In a Northern industrial town, John Rutherford rules both factory and family with an iron will. But even as the furnaces burn relentlessly at the Glassworks, at home his children begin to turn against him.
The Royal Shakespeare Company has today announced further casting for its forthcoming double-bill of Restoration plays, John Vanbrugh's The Provoked Wife and Thomas Otway's Venice Preserved. The Provoked Wife, directed by Phillip Breen, plays in repertoire from the 2 May 2019 with Venice Preserved, directed by Prasanna Puwanarajah, running from 24 May 2019 in the Swan Theatre.
Team BWW have compiled the following list of their favourite Twitter users in the UK who post about theatre and the arts. Ranging from independent bloggers and theatre-makers to West End performers who are particularly engaging with their social media accounts.
The Donmar Warehouse releases first look rehearsal images of Sweat, written by Lynn Nottage and directed by Lynette Linton, which opens on Wednesday 19 December (with previews from Friday 7 December).
A few protestors might be doggedly hanging on outside the Kiln (was Tricycle) Theatre, but their complaints are firmly refuted by its current show: a vibrant adaptation of Zadie Smith's award-winning novel that is not just about but firmly rooted in the diverse, complex 'melting pot' of north-west London.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From new musicals to Shakespeare, Pinter and Magic Mike, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!
Today, the shortlist is announced for the 2018 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country. CLICK HERE TO VOTE!
Through one family and one company, Italian playwright Stefano Massini tackles big topics: the development of Western capitalism, the immigrant experience, the American Dream. But this isn't just any family – it's the Lehman Brothers, the collapse of whose banking firm precipitated the 2008 financial crisis.
On a cold September morning in 1844, a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world, he is soon joined by his two brothers and an American epic begins. 163 years later the firm they establish, Lehman Brothers, spectacularly collapses into bankruptcy and triggers the largest financial crisis in history. Stefano Massini's vast and poetic play unfolds over three parts in a single evening, opening in the Lyttelton Theatre in July 2018.
On a cold September morning in 1844, a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world, he is soon joined by his two brothers and an American epic begins. 163 years later the firm they establish, Lehman Brothers, spectacularly collapses into bankruptcy and triggers the largest financial crisis in history. Stefano Massini's vast and poetic play unfolds over three parts in a single evening, opening in the Lyttelton Theatre in July 2018.
Tim Hatley/Costume and Set Design
My starting point as a designer is always to read the play, and in the case of Travesties, which is a complex play, it required careful reading and thought to begin to understand the threads and layers of the writing, and talking closely with the director, Patrick Marber. It seemed to me that our production needed a strong yet simple approach to the design. The shifting of time and location is clear in the writing and did not need physical transitions to interrupt the flow. Our space is both present and memory, library and apartment, and allows for characters to appear and disappear within. The costumes are rooted strongly in the period, and their palette was developed in tandem with the development of the space. Cross references to Oscar Wilde's play, The Importance of Being Earnest, were an enjoyable anchor to designing the play.