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Photos: Steppenwolf Celebrates Opening Night of THE THANKSGIVING PLAY

Steppenwolf Theatre Company continues its 48th season with the Chicago premiere of Larissa FastHorse’s The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod. Check out photos from inside opening night here!

Steppenwolf Theatre To Host 2023 Gala At The Old Post Office, May 13

The acclaimed Steppenwolf Ensemble and Board of Trustees are pleased to host Steppenwolf 2023 Gala, an unforgettable evening celebrating 47 years of powerful and thought-provoking storytelling. Emceed by ensemble member Gary Cole, this year's celebration takes place on Saturday, May 13, 2023 at 6:30 pm at The Old Post Office, 433 W. Van Buren St. in Chicago.

The 2nd Annual Antonyo Awards Will Be Presented in October

 Broadway Black presents The 2nd Annual Antonyo Awards, which honors Black theatre artists during the 2021-2022 season. The live, in-person ceremony will be held on Monday, October 10 at the legendary Apollo Theater in Harlem (253 West 125th Street). Awards in 29 competitive categories and five honorary categories will be presented along with performances and guest appearances. 

Steppenwolf Theatre Opens SEAGULL in the New Ensemble Theater Through June 12

Steppenwolf Theatre Company, the nation's premier ensemble theater company, opens its stunning new in-the-round Ensemble Theater in Honor of Helen Zell—the centerpiece of its recently unveiled Lefkofsky Arts and Education Center—with ensemble member Yasen Peyankov's extraordinarily funny and lyrical adaptation of Anton Chekhov's Seagull, now through June 12, 2022.

BWW Review: SEAGULL at Steppenwolf Theatre Company

Yasen Peyankov’s adaptation of Anton Chekhov’s SEAGULL proves a wry vehicle to showcase the talents of many of his fellow Steppenwolf ensemble members who haven’t graced the stage since before the COVID-19 pandemic. Peyankov’s adaptation is direct, self-aware, and rife with dry (extremely dry) humor. The ennui that pierces SEAGULL is deeply and obviously felt throughout this adaptation of the text. References to Chekhov’s native Russia abound in Peyankov’s script, but the language feels modern and direct.

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