The Second City has announced the launch of its latest virtual comedy show as part of the ongoing a?oeImprov House Partya?? series. Improv House Party: Helter Shelter premieres Thursday, May 14, at 7pm (CT) via Zoom.
Here's a look at how 'Light Shall Lift Us; Singers Unite in Song' (for OPERA America), a video project featuring 107 opera singers in “a song of hope and solidarity” by Paul Moravec and Mark Campbell, came together to help raise up the spirits of their communities as we deal with COVID-19. It went 'live' on May 14 at 1:30 pm EST.
San Francisco Opera Tad and Dianne Taube General Director Matthew Shilvock announced today that the Company's 2020 Summer Season, scheduled to take place June 7a?"July 3 at the War Memorial Opera House, has been canceled. Ongoing developments in the global effort to prevent the spread of COVID-19, including orders by the City of San Francisco to shelter in place through at least May 3, as well as other state and federal travel restrictions and safety measures, prohibit the Company's ability to prepare, build, rehearse and perform this summer.
Fort Worth Opera will host free YouTube Premieres and Facebook Watch Parties of the operas Frida Kahlo and the Bravest Girl in the World on April 16 and 18, and Feel the Tango on April 23 and 25, 2020.
On Site Opera, New York's pioneer opera company rooted in site-specific storytelling and the immersive experience, announced today a three week initiative to bring industry operatic giants from their Artistic Advisory Council together to initiate discussions across multiple areas of focus. Established in the Fall of 2019, the diverse Council was assembled to bring together artists to steer the organization into new levels of exploration and growth.
On Wednesday, March 18 at 7 pm, Princeton-based composer and conversationalist extraordinaire Julian Grant tells alla?"or maybe just enougha?"about his life, travels, and musical adventures in China and Central Asia at a free Soundtracks talk at the Princeton Public Library. While living in Hong Kong, he hosted a classical music radio show. He also lived in Tokyo and, from 2007-10, in Beijing, where he worked with the Beijing New Music Ensemble and attempted to master the yang qin (butterfly harp). This immersion in learning a traditional Chinese instrument proved to be the genesis of a suite of music titled a?"a??a??a?? (Five Generations, One House), a work soon to be given its US premiere by the Princeton Symphony Orchestra.
On Saturday, March 21, 2020 at 8 pm and Sunday, March 22, 2020 at 4 pm, the Princeton Symphony Orchestra (PSO) welcomes virtuoso violinist Stefan Jackiw to the Richardson Auditorium stage on the campus of Princeton University. Mr. Jackiw performs Felix Mendelssohn's Violin Concerto in E Minor on a program with the US premiere of Princeton-based composer Julian Grant's work a?'a??a??a?? (Five Generations - One House) and a performance of Ludwig Van Beethoven's Symphony No. 2 in D Major, Op. 36 in honor of the composer's 250th birthday. Edward T. Cone Music Director Rossen Milanov conducts.
Director Glenda Pearce is known for her attention to detail and she has successfully replicated the realism of the retirement home; highlighting the atmosphere and the experiences of the diverse characters who live there and delivering the humour.
I was delighted to hear that the Oratorio Society of New York's world premiere at Carnegie Hall of SANCTUARY ROAD (Naxos 8.559884)--a work for orchestra, chorus and a quintet of soloists--had been captured on disc. Not only is the story worth bringing to a broader audience, but the magic of the work, composed by Paul Moravec with a libretto by Mark Campbell based on the writings of William Still, “a conductor for the Underground Railroad,' merits hearing over and over again.
Lyric Opera of Kansas City General Director and CEO Deborah Sandler today announced the company's 2020-2021 season. It features four mainstage productions, including The Gershwins' Porgy and Bess and The (R)evolution of Steve Jobs, both of which are being performed on a Lyric Opera of Kansas City stage for the first time. Two all-time favorites known for incomparable melodies - Verdi's beloved La traviata and Bizet's passionate Carmen - round out the extraordinarily diverse season. The Kansas City Symphony Orchestra will accompany all performances at the Kauffman Center for the Performing Arts. Find biographies of the casts and creative teams at Lyric Opera of Kansas City and find high-resolution photos here.
San Francisco Opera's 2020 Summer SeasonSan Francisco Opera presents a trio of masterworks spanning the 18th century to the present for its 2020 Summer Season at the War Memorial Opera House June 7a?"July 3. In an update announced today, Caroline H. Hume Music Director Designate Eun Sun Kim will conduct Giuseppe Verdi's Ernani replacing James Gaffigan who has withdrawn from the production due to family reasons. The summer season will also include George Frideric Handel's Partenope in Christopher Alden's popular production and the Bay Area premiere of composer Mason Bates' kaleidoscopic exploration of life, love and creativity, The (R)evolution of Steve Jobs.
On Monday, March 2, 2020, at Carnegie Hall, the Oratorio Society of New York performs the U.S. premiere of a new critical edition of one of the masterpieces of choral music, Brahms's A German Requiem (Ein deutsches Requiem) a?" a work that the organization gave its very first U.S. performance, more than 140 years ago. OSNY Music Director Kent Tritle conducts, and the featured soloists are Susanna Phillips, soprano, and Takaoki Onishi, baritone.
Utah Opera Artistic Director Christopher McBeth today announced the programming and creative teams for Utah Opera's 2020-21 season, sponsored by the George S. and Dolores Doré Eccles Foundation.
Kent Tritle begins the new decade with his first organ recital at the Cathedral of St. John the Divine in two years, Bach's St. John Passion with the Cathedral Choir, and both a new edition of Brahms's A German Requiem and the world premiere of A Nation of Others, an oratorio about Ellis Island with music by Paul Moravec and libretto by Mark Campbell, with the Oratorio Society of New York.