The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the world premiere of SOCRATES, written by acclaimed actor, director, and writer Tim Blake Nelson. Directed by Tony Award winner Doug Hughes and anchoring the Onassis Festival 2019: Democracy is Coming, SOCRATES will begin previews on Tuesday, April 2, with a Joseph Papp Free Preview performance on Wednesday, April 3 in The Public's Martinson Hall. This powerful new play runs through Sunday, May 19, with an official press opening on Tuesday, April 16.
Dixon Place (Ellie Covan, Founding Director) presents the workshop production of New Creation, conceived and directed by Kai Chieh Tu and devised and performed by Katherine Wright, Janice Amaya, Laura Yumi Snell & Sharlee Taylor runs Thursday, February 28, 2019 and March 1 & 2, 2019 at 7:30pm for a total of three performances at Dixon Place (161A Chrystie Street) in Manhattan. Tickets are $18 in advance, $21 at the door. For tickets and further information please visit www.dixonplace.org or call 866-811-4111 for tickets.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
Four women of color breaking boundaries at Mabou Mines as part of the 2019 SUITE/Space program - Cinthia Chen, Marcelle Davies-Lashley, Cristina Pitter and Edisa Weeks.
Raven Theatre announces its 2019-20 Season, kicking off this fall with the Chicago premiere of Rachel Bonds' drama SUNDOWN, YELLOW MOON, directed by Artistic Director Cody Estle and featuring music and lyrics by The Bengsons. This warm, delicate play with music is an honest look at the hard work of holding a family together and re-connecting with what we've left behind.
After a sold out 9-city tour from New York to Los Angeles, The Moth StorySLAM champion David Rodwin brings his award-winning show F*ck Tinder: a love story back to PianoFight, for a special Valentine's Day run.
Four women of color breaking boundaries at Mabou Mines as part of the 2019 SUITE/Space program - Cinthia Chen, Marcelle Davies-Lashley, Cristina Pitter and Edisa Weeks.
FEAST: A Performance Series (produced and curated by Alex Randrup and Conrad Kluck) announces the Featured Artists for its next monthly show, on Monday February 4th, 2019, 7pm at UNDER St. Marks Theater (94 St. Marks Place). Tickets are $12 online at www.feastperformance.com and $15 at the door.
Previews begin tonight for the world premiere production of The Convent, a new play by critically acclaimed playwright Jessica Dickey (The Amish Project, Charles Ives Take Me Home), directed by Daniel Talbott.
Four women of color breaking boundaries at Mabou Mines as part of the 2019 SUITE/Space program - Cinthia Chen, Marcelle Davies-Lashley, Cristina Pitter and Edisa Weeks.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
California Shakespeare Theater (Cal Shakes) today announced directors for the 2019 Season at the Bruns Amphitheater, including the Cal Shakes debuts of directors Megan Sandberg-Zakian (House of Joy) and Victor Malana Maog (Macbeth).
The Philip Glass Institute (PGI) will launch with a performance by the Philip Glass Ensemble and a panel discussion with Philip Glass, Lisa Bielawa, the inaugural Composer-in-Residence and Chief Curator of the PGI, and Richard Kessler, Executive Dean of the College of Performing Arts, on January 6, 2019 at 4:30 pm, at The New School's Tishman Auditorium.
The New School's College of Performing Arts (CoPA) today announced a landmark partnership with the Philip Glass Ensemble (PGE) and long-time PGE member, Lisa Bielawa, around the work of Philip Glass, one of the world's preeminent composers, musicians, and authors, to form a new learning and creative center. Building on Glass's enduring contributions to modern culture, the Philip Glass Institute (PGI) will offer students, faculty, and the public the opportunity to immerse themselves in the work of Philip Glass, other important artists within his circle, and the work of the iconic Philip Glass Ensemble. Renowned composer and long-time vocalist for the PGE Lisa Bielawa will become the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute.
The Public Theater announced initial casting today for the world premiere of SOCRATES, written by acclaimed actor, director, and writer Tim Blake Nelson. Directed by Tony Award winner Doug Hughes, the powerful new play will begin with a Free First Preview performance on Tuesday, April 2 and run through Sunday, May 19 with an official press opening on Tuesday, April 16.
Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.
Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.
The Amoralists (James Kautz, Artistic Director; Lico Whitfield, Producing Director) proudly present STAINED, written by Amoralists 2018/2019 'WRIGHT CLUB author Charly Evon Simpson, and directed by Kate Moore Heaney. STAINED is PLAY 2 of RICOCHET: An Amoralists Anthology about Surviving an American Epidemic.
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