Mari Nelson News

Seattle's critics' circle announces nominees for the 2020 Gypsy Rose Lee awards celebrating excellence in Seattle theatrical productions.

Oh my! What a year! We've seen bad-ass gospel singers, lost Jewish plays, mythical towns of excretion and even an octopus wrestler or two. No, those aren't allusions to the crazy theater going on in Washington D.C. but the crazy wonderful theater going on right here in the Seattle area. It was tough coming up with just one winner (or even just a few Honorable Mentions) but I managed to do it a?? for the most part. Plus, some shows that more of you should have seen. (Yes, that's me nagging you all, Dear Readers, to check out more of the smaller or obscure theaters around here.) But what it all comes down to is, we're blessed here in the Northwest with an over-abundance of theatrical riches and I'm so fortunate to be able to share some of my favorites of the year with you with the BWW 2019 Seattle Critic's Choice Awards (Jay's Picks). So, let's get started, shall we?

Seattle Shakespeare Theater gives THE TEMPEST a new edge and makes it sharper than ever. Filled with intrigue, love, revenge, plots, ploys, and magic, this show has something for everyone. With a fresh look and clever casting, Seattle Shakespeare makes this show its own.

Magical spirits aid an exiled duke towards reconciliation and release in Shakespeare's final solo masterpiece, The Tempest. Annie Lareau directs the production which begins previews on Oct. 15, opens Oct. 18 and runs through Nov. 10 at the Center Theatre at Seattle Center.

Since the joint production between the 5th Avenue Theatre and ACT of "Urinetown" was announced I heard far too often from people that they wouldn't want to see that. A stupid musical about pee? "I don't care for shows that are all bathroom humor," I would hear. And I'd have to defend this wonderful show explaining that it's a super funny, well written show, yes with peeing as the basic setting, but that it was so much more as it pokes fun at government corruption and is an homage to famous musicals who came before. I guess Little Sally from "Urinetown" was right that nothing can kill a show faster than bad subject matter or a bad title. But then her stating that is why this self-referential, meta show works so well. It knows it's ridiculous and it embraces it. And the same could be said for this wonderful production that went for every bad joke with brilliant comic timing and then some.

BroadwayWorld has a first look Urinetown, this season's co-production between The 5th Avenue Theatre and ACT - A Contemporary Theatre!

The cast for Urinetown, this season's co-production between The 5th Avenue Theatre and ACT - A Contemporary Theatre, has been announced.

Dear Readers, if you were lucky enough to catch Seattle Shakespeare Company and Upstart Crow's all female epic productions of the "Henry VI" Trilogy that they dubbed "Bring Down the House" and showed in two parts a few years back then you know of the power that they brought to the stage with some of the best female actors sinking their teeth into those traditionally male cast characters. And you also may have had the same wish that many others had, including myself, that they'd keep that train going especially once they'd seen the remarkable Sarah Harlett play the young hunchback Richard, Duke of Gloucester, with such malevolent zeal. Who wouldn't then want to see her go on to play him in the sequel, "Richard III"? Because we all love a sequel. Well, wish granted. The hunchback is back and scheming around the boards of the Leo K. Theatre at the Seattle Rep and is just as glorious as before.

Newly announced 2018 Jonathan Larson Grant Recipients ZOE SARNAK (music & lyrics) and EMILY KACZMAREK (book) are bringing their new, original musical AFTERWORDS to the stage, as part of the Beta Series at Village Theatre, a leading producer of musical theatre in the Pacific Northwest. 

The winners of the 2017 Gypsy Rose Lee Awards are announced by the Seattle critics circle, Seattle Theater Writers!

Afterwords, a contemporary musical currently in development, will begin its Beta Series production at Village Theatre's First Stage Theatre in Issaquah on February 16, 2018. While current Broadway productions cater to mostly male heteronormative story lines and production teams, Afterwords aims to change that by featuring a story focused on three strong and unique queer women, and led by a female creative team with a book by Emily Kaczmarek, music & lyrics by Zoe Sarnak, and direction by Adrienne Campbell-Holt.

Seattle's critics announce the Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in as much professional theater as we reviewers can attend in a year. Named in honor of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a nod to the vast numbers or theater practitioners forced to travel the country to earn their living, the Gypsys seek to acknowledge the excellence of the Seattle theater community.

Dear Readers, it's been quite a year and, hopefully, we've come through it unscathed. God knows we've needed some shows to help us escape and others to make us think. But through it all we've had several shows that have proven to shine as some of the best of the year. Out of all the shows I was fortunate enough to see this year, I've selected a few that stood out. Here are those stand outs, a few honorable mentions and a few special mentions about which I just couldn't help myself but to mention in their own special way.

Women and artists of color took center stage earlier this week at Theatre Puget Sound's 2017 Gregory Awards. Scroll down for the full list of winners!

I'll admit, Dear Readers, that when I saw the cast list for Village Theatre's current production of Stephen Sondheim and James Lapine's classic Into the Woods I was quite excited. It was (and is) quite a list of powerhouse talent and not the usual suspects for a Village show. But Sondheim's show, as much as it's done by every professional house, community theater, or school is by no means a bulletproof show and something egregious must have happened (or didn't happen) between then and now as the production I saw last night, while technically good with well sung songs lacked any kind of emotional resonance, heart, stakes, or even connection between the characters. And for a show like this, pretty singing is not enough.

Kicking off Village Theatre's 2017-2018 Season is the Tony and Drama Desk Award-winning musical, Into the Woods. "Happily ever after" will be just the beginning in this musical collision of the original Grimm fairytales. When Cinderella, Jack, Rapunzel, Little Red, and more venture into the woods after their heart's desire, they get a lot more than they bargained for. As princes seduce and giants roam the land, stories get intertwined and the plot thickens. With a jaw-dropping design team and a stellar cast of Village Theatre favorites, Into the Woods is sure to take you "into the woods, to get the thing, that makes it worth the journeying."

With one week left until The 17th Annual Festival of New Musicals, Village Theatre is excited to announce the casting for Nikola Tesla Drops the Beat, an electronic pop musical about one of the world's greatest inventors; Hart Island, a look at social justice and the people society has forgotten; Afterwords, a tale of art and love; Howl's Moving Castle, based on the novel by Diana Wynne Jones; and ZM, a hilarious romp through a zombie-filled future by the Tony Award-winning authors of Urinetown. Taking place in Issaquah on August 11-13, 2017, The Festival of New Musicals provides an essential platform for writers to incorporate a key component of live theatre - the audience. Each new musical will be rehearsed during the week, then present to the audience in staged reading format, performed in full using scripts.

Here in Seattle we are blessed to have an abundance of bad ass female theater professionals some you might even go so far as to call local theater royalty. Well now Seattle Shakespeare Company in collaboration with Upstart Crow Collective have taken those bad ass women and dropped them in a traditionally male dominated play, Shakespeare's Henry VI Trilogy which they have turned into a two parter and labeled "Bring Down the House".

From chaos springs opportunity. No one knows this better than the scheming noble families in the houses of York and Lancaster. The power struggle for the crown of England thunders onstage with an all-female ensemble. From battlefield betrayals to court deceptions, the collapse of a kingdom gets re-imagined in this epic premiere adaptation of Shakespeare's Henry VI trilogy.

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.