Quiara Hudes News

Cygnet Theatre has announced the cast and creative team of El Huracán by Acadamy Award-winning playwright Charise Castro Smith (Encanto).

San Francisco Playhouse announced casting for Indecent by Paula Vogel, the first production in the Playhouse's 20th Anniversary Season. The play will run on the San Francisco Playhouse Mainstage from September 22 through November 5, 2022. Susi Damilano will direct, with music direction by Dmitri Gaskin and choreography by Nicole Helfer.

San Francisco Playhouse has announced casting for Indecent by Paula Vogel, the first production in the Playhouse's 20th Anniversary Season.

Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announced Eisa Davis as the first recipient of the Roth-Vogel New Play Commission launched in partnership with 12-time Tony Award-winning producer Daryl Roth and Pulitzer Prize-winning playwright Paula Vogel, whose extraordinary collaborations with The Vineyard have spanned over two decades.

Today's top stories: Matthew Morrison performs with Seth Rudetsky, the Hamilton reference in In The Heights that everyone is talking about, and more!

In the clip, watch as Lin-Manuel Miranda, Thomas Kail, Quiara Hudes, Bill Sherman, Alex Lacamoire, and Andy Blankenbuehler figured out how to end the musical's big number, 96,000.

BARD AT THE GATE will return for an additional two seasons starting this fall when Paula Vogel's virtual start-up partners with McCarter Theatre Center. Plays by Zakiyyah Alexander (HOW TO RAISE A FREEMAN), Jose Rivera (SONNETS FOR AN OLD CENTURY) and Christina Anderson (GOOD GOODS) will be featured during the 2021-22 season.

For the first time in its 20 years Dragon is mounting two plays at the same time on an alternating schedule. Why? Because while being very different plays, they share much of the same DNA.

Asolo Rep continues its 2019-20 season with George Brant's INTO THE BREECHES! Helmed by Cleveland Play House Artistic Director Laura Kepley, this bright new comedy, set during World War II, puts the women on the front lines. INTO THE BREECHES! previews February 12 and 13, opens February 14 and runs in rotating repertory through March 21 in the Mertz Theatre, located in the FSU Center for the performing Arts.

Asolo Rep continues its 2019-20 season with George Brant's INTO THE BREECHES! Helmed by Cleveland Play House Artistic Director Laura Kepley, this bright new comedy, set during World War II, puts the women on the front lines. INTO THE BREECHES! previews February 12 and 13, opens February 14 and runs in rotating repertory through March 21 in the Mertz Theatre, located in the FSU Center for the performing Arts.

Vineyard Theatre's Artistic Directors Douglas Aibel and Sarah Stern and Managing Director Suzanne Appel announce that the company's 2020 Gala fundraiser will celebrate Tony Award-winning producer Daryl Roth and Pulitzer Prize-winning playwright Paula Vogel. The annual benefit Gala will take place on Monday, April 20, 2020, beginning at 6:00pm at 583 Park Avenue. Vineyard Theatre Board Member Sally Horchow will chair the event.

Deciding where to go for college or university is nothing short of daunting. To help out, we're rounding up some of the top theatre schools to give students some stats to consider when getting ready to apply or even transfer.

The Strand Theater Company concludes its 11th consecutive season as the only women-centric company in Baltimore with the regional premiere of And Baby Makes Seven by Pulitzer Prize Winner and a native Marylander, Paula Vogel, directed by Emily Hall. Anna, Ruth and Peter await the arrival of their newborn child, but first they must rid the crowded apartment of their three imaginary children.

The Strand Theater Company concludes its 11th consecutive season as the only women-centric company in Baltimore with the regional premiere of And Baby Makes Seven by Pulitzer Prize Winner and a native Marylander, Paula Vogel, directed by Emily Hall. Anna, Ruth and Peter await the arrival of their newborn child, but first they must rid the crowded apartment of their three imaginary children.

The Strand Theater Company concludes its 11th consecutive season as the only women-centric company in Baltimore with the regional premiere of And Baby Makes Seven by Paula Vogel, directed by Emily Hall. Anna, Ruth and Peter await the arrival of their newborn child, but first they must rid the crowded apartment of their three imaginary children.

Producers Darlene Kaplan, Laura Janik Cronin and Scott Newsome, in association with Alec Seymour, present the Off-Broadway premiere of The Stone Witch, a play by Shem Bitterman (A Death in Colombia, Influence).  Performances begin Monday, March 12, 2018 for an open-ended engagement atThe Westside Theatre - Upstairs (407 West 43rd Street between 9th and 10th Avenues).  Opening Night is Sunday evening, March 25, 2018 at 6:30PM.

Elizabeth Birnkrant, known for her roles in JESUS HOPPED THE A TRAIN for Eclipse Theatre, 1984 at Steppenwolf, VICES AND VIRTUES: THE GREAT WAR at Profiles Theatre and other roles with Sideshow, First Floor and Roadworks theatre companies, has been cast in the leading role of L'il Bit in The Artistic Home's production of Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE. The Artistic Home co-founder John Mossman will play Uncle Peck, the family member who has a sexual relationship with his niece Li'l Bit during her pre-teen and teenage years. Mossman, who directed The Artistic Home's BY THE BOG OF CATS last year, as an actor has most recently appeared as Leontes in THE WINTERS TALE and O'Trigger in THE RIVALS at Lakeside Shakespeare Theatre.  He has also appeared with The Artistic Home as MACBETH and as Shannon in NIGHT OF THE IGUANA. He played Atticus Finch in Oak Park Festival Theatre's TO KILL A MOCKINGBIRD and performed in the Steppenwolf production of THE MARCH.

The Artistic Home will continue its 2017-18 season with Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE, to be directed by The Artistic Home's Associate Artistic Director Kayla Adams. It will open to the press Sunday, March 25 at 7:00 pm, following previews from March 21-24. HOW I LEARNED TO DRIVE, which premiered in 1997, was a Pulitzer Prize winner and a pioneering drama for its examination of pedophilia and sexual abuse of women. It follows a young woman, named L'il Bit, from age 11 to age 18 and her friendship and sexual affair with her uncle. Director Adams says, this courageous and surprising script reminds me again and again of the healing power of storytelling. In reviewing the 2017 production by the Cleveland Playhouse, the Cleveland PLAIN DEALER said, We can rejoice that 'How I Learned to Drive' feels as fresh and fearless as it did two decades ago - and mourn for the same reason.

Pivot Arts is pleased to present the world premiere of DON'T LOOK BACK/MUST LOOK BACK, a site-specific performance experience in Chicago's Uptown neighborhood, conceived by Julieanne Ehre, written by Tanya Palmer, directed by Devon de Mayo and devised by an ensemble of actors and designers. Audience members are taken on an immersive journey inspired by the stories and experiences of Uptown residents, many of whom came to Uptown as refugees.

Greenhouse Theater Center is pleased to present USE IT OR LOSE IT: An Evening of Short Plays About Your Rights, original works inspired by contemporary and historic legal battles the ACLU has fought on behalf of Americans' rights and freedoms