The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.
Tony Award-winner Julie Taymor and Oscar-winner Elliot Goldenthal will be honored with the Samuel H. Scripps Award at Theatre for a New Audience's 30th Anniversary Gala Celebrating Shakespeare's 446th Birthday. The celebration, Monday, May 10, will be held at The Powerhouse at the American Museum of Natural History, Central Park West at 79th Street.
Tony Award-winner Julie Taymor and Oscar-winner Elliot Goldenthal will be honored with the Samuel H. Scripps Award at Theatre for a New Audience's 30th Anniversary Gala Celebrating Shakespeare's 446th Birthday. The celebration, Monday, May 10, will be held at The Powerhouse at the American Museum of Natural History, Central Park West at 79th Street.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Good News! Jim Leonard, Jrs. depression-era epic of faith and truth ‘THE DIVINERS' receives a miraculous new imagining and power-house performances in The Production Company's second offering of 2010!
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Good News! Jim Leonard, Jrs. depression-era epic of faith and truth ‘THE DIVINERS' receives a miraculous new imagining and power-house performances in The Production Company's second offering of 2010!
The Wagner College Theatre has named Richard Martin Hirsch, of Pacific Palisades, Calif., the winner of the 2010 Stanley Drama Award for his play, 'The Restoration of Sight.'
Good News! Jim Leonard, Jrs. depression-era epic of faith and truth ‘THE DIVINERS' receives a miraculous new imagining and power-house performances in The Production Company's second offering of 2010!
Good News! Jim Leonard, Jrs. depression-era epic of faith and truth ‘THE DIVINERS' receives a miraculous new imagining and power-house performances in The Production Company's second offering of 2010!
Fierce passions flood through Phyllis Nagy's award-winning play, a visionary love story set in a remote, rain-swept village in the South of France. NEVER LAND'S exploration of love, loss, cultural dispossession and the abiding power of the human imagination moves from scabrous wit to heart-breaking tenderness as it charts the course of three fateful days in the lives of a singular French family that yearns to be English.
Fierce passions flood through Phyllis Nagy's award-winning play, a visionary love story set in a remote, rain-swept village in the South of France. NEVER LAND'S exploration of love, loss, cultural dispossession and the abiding power of the human imagination moves from scabrous wit to heart-breaking tenderness as it charts the course of three fateful days in the lives of a singular French family that yearns to be English.
Ensemble Studio Theatre - LA & Open Fist Theatre Company, two of Los Angeles' most respected theatre companies join together for the first time to present a world premiere play, LOVE WATER, written by Jacqueline Wright (Eat Me, Buddy Buddette), directed by Dan Bonnell (Happy End) and produced by Isabel Storey.
Ensemble Studio Theatre - LA & Open Fist Theatre Company, two of Los Angeles' most respected theatre companies join together for the first time to present a world premiere play, LOVE WATER, written by Jacqueline Wright (Eat Me, Buddy Buddette), directed by Dan Bonnell (Happy End) and produced by Isabel Storey.
