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Photo Flash: Broadway Choreographers Showcased at 2013 BC BEAT

Photo Flash: Broadway Choreographers Showcased at 2013 BC BEAT

by BWW News Desk — November 12, 2013

Broadway's most daring, curious, and talented artists gathered at Cielo for the Fall 2013 BC Beat on Monday, November 11th, the showcase and dance party with its own rules for sharing work and connecting artists.

Arkansas Rep Presents HENRY V, 9/5

Arkansas Rep Presents HENRY V, 9/5

by BWW News Desk — August 20, 2012

Arkansas Repertory Theatre presents William Shakespeare's HENRY V, September 05, 2012 - September 23, 2012.

James Barbour Leads SERRANO Workshop, 5/21-22

by BWW News Desk — May 21, 2012

After the success of previous readings in New York and Los Angeles, Mark Wolper, David Geha, Steve Sunshine, Spencer Proffer and Phillipa Sledge are proud to host a workshop production of the new musical comedy, Serrano - Poet, Lover…Hitman!, based on the French classic, Cyrano De Bergerac.

James Barbour to Lead SERRANO Workshop, 5/21-22

James Barbour to Lead SERRANO Workshop, 5/21-22

by Nicole Rosky — May 15, 2012

After the success of previous readings in New York and Los Angeles, Mark Wolper, David Geha, Steve Sunshine, Spencer Proffer and Phillipa Sledge are proud to host a workshop production of the new musical comedy, Serrano - Poet, Lover…Hitman!, based on the French classic, Cyrano De Bergerac.

BWW Reviews: OC's 3D Theatricals Revives ALL SHOOK UP

BWW Reviews: OC's 3D Theatricals Revives ALL SHOOK UP

by Michael L. Quintos — May 20, 2011

Using almost all of the same cast and elements from their initial 2010 production of the Elvis musical ALL SHOOK UP (at its former home in the OC Pavilion in Santa Ana), the Orange County-based 3D Theatricals is once again mounting a newer, more rousingly-amplified revival in their new home at the P

BWW Reviews: Ruth Williamson Leads The Magnificent HELLO, DOLLY!

BWW Reviews: Ruth Williamson Leads The Magnificent HELLO, DOLLY!

by Michael L. Quintos — July 13, 2010

When putting together an entertaining revival of a beloved musical theater entity such as HELLO, DOLLY! it helps to have a fresh perspective of such a familiar show, yet still have enough reverence to produce a work that honors its source material.


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