General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera’s 75th anniversary season, which opens October 28 & 30 with the company premiere of Rossini’s The Italian Girl (L’italiana in Algeri).
San Diego Opera's 2021 2022 will close with the West Coast Premiere of Aging Magician a hybrid opera/theatre piece that combines singing, choral work, puppetry, and performance art to create an incredibly unique theatrical experience.
Puccini's Tosca brings together three of opera’s most richly drawn characters—a glamorous opera singer, a revolutionary artist, and a sinister police chief—into a potboiler of doomed love, political intrigue, and murder, all powered by some of the most gripping and passionate music ever composed for the stage.
The Metropolitan Opera today announced its 2022–23 season, which features seven new productions, the most in ten seasons. Opening Night is September 27 with the company premiere of Cherubini’s Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar’s new staging, conducted by Carlo Rizzi.
“Breathe, Back To Life” an exhibition of work by JP Jermaine Powell is the newest exhibit in the Betty Ray McCain Art Gallery located at the Duke Energy Center for the Performing Arts.
As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.
The New World Symphony, America's Orchestral Academy and Artistic Director Michael Tilson Thomas have announced I Dream a World: The Harlem Renaissance and Beyond, a multi-disciplinary, multi-tiered festival that celebrates the history and influence of this cultural movement.
The Duke Energy Center for the Performing Arts recently unveiled a new Volunteer Program. The program seeks candidates who have a passion for theater, live events, and engaging with others. Volunteers will work alongside the center's ushers and management staff in providing outstanding guest services for all who attend events at the Duke Energy Center.
San Diego Opera's safe return to indoor performances began last week with the first of three intimate concerts showcasing some of today's most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela. The first concert, featuring mezzo-soprano Stephanie Blythe exploring the songs of Johnny Mercer, occurred this past Saturday to popular and critical acclaim.
The imposing mezzo soprano Stephanie Blythe is known for her roles in Wagner, Verdi and Stravinsky. Why would she begin a Balboa Theatre recital for the San Diego Opera with Johnny Mercer’s 'Ac-Cent-Tchu-Ate the Positive?” Here’s what she said in a recent interview, “I’ve been a great fan of Johnny Mercer’s and I’ve been singing the music of his Great American Songbook for a very long time.” Rather than a concert-hall recital, Blythe was doing cabaret, and doing it far better than most of the opera singers who try to crossover. Her main problem had to be choosing which songs to include in her tribute to Johnny Mercer. He wrote 1500 of them, most often sticking to lyrics in collaboration with the A-list melodic composers of his era. At one point in the 40s he had five of the top ten on the popular radio show “Your Hit Parade.” (If you remember Snooky Lanson and Dorothy Collins, I wouldn’t mention it in your dating app bio.) Mercer’s honors include nineteen Oscar nominations with four wins. That got him a star on the Hollywood Walk of Fame.
Puccini’s majestic Turandot will return to the Met with nine performances beginning October 12, 2021, and five additional performances beginning April 30, 2022. Conducted by Marco Armiliato, Turandot features two of opera’s most thrilling voices sharing the title role of the legendary princess: Christine Goerke and Anna Netrebko.
San Diego Opera's safe return to indoor performances begins with three intimate concerts showcasing some of today's most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises.
It would appear that acclaimed baritone Sidney Outlaw is having the busiest year of his career. In addition to starring as composer Antonio Salieri in Opera San José’s new virtual production of Rimsky-Korsakov’s 'Mozart and Salieri,' Outlaw will be performing 'Barber of Seville,' 'Porgy and Bess,' and 'La Bohème.' BroadwayWorld speaks with Outlaw.
David Bennett is now six years into his job as general director of the San Diego Opera Association. When hired, he faced shaky finances, a loss of major donors, and huge turnover in the membership of the board of directors. The new board hired him with the understanding that downsizing and reinvention of the organization were his priorities. Then, after getting off to a surprisingly good start, Bennett had the forced restrictions of COVID-19 to contend with. Perhaps a biblical plague of locusts is next?
San Diego Opera's safe return to indoor performances begins with three intimate concerts showcasing some of today's most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises.
San Diego Opera has announced the winning proposals from the Company's second “Opera Hack,” a month-long online interdisciplinary event for music/theater and technology experts to explore how technology can be applied to the production, presentation, and consumption of opera.
San Diego Opera’s safe return to indoor performances begins with three intimate concerts showcasing some of today’s most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises.
Melanie Margarum spent five years at the Carolina Theatre in Durham, where she started as an Event and Development Coordinator and was later promoted to Event Sales Director.
San Diego’s classical music scene coped with the COVID-19 invasion by trading shuttered concert halls for parking lots and online media. Appreciative bravos and bravas were replaced by either honking horns, flashing headlights or painful silence. The city’s Mainly Mozart was an early adopter of drive-in performances. Its first was in July of last year with an audience of 150 vehicles voicing raucous automotive approval for San Diego Symphony Concertmaster Jeff Thayer and seven musicians from the Los Angeles Philharmonic, including Concertmaster Martin Chalifour. The musicians, delighted to be playing in person under any circumstances, delivered lively versions of an early Mozart divertimento and the Mendelssohn octet.
San Diego Opera has announced its 2021-2022 season, which returns to theatres indoors, after a reduced 2020-2021 season that saw the Company perform innovative drive-in productions during the global coronavirus pandemic.
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