Examining the geopolitical through the lens of the interpersonal, Our Ruined House summons a world in which the audience's perception becomes the principal arbiter of what is 'true'. Featuring a giant octopus, a tiny meatloaf, and the poetry of Donald Rumsfeld, Our Ruined House investigates a world driven more by the appearance of winning than any central truth. By contrasting the slippery, subjective narratives of both romantic and geopolitical relationships, we point at the sacrifices made in order to 'win' in both arenas. What narratives will we create and what secrets will we bury in order to come out on top, in both love and war? What are we willing to ruin on the road to victory?
Directed by Tea Alagic, Emma Stanton's NO CANDY reveals the power and fortitude of the human spirit. At times, it gave me chills. At times, it's also quite funny.
Kicking off with two shows in September, Artists Rep's 2018/19 season features seven compelling contemporary plays in their subscription series, plus two bonus shows. These plays are highly entertaining theatrical experiences, written by some of the nation's most acclaimed playwrights.
Since 2004, director Mallory Catlett has worked across disciplines to expand the boundaries of theater. Through original works with her own company, Restless NYC, and collaborations with some of today's leading artists-composer Mika Karlsson (The Echo Drift), Dread Scott (Decision), Aaron Landsman (City Council Meeting & Perfect City)-Catlett creates theater that The New York Times calls "lurid, feverish and powerful." She has been called a "downtown treasure" by Time Out New York.
PROFILE THEATRE presents a production of the comedic drama 2.5 Minute Ride by Pulitzer and Tony-winning playwright Lisa Kron. Riding the rails of humor and horror, this solo performance features NYC-based actor Allison Mickelson, who recently impressed audiences at Portland Center Stage in Lisa Kron's award-winning musical Fun Home. It will be directed by Jane Unger, Profile's founding artistic director, and marks the first full (double!) season for Profile's ambitious new Artistic Director Josh Hecht, as well as the third year of the Diversity and Inclusivity Initiative.
PROFILE THEATRE presents a production of the comedic drama 2.5 Minute Ride by Pulitzer and Tony-winning playwright Lisa Kron. Riding the rails of humor and horror, this solo performance features NYC-based actor Allison Mickelson, who recently impressed audiences at Portland Center Stage in Lisa Kron's award-winning musical Fun Home. It will be directed by Jane Unger, Profile's founding artistic director, and marks the first full (double!) season for Profile's ambitious new Artistic Director Josh Hecht, as well as the third year of the Diversity and Inclusivity Initiative.
PlayMakers Repertory Company proudly presents Sense and Sensibility by Kate Hamill (based on the classic Jane Austen novel). The production is directed by Taibi Magar, in her PlayMakers directorial debut.
Peak Performances will kick off its 2017-18 season-which consists entirely of works by women-with a visionary production of The Merchant of Venice from director Karin Coonrod and her Compagnia de' Colombari.
Peak Performances will kick off its 2017-18 season-which consists entirely of works by women-with a visionary production of The Merchant of Venice from director Karin Coonrod and her Compagnia de' Colombari.
From the Victorian age to the 21st century, 'Watson' is the perfect partner. Mr. Watson was on the other end of the wire when Alexander Graham Bell sent the first communication by telephone. Dr. Watson accompanied each step and anticipated every need of fiction's greatest detective. Watson's the name of IBM's natural language-processing supercomputer, winner of the famous Jeopardy! match in 2011. And Josh Watson is the IT guy with a friendly fix for crashed technology and broken hearts, uncommonly trustworthy and aiming to please. All the Watsons want to give you what you need, but do you want what you need in a partner? The (curious case of the) Watson Intelligence is an emotionally-intelligent drama that follows a time-travelling love triangle between the head, the heart and the machine.
Peak Performances will kick off its 2017-18 season-which consists entirely of works by women-with a visionary production of The Merchant of Venice from director Karin Coonrod and her Compagnia de' Colombari.
PETE has an incredible summer of performance ahead. Join us at the Northwest New Works festival in Seattle (June 9-11), or Summerfest at CoHo Theater in Portland (July 13-16) for a look at our vodka-soaked Cold War tragi-comedy Deception Unit.
In 1971, a man (who the FBI describe as 'nondescript') going by the name Dan Cooper hijacked a plane from Portland to Seattle, negotiated $200K and some parachutes in exchange for the passengers, and then jumped out of the plane as it headed back south. He was never found. He could still be alive. He could be your next door neighbor.
You're in for a wild ride! [OR THE WHALE] is the center of what Portland Experimental Theatre Ensemble calls The Journey Play's the Whole Thing, a 'constellation of art objects, events, and experiences' around this play, which is based on Moby Dick.
BAM presents Karin Coonrod's deconstructive drama texts&beheadings/ElizabethR, tonight, Oct 21, thru Oct 24 at BAM Fisher (Fishman Space), 321 Ashland Pl at 7:30 p.m.
It's not easy being Queen. And if you need any evidence look no further than the Folger Theatre's fascinating new documentary-style play texts&beheadings/ElizabethR.
Folger Theatre starts the 2015/16 season with a limited engagement of texts&beheadings/ElizabethR, a world premiere play which explores England's Queen Elizabeth I. Produced in conjunction with the international theater collective Compagnia de' Colombari, the play is created and directed by Karin Coonrod (Henry VI at the Public Theater and Julius Caesar at Theatre for A New Audience) and will be presented as a part of Washington, D.C.'s city-wide Women's Voices Theater Festival. texts&beheadings/ElizabethR is on stage at Folger Theatre for 16 performances, September 19 - October 4, 2015.
