Feinstein's/54 Below, Broadway's Supper Club, presents Marissa Mulder in I'll Follow The Sun, the songbooks of John Lennon and Paul McCartney. Ms. Mulder puts her unique vocal style and interpretation into the incredibly gorgeous catalogue of John Lennon and Paul McCartney, focusing on the enduring and often tumultuous friendships and musical partnership of two of the most important songwriters of our time. The evening will feature iconic songs such as "Ticket To Ride", "Blackbird", "Across The Universe", "Don't Let Me Down," and more!
This August, as part of its inaugural season, the Avenel Performing Arts Center presents Cocktail Hour: The Show, by New York City-based company Ballets with a Twist.
Bill Kenwright's 'Dazzling' (Sunday Telegraph) production of the international smash hit musical Blood Brothers returns this summer with a three-week season at Cork Opera House from 5 August before embarking on a UK tour.
Multi Award winning vocalist, Marieann Meringolo, explores the 60's in her Solo Debut Concert at the annual Provinetown CabaretFEST this coming June 1st, with 'Marieann Meringolo Explores The 60's From Warwick to Mathis to Legrand & more!''
Casting has been announced for the 2019 York company of SHAKESPEARE'S ROSE THEATRE, the award-winning pop-up Shakespearean Theatre, which makes a triumphant return to the foot of Clifford's Tower in York this summer with new productions of Hamlet, Henry V, The Tempest and Twelfth Night. The plays have been selected from across the genres, offering something for everyone, and will be performed in repertory by two companies of actors.
San Francisco Opera presents George Frideric Handel's Orlando in a bold production by director Harry Fehr that updates the setting to World War II London during the Blitz. English conductor Christopher Moulds makes his Company debut leading the San Francisco Opera Orchestra and a cast of five leading Handelian artists, each of whom is singing their roles for the first time. Handel's rarely performed work of love and madness will be presented June 9 27 at the War Memorial Opera House.
The New York Drama Critics' Circle today named The Ferryman by Jez Butterworth best play of the 2018-19 season. The award for best musical went to Tootsie. What the Constitution Means to Me by Heidi Schreck was named best American play. The selections were made at the organization's 84th annual voting meeting.
Contra Costa Civic Theatre (CCCT) today announced its 60th Main Stage season, including the East Bay premiere of a foot-stomping bluegrass musical, a beloved holiday tale as a radio show, a fresh-from- Broadway comedy/drama about one family's coming to terms with aging, the Bay Area premiere of the rest of the LBJ story, and a joyous gospel musical.
In 2016, critically acclaimed cabaret performer Dawn Derow revisited her operatic roots and took home a Bistro Award as "Outstanding Vocalist" for LEGIT: A Classical Cabaret. Then in 2017 and 2018, Dawn explored the hit music of the "Greatest Generation" period with her MAC Award-winning ("Best Female Vocalist") MY SHIP: SONGS FROM 1941 (she was also nominated for BroadwayWorld.com Cabaret Awards for "Best Show" and "Best Vocalist"). Now Dawn is ready to prove that you can go home again-musically, that is.
Following the critically acclaimed 'Lost West End' album series, Stage Door Records present the launch of 'Lost Broadway', a new series of albums that will focus on celebrating Broadway's forgotten and obscure musicals. With each album dedicated to specific years in Broadway history, the 'Lost Broadway' series launches with 'Lost Broadway 1961', a particularly abundant year in the Broadway calendar for musicals whose residencies were short lived but deserve not to be forgotten.
Casting has been announced for Pittsburgh CLO's exclusive engagement of the hit musical comedy SPAMILTON: An American Parody at the Greer Cabaret Theater May 16 August 25, 2019. Don't miss this convulsively funny (NY Times) parody from the comic mastermind behind the long-running hit Forbidden Broadway. After tearing it up in New York, Chicago, and Los Angeles, Spamilton: An American Parody will stage a singing, dancing, comedy revolution in Pittsburgh for a limited time only. The Huffington Post raves you don't have to see Hamilton to have side-splitting fun at Spamilton.
The fifth edition of Art New York returns to Pier 94 from Thursday, May 2 through Sunday, May 5, with an invitation-only VIP Preview on Thursday, May 2 at 2pm before opening to the public at 5pm.
VH1 today announced Grammy Award®-winning, multi-platinum recording artists and TV personalities T.I., Tameka 'Tiny' Harris, and Monica, along with Grammy Award®-nominee Luke James will all appear on its annual “Dear Mama: A Love Letter to Mom” premiering on Monday, May 6th at 10PM ET/PT. It was also announced Emmy® and Golden Globe® nominee Anthony Anderson and New York Times best-selling author and Actress La La Anthony will return to co-host the special.
If you’re looking for audition songs suitable for an alto range, we’ve compiled a list of classic and contemporary options for you. These 20 audition songs offer a variety of stories and styles, so you can choose the right ones for your voice and type.
The Mercer Dance Ensemble (MDE) is moving in exciting new directions in a fully original, spell-binding concert, "The New Edge of Dance." Performances take place at Mercer County Community College's (MCCC's) Kelsey Theatre on Saturday, May 11 at 8 p.m., and Sunday, May 12 at 2 p.m.
Paul Rush is the artistic director of Sixty-six Theater Co. located inside the Strasberg Institute in Hollywood. This past weekend April 26 - 28 he opened a new play in the Marilyn Monroe Theater of the Institute entitled My Thing of Love. In our chat Rush talks about the play, the Sixty-six Theater Co. and why he started it three years ago.
Tell us about Sixty-six Theater Co. and its mission.
It was founded by myself and two of my friends (Maggie Cleary and Coleman Kelly) while we, new to LA, were in that typical Hollywood routine of asking people to look at us, and we got kind of tired of just humbly asking to be looked at. We thought we weren't giving to the community. We wanted to really create thought-provoking theatre with an intention of giving to our audience.
Do you always do first-run shows?
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