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PLAY OF THE DAY! Today's Play: BRIGHTON BEACH MEMOIRS by Neil Simon

During this time when productions all over the world have been put on pause, we are coming together to celebrate plays that have left their mark on theater history. This week we will be focusing on the plays of Neil Simon. Today's play, Brighton Beach Memoirs!

BWW Reviews: The Guthrie Theater's Grand Production of THE CRUCIBLE is a Compelling, Well-Executed Classic

Arthur Miller's 1953 play THE CRUCIBLE is a classic of the American theater, and dramatizes one of the greatest failings of the American, or rather pre-American, judicial system. During the infamous Salem witch trials of the late 17th Century, twenty people were put to death for the crime of witchcraft, following a long history of the execution of 'witches' in Europe. Arthur Miller explores the larger themes of this horrible incident through a very personal story of one affected family, making the play at once intimate and epic. Despite being over 60 years old, the themes of religious fanaticism, mob mentality, and persecution of people who are different are sadly as current as they were during the McCarthy era when the play was written. The Guthrie's grand production of this classic with a cast chock-full of talent is truly something to behold.

Photo Coverage: Celia Berk Plays The Metropolitan Room

The Metropolitan Room became one of those Art Deco Night Clubs in a1940 Black & White Movie last night. Harking back to the days when the girl singers had that luscious, sensual, understated, but spectacular voices and musicianship that made every person in the room fall in love with them. Although I have ears that sometimes show signs of wear and tear from a lifetime of hearing a lot of stuff, Celia's ability to annunciate and melodically roll out lyrics had me hearing vowels and consonants I usually miss in a crowded noisy cabaret. Come to think of it, the Metropolitan Room had the quietness of a recording studio as the very musically sophisticated audience was held in rapt attention by Celia's artistry. I would be enamored with any song she wrapped her voice around, but her unique song selection made the evening especially compelling. How fitting it was the Stacy Sullivan and Joanne Tatham were in the audience. Two singers that represent that same kind of sexy, restrained and understated musical excellence that Celia Berk possesses. It was also ironic that the title song of the show ( You Can't Rush Spring) was written by another of my favorite ladies - Ann Hampton Callaway.

BWW Reviews: CELIA BERK Launches Belated Cabaret Career With a Solid CD Release and Impressive Debut Show

Watching a singer like Celia Berk, who brings a heartwarming balance, a subtle good humor, originality, and a lot of affection to everything she sings, makes one realize the crucial role good instincts play in the self-conscious, self-absorbed world of cabaret. Right at the top of her recent debut run of shows titled You Can't Rush Spring (the title of her recently released excellent debut CD) at the Metropolitan Room, this New Yorker from the business world ingratiated herself with the audience by admitting she was fulfilling a lifelong dream. Berk had already built a following with a few excellent guest performances (most notably at this past October's Cabaret Convention at Lincoln Center) and in this auspicious debut she proved she easily puts her personal stamp on an eclectic mix of songs. Such ability springs directly from who she is and not from someone's idea of who she should be.

Dan Fogler Signs on for SCENIC ROUTE Film

According to Deadline.com Broadway veteran Dan Fogler will star alongside Josh Duhamel in Kevin and Michael Goetz' 'Scenic Route' film. The movie is about 'two college students who go on a road trip and get stranded in the desert. As they begin to realize that they may never be rescued, they begin to have heated fights, both emotionally and physically.'

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