The Cincinnati Symphony Orchestra (CSO) unveiled today a 10-point Diversity, Equity and Inclusion (DE&I) Action Plan, developed to immediately prioritize the organizationa??s deepening commitment to better representing and serving the entirety of its community.
Evening Standard has reported that the Mayor of London, Sadiq Khan, has penned a letter to Prime Minister Boris Johnson, outlining eight steps that need to be taken in order to revive London business in the wake of the global health crisis.
For generations, dodgeball was a game of either fun or fear depending on where you stood in the middle school pecking order. Discovery takes on dodgeball in a way only Discovery can, transforming the game into an epic sporting adventure in all-new arena where everyday people become heroes.
Paper Mill Playhouse has announced the renewal of the Musical Theater Common Prescreen (MTCP) for the 2020-2021 cycle of collegiate auditions as the current health crises makes in-person auditions less viable and the expense of separate submissions a burden for many.
The producers of the first new production in 25 years of Jim Jacobs & Warren Casey's iconic musical GREASE, have announced that the show will tour the UK and Ireland in 2021. The musical was due to tour in 2020 but had to be postponed due to COVID-19.
Janet Adderley, founder of The Adderley School, has penned an article exclusively for BroadwayWorld. She discusses what the school stands for, stars they have taught including Ben Platt and Kathryn Gallgher, and how they are coping with the health crisis.
Broadway favorite Norm Lewis is one of the stars of Spike Lee's newest film, Da 5 Bloods. The film, which premiered June 12 on Netflix, follows four African American veterans, who battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide.
Ricardo Pitts-Wiley, co-founder of Mixed Magic Theatre, has penned an article exclusively for BroadwayWorld, discussing his thoughts on this current moment in time, the theater's plans for moving forward and more.
As it continues to celebrate its 40th anniversary, Black Public Media (BPM) is convening Black creatives, public television executives, media networks, talent agents, distributors and funders for the second biannual National Black Media Story Summit (BMSS).
Today, Monday 15 June at 13:00 CET, Dutch National Ballet will present the online world premiere of the Prometheus Project during the Holland Festival online programme 2.0-2.0.
I'm one of the founders of NextUp Comedy, a subscription service for recorded live stand-up - essentially a digital comedy club. We strive to be a force for good in the industry, splitting all our revenue 50/50 with acts and showcasing the many fantastic acts with a huge range of personal backgrounds and comedy styles who aren't necessarily 'TV names', but who deserve a platform and a wider fanbase.
First up in the Eugene O'Neill Theater Center's newly revamped 2020 Summer Season - now online, the 30th NATIONAL PUPPETRY CONFERENCE (PUP) running June 8 through June 12, 2020. PUP, with an already sold-out main CONFERENCE, is offering the public a series of five master classes, as well as, two free open mic puppet sessions. I managed to pull the right strings to pose a few questions to PUP's Artistic Director Pam Arcerio.
London-based independent Record Label, Management and Publishing Company The Other Songs are dedicating one of their industry songwriting events to celebrate the homegrown talent of The BRIT School on Friday 5th June.
On Monday, June 1 (4 - 8 pm EDT), the entire Kaufman Music Center community will come together for a Day of Musical Action, a special online event featuring performances by students and faculty from all of the Center's programs, including Special Music School, Lucy Moses School, Face the Music and Luna Composition Lab.
With plays by writers who identify as women still struggling to breakout on the larger stages, writers Tori Allen-Martin and Sarah Henley have come together to launch Burn Bright, a new not-for-profit organisation driving positive change for the next generation of women in the creative industry.
Robert Glenister is currently treading the boards at the Playhouse Theatre in Anya Reiss's adaptation of Chekhov's The Seagull. Starring alongside Game of Thrones's Emilia Clarke and Indira Varma, The Seagull marks Glenister's second production with director Jamie Lloyd. Glenister's recent theatre credits include Alys, Always at the Bridge Theatre and Pinter Four as part of Lloyd's Pinter at the Pinter season. BroadwayWorld spoke with Glenister about the production, adapting Chekhov, and the importance of star casting for commercial theatre.