Chicago Opera Theater, Chicago's foremost producer of contemporary and re-imagined opera, proudly presents the World Premiere of Quamino's Map, shedding light on the post-Revolutionary War years when London was the unlikely refuge for thousands of Black Americans who fought for their liberty on the side of the British.
Los Angeles Philharmonic Music & Artistic Director Gustavo Dudamel and David C. Bohnett Chief Executive Officer Chair Chad Smith today announced the adventurous slate of programs for the 2022/23 season at Walt Disney Concert Hall.
Chicago Opera Theater, Chicago's foremost producer of contemporary and re-imagined opera, continues its 2021-2022 season with the Chicago premiere of the seasonal treat, Becoming Santa Claus, in three performances only, December 11, 17 & 19, at the Studebaker Theater, 410 S. Michigan Avenue, in the Fine Arts Building.
On Veteran’s Day, November 11 at 7 p.m. EST, The Glimmerglass Festival will release the world premiere film The Knock, a 50-minute opera composed by Aleksandra Vrebalov with a libretto by Deborah Brevoort.
World-renowned pianist and composer Jeffrey Biegel to premiere of a brand-new work by Ellen Taaffe Zwilich honoring the late Supreme Court Justice Ruth Bader Ginsburg to be performed by the Dallas Symphony Orchestra at the Morton H. Meyerson Symphony Center in Dallas
This September, Chicago audiences will have the truly rare opportunity to hear two world-class dramatic mezzo-sopranos debut new roles opposite one another in Chicago Opera Theater's Carmen.
Houston Grand Opera (HGO) is now offering single tickets to the 2021–22 season at HGO.org. After an all-virtual 2020–21 season through HGO Digital, the company will launch its triumphant return to live performance at The Wortham Theater Center on October 22, 2021.
The season includes Bizet’s beloved CARMEN in concert, featuring duo debuts by Jamie Barton and Stephanie Blythe; the family-friendly holiday delight BECOMING SANTA CLAUS by Mark Adamo; and a world premiere commission by Errollyn Wallen and Deborah Brevoort, QUAMINO’S MAP.
This new initiative allows Professional Company Members to receive up to $10,000 to subsidize as much as 50 percent of the fee of a woman stage director or conductor who is contracted for the first time by the company.
Solti Foundation U.S. Board Chair Penny Van Horn and Elizabeth Buccheri, Artistic and Awards Committee Chair, today announced remotely from their respective homes the young American conductors who have been selected as 2021 recipients of The Sir Georg Solti Career Assistance Award.
Houston Grand Opera will present its 2021-22 season live and in person after a year of reimagining the artform in a virtual format through the 2020-21 HGO Digital season.
As orchestras emerge from the pandemic and lean into recovery, the League of American Orchestras' 76th National Conference, Embracing a Changed World, will tackle the big questions about the future through new perspectives, actionable content, and provocative discussion.
The Rhode Island Philharmonic Orchestra & Music School has continued to further its mission to enrich and transform the state and region through brilliant music performance and music education during the Covid-19 Pandemic.
On March 5, 2021, Seattle Opera presented Mozart’s Don Giovanni to its worldwide online audience. Stage director Brenna Corner notes that the 1964 Hamlet on Broadway directed by Richard Burton inspired her to do this black-and-white film production and use it to communicate the opera’s basic premise. Corner says she intended to emphasize the drama.
The Rhode Island Philharmonic Orchestra & Music School has continued to further its mission to enrich and transform the state and region through brilliant music performance and music education during the Covid-19 Pandemic. As part of its ongoing effort, the Rhode Island Philharmonic Orchestra presents its 2021 Spring Season at The VETS.
For many years, the character of Don Giovanni was celebrated as “Mozart's bad boy”—an evil but charming anti-hero of opera. But for Stage Director Brenna Corner and Maestro Lidiya Yankovskaya—the duo behind Seattle Opera's streaming Don Giovanni—there's so much more to this masterpiece than toxic masculinity.