The Directors Company (Michael Parva, Artistic Director; Leah Michalos, Producing Director), by special arrangement with Ted Snowdon, is proud to announce the world premiere of My Parsifal Conductor, a new play by Allan Leicht. Performances will begin on September 25 and will run through November 3 at the Marjorie S. Deane Theater at the West Side YMCA (5 W. 63rd St) with Opening Night set for October 11. Robert Kalfin is set to direct.
The York Symphony Orchestra will present Heroes and Superheroes on Sunday, Sept. 23 at 2 p.m. at the Appell Center for the Performing Arts in York. This Pops Series Concert is the first performance of the 2018-2019 season, Heroes!, and will take audiences on an adventurous journey with selections inspired by caped crusaders and crimefighters.
The Directors Company announces the world premiere of My Parsifal Conductor, a new play by Allan Leicht. Performances will begin on September 25 and will run through November 3 at the Marjorie S. Deane Theater at the West Side YMCA
The 2018 Edinburgh International Festival ends this evening with the Virgin Money Fireworks Concert. Drawing hundreds of thousands of Festival-goers from more than 80 countries, the three-week International Festival staged some of the world's finest work across multiple artforms with a special emphasis on Scotland's Year of Young People.
Some of Australia's finest opera voices will perform together for one night only when the State Opera of South Australia (SOSA) presents The Mastersingers of Nuremberg Act III at the Adelaide Festival Theatre on Saturday, August 4.
For a musical offering like no other, Quietus will take place on Friday August 10 overlooking the ocean at the Lady of Sea church, as part of WinterWild's 2018 festival in Apollo Bay.
Following the critical and public triumph of Roberto Devereux, Lohengrin and most recently Tristan and Isolde, Melbourne Opera will next stage Richard Strauss' romantic comedy Der Rosenkavalier, not seen in Melbourne for 16 years, at the beautiful Athenaeum Theatre from 9 - 17 August.
The Adrienne Arsht Center for the Performing Arts of Miami-Dade County (@ArshtCenter) announces that the following shows will be available for purchase for the first time: Zoetic Stage's world premiere of DRACULA; New World Symphony's EMANUEL AX PLAYS BEETHOVEN: Wagner's Overture to The Flying Dutchman, Beethoven's Piano Concerto No. 1 and Sibelius' Symphony No. 5; and JAZZ ROOTS: LEONARD BERNSTEIN 100 AND BEYOND with Jon Secada, Ann Hampton Callaway, Kirk Whalum, The Henry Mancini Institute Orchestra and more.
In an onstage presentation following the July 1 performance of Richard Wagner's Gotterdammerung, San Francisco Opera General Director Matthew Shilvock presented former general director David Gockley with the San Francisco Opera Medal, the Company's highest honor. An industry pioneer who helped shape the operatic repertory and build new audiences for the artform, Gockley served ten years at the helm of San Francisco Opera and is currently the Company's General Director Emeritus.
Andreas Homoki, intendant and artistic director of Zurich Opera House, will remain in his position until 2025. The announcement that his contract had been extended for an additional three years by the Opernhaus Zurich Board of Directors was made on Monday, July 2 at a press conference. Ballet director Christian Spuck's contract extension (also until 2025) was also announced. Both have been responsible for the Opernhaus Zurich's artistic profile since 2012.
In an age of megalomaniac world leaders that have the world teetering on the edge of destruction, Justin Fleming's new work, DRESDEN, contemplates the connection between Adolf Hitler and Richard Wagner.
San Francisco Opera's presentation of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung) opens tonight with the first of three complete cycles, each presented over the course of one week as the composer originally intended, from June 12 through July 1 at the War Memorial Opera House. Encompassing four operas-Das Rheingold, Die Walkure, Siegfried and Gotterdammerung-and more than 17 hours, Wagner's Ring is one of the most ambitious works of music, theater and stagecraft ever created.
The San Diego Opera's last concert this season was billed as 'One Amazing Night.' The program was originally scheduled to feature soprano Lise Lindstrom and tenor Rene Barbera, but Barbera was released from his commitment when he was offered a Teatro alla Scala debut as Ernesto in a new production of Don Pasquale. He's sung multiple time in San Diego, and will likely return, but the company understood a La Scala debut means too much to an opera singer's career to stand in his way. Bass-baritone Greer Grimsley, who had previously performed with Lindstrom in the San Diego production of Salome, was an effective stand-in. Earlier this season Grimsley played the pirate king here in Pirates of Penzance with surprising comic flair, though best known for dark and heroic roles.
Complementing the highly-anticipated performances of Richard Wagner's Der Ring des Nibelungen on the stage of the War Memorial Opera House (June 12-July 1), San Francisco Opera presents its ongoing Ring Festival of ancillary events and activities. Designed to deepen public engagement and provide informative, fun ways to explore Wagner's profound masterwork, the Ring Festival offers a diverse schedule of lectures, exhibitions, film screenings, musical programs and opportunities to hear from artists, production team members and Wagner experts.
Morris Choral Society to feature distinguished soloist's Baritone Jonathan Scott, Mezzo Soprano Maya Hoover and organist Michael Shane Wittenburg in Gabriel Faure's Requiem in d minor May 12th.
Beginning Tuesday, May 1 at 10 a.m., tickets to individual performances within Richard Wagner's four-opera cycle, Der Ring des Nibelungen (The Ring of the Nibelung), will be available for purchase. Previously offered only as complete cycle packages, tickets for Das Rheingold, Die Walkure, Siegfried and Gotterdammerung will go on sale for the first time.
Maria Shclover and Irina Shabshis, Cherry Orchard Festival's co-founders and producers, today announced Russia's State Theatre of Nations will return to New York with Anton Chekhov's Ivanov, his timeless dramatic play about an antihero, a melancholic upper-class man struggling to regain his former glory, June 14 -17 2018, at New York City Center (131 W. 55th Street), as part of the VI Cherry Orchard Festival of the Arts.
Theater Erfurt's General Director, Guy Montavon was responsible for nearly turning THE FLYING DUTCHMAN, (Der fliegende Hollander) Richard Wagner's technicolor, romantic dream of an opera into a black, white and grey nightmare. The story of the Dutchman, Wagner's tragic 'pale Sailor' cursed by Satan to wander the seas eternally on a ghostly ship, who is finally rescued by the chaste love of a sea captain's daughter, (Senta), was nearly capsized by Montavon's very questionable directorial concept and exacerbated by absurd choices in the makeup-, lighting- and costume designs.
Maria Shclover and Irina Shabshis, Cherry Orchard Festival's co-founders and producers, today announced Russia's State Theatre of Nations will return to New York with Anton Chekhov's Ivanov, his timeless dramatic play about an antihero, a melancholic upper-class man struggling to regain his former glory, June 14 -17 2018, at New York City Center (131 W. 55th Street), as part of the VI Cherry Orchard Festival of the Arts.
With brilliant flashes of imagination and innovation, Arizona Opera's production of DAS RHEINGOLD, under the visionary direction of Brian Staufenbiel, is an entirely engaging and enthralling theatrical experience. David Murakami's digital wizardry is amazing. The cast is tremendous. Final chance to see the production: at Tucson Music Hall, April 14th and 15th.
