book and motion picture),Moeller and Botelho move in astonishing parallel ways to find their own, unique yellow brick road. The Brazilian Oz is a show to be remembered for years to come.

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