The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Ready, aim, spitfire! Everyman Theatre prepares for audiences (and heads) to be rolling in the aisles with the astutely timed arrival of The Revolutionists (December 6, 2017 through January 7, 2018) from playwright Lauren Gunderson aka the most-produced playwright in the country (The New Yorker).
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
It truly is one of the funniest plays I've ever seen.
Everyman Theatre pays exquisite attention to detail and creates an astounding feat of comedy in its production of NOISES OFF. The cast demonstrates comedic chops and executes pratfalls and buffoonery with commitment and perfect timing. Do yourself, your lungs and your liver a favor and laugh at the raucous riot. Don't be surprised if you find yourself craving sardines afterwards.
Everyman Theatre's Resident Company of actors transforms into a British company of actors during the 1970s in this hotly anticipated revival of Tony Award-Winner Michael Frayn's side-splitting farce to end all farces, Noises Off, directed by Founding Artistic Director Vincent M. Lancisi and running from May 17 through June 18, 2017.
Grounded, written by George Brant, runs live on stage at the Barrette Center for the Arts in White River Junction, VT, March 15 - April 2. For tickets and information, call 802-296-7000 or visit www.northernstage.org. Tickets start at $15 for students and $30 for adults.
Charles Dickens gigantic novel put on stage is a challenging experience.
Playwright Colman Domingo's play takes a touching look at family ties in West Philadelphia.
After its hit premiere at the Humana Festival of New Plays and a critically lauded Off Broadway production, playwright and actor Colman Domingo's comedy-drama DOT will open to audiences in Baltimore at Everyman Theatre.
After its hit premiere at the Humana Festival of New Plays and a critically lauded Off Broadway production, playwright and actor Colman Domingo's comedy-drama DOT will open to audiences in Baltimore at Everyman Theatre. Directed by Founding Artistic Director Vincent M. Lancisi, the production features acclaimed actress Sharon Hope in the title role of Dotty, joined by Resident Company members Megan Anderson and Dawn Ursula. It will run from December 7, 2016 to January 8, 2017.
After its hit premiere at the Humana Festival of New Plays and a critically lauded Off Broadway production, playwright and actor Colman Domingo's comedy-drama DOT will open to audiences in Baltimore at Everyman Theatre. Directed by Founding Artistic Director Vincent M. Lancisi, the production features acclaimed actress Sharon Hope in the title role of Dotty, joined by Resident Company members Megan Anderson and Dawn Ursula. It will run from December 7, 2016 to January 8, 2017.
A play about the trials and tribulations of workers at a mall fast food restaurant.
Rep Stage, the regional theatre in residence at Howard Community College (HCC), continues its 24th season with Bess Wohl's "American Hero," directed by Suzanne Beal.
Rep Stage, the regional theatre in residence at Howard Community College (HCC), continues its 24th season with Bess Wohl's "American Hero," directed by Suzanne Beal.
Baltimore's Everyman attempts a pre-Halloween scare with WAIT UNTIL DARK now through Oct. 9th.
Megan Anderson once again excels starring in this mystery.
Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE...it just doesn't get better than this.
We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.
