In celebration of March Madness and the 35th Anniversay of Marquette's National Championship, the Marcus Center for the Performing Arts is pleased to announce that Cotter Smith will star as Al McGuire in COACH: THE UNTOLD STORY OF COLLEGE BASKETBALL LEGEND AL MCGUIRE and is directed by Heidi Mueller Smith.
Manhattan Theatre Club has announced that two time Drama Desk Award nominee Margaret Colin ("Gossip Girl," MTC's Defiance) and four time Tony Award winner Boyd Gaines (Gypsy, Contact) will join Tony and Emmy Award winner John Lithgow in the cast of the world premiere of THE COLUMNIST by Tony and Pulitzer Prize winner David Auburn, directed by Tony Award winner Daniel Sullivan.
Cherry Lane Theatre's award-winning MENTOR PROJECT will begin its 13th season on February 21 with a production of Elizabeth Rose's RELATIVE PITCH, the first of four new works in 2012 MENTOR PROJECT running February 21 to April 14 at Cherry Lane Studio Theatre (38 Commerce Street in Manhattan).
Everyman Theater is proud to present Michael Weller's FIFTY WORDS, a suspenseful, nightlong roller-coaster ride displaying the perils of matrimony. Fear ignites, hope defers, and passion is found again - all in the name of intimacy. FIFTY WORDS will run through Feb. 19.
Profiles Theatre announces a second extension for their hit world premiere of Assisted Living by Deirdre O'Connor, directed by Profiles Artistic Director Joe Jahraus.
Second Stage Theatre's current season continues with a new production of Paula Vogel's Pulitzer Prize-winning play, HOW I LEARNED TO DRIVE, directed by Kate Whoriskey and starring Norbert Leo Butz and Elizabeth Reaser. The show opens tonight, and you can get a first look with production highlights below!
Theater for the New City (Crystal Field, Executive Director) will present Heathens, a new play by Heather Hill, directed by Stefanie Sertich, having its Off-Broadway premiere beginning March 1st and continuing through March 17th only.
Profiles Theatre announces the third and final extension for their hit world premiere of Assisted Living by Deirdre O'Connor, directed by Profiles Artistic Director Joe Jahraus. The critically acclaimed production has been extended an additional four weeks, through March 18, 2012, at Profiles alternate venue The Second Stage, 3408 N. Sheffield in Chicago.
Cherry Lane Theatre's award-winning MENTOR PROJECT will begin its 13th season on February 21 with a production of Elizabeth Rose's RELATIVE PITCH, the first of four new works in 2012 MENTOR PROJECT running February 21 to April 14 at Cherry Lane Studio Theatre (38 Commerce Street in Manhattan).
La Jolla Playhouse presents American Night: The Ballad of Juan José, written by Richard Montoya (Zorro in Hell) for Culture Clash, developed by Culture Clash and Jo Bonney (The Seven, Adoration of the Old Woman), directed by Jo Bonney. A co-production with Center Theatre Group and originally commissioned and produced by the Oregon Shakespeare Festival, American Night: The Ballad of Juan José will run through February 26, 2012 in the Sheila and Hughes Potiker Theatre. Check out highlights from the show below!
Now considered a prominent venue for award winning theatre, Culture Project had its humble beginnings in a former piano manufacturing factory on East 91st Street. It then moved to a lumberyard at 45 Bleecker Street which it converted into a two-theater performing arts center with Bombitty of Errors and And God Created Great Whales as its initial attractions. Now Culture Project has officially returned to 45 Bleecker making it its permanent home, and will present And God Created Great Whales, the innovative piece that launched the Culture Project into prominence over a decade ago.
La Jolla Playhouse presents American Night: The Ballad of Juan José, written by Richard Montoya (Zorro in Hell) for Culture Clash, developed by Culture Clash and Jo Bonney (The Seven, Adoration of the Old Woman), directed by Jo Bonney. A co-production with Center Theatre Group and originally commissioned and produced by the Oregon Shakespeare Festival, American Night: The Ballad of Juan José will run January 27 - February 26, 2012 in the Sheila and Hughes Potiker Theatre.
Second Stage Theatre's current season will continue with a new production of Paula Vogel's Pulitzer Prize-winning play, How I Learned To Drive, directed by Kate Whoriskey and starring Norbert Leo Butz and Elizabeth Reaser. Currently in previews, the production will officially open on February 13. Check out production shots below!
The Columbus Symphony today announced the winners of the 2012 Music Educator Awards, honoring individuals who make a difference in the community through a dedication to music education, and their efforts to promote a greater understanding of and appreciation for music education.
Second Stage Theatre (Carole Rothman, Artistic Director) will conclude its 33rd season with the World Premiere of the new musical, DOGFIGHT, featuring music and lyrics by Benj Pasek and Justin Paul, a book by Peter Duchan and directed by two-time Tony Award winner Joe Mantello. Winner of the prestigious 2011 Richards Rodgers Award for Musical Theatre, DOGFIGHT will be performed at Second Stage's Tony Kiser Theatre (305 West 43rd street) this summer. Exact dates, casting, and complete creative team will be announced shortly. For more information, please visit www.2ST.com.
Now considered a prominent venue for award winning theatre, Culture Project had its humble beginnings in a former piano manufacturing factory on East 91st Street. It then moved to a lumberyard at 45 Bleecker Street which it converted into a two-theater performing arts center with Bombitty of Errors and And God Created Great Whales as its initial attractions. Now Culture Project has officially returned to 45 Bleecker making it its permanent home, and will present And God Created Great Whales, the innovative piece that launched the Culture Project into prominence over a decade ago.
As playwright Michael Weller intelligently conveys, except in the most empty marriages, no matter what the parties may have done to each other, there are still ties of love holding them together. In living through these crises, then, both forces, the centripetal and the centrifugal, must have a part. To the observer, it might seem laughably incoherent, but actually it is just the way things are at such moments.