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39th Season Of Schwabacher Recital Series Begins Next Month

The 39th season of the Schwabacher Recital Series, presented by San Francisco Opera Center and the Merola Opera Program, opens on March 1 with soprano Meigui Zhang and pianist John Churchwell and continues on March 22 with a program curated by Nicholas Phan featuring five San Francisco Opera Adler Fellows and Merola alumni.

Review: THE BARBER OF SEVILLE, Royal Opera House

Whether you see this because of the scintillating score or because a night at the opera is now cheaper than heating your home, The Barber Of Seville is sure to warm the cockles of your heart.

Houston Grand Opera Joins Forces with Houston Ebony Opera Guild, Prairie View A&M, And More For the Fourth Annual GIVING VOICE

On Friday, February 24, 2023, Houston Grand Opera (HGO) will stage the fourth annual Giving Voice concert in partnership with Wheeler Avenue Baptist Church, the Houston Ebony Opera Guild, Prairie View A&M University, and Texas Southern University. The fourth annual concert will be presented outside the Wortham Theater Center for the first time, at the new Cathedral of the historic Wheeler Avenue Baptist Church in the Third Ward, in celebration of Black History Month.

LE COMTE ORY Opens This Week at the Lyric

Comedy takes center stage at Lyric Opera of Chicago, as Rossini's uproarious opera Le Comte Ory makes its Lyric premiere for five performances only, November 13–26, 2022.

Review: Crutchfield's Teatro Nuovo Breathes Life into Rossini's MAOMETTO SECONDO at Rose Theatre

Will Crutchfield’s gutsy Teatro Nuovo brought New Yorkers a chance to evaluate Rossini's MAOMETTO SECONDO the other day at Jazz from Lincoln Center’s Rose Theatre. Kudos to Crutchfield, who continues on his quest for the most authentic of the authentic in bel canto, even when the originals weren’t exactly smash hits to begin with. That includes MAOMETTO, which has had a quite checkered past.

Review: A Singular Sensation Returns to Philadelphia Opera with the O22 Festival

O22, as Opera Philadelphia's festival was called this year, wasn’t exactly “something old, something new” but more like big fat sandwich cookie. On one side, there was a kind of “traditional” contemporary opera, Hosokawa’s THE RAVEN , a big filling of Rossini’s OTELLO opera seria in the middle, and finished with the Little-Waldman BLACK LODGE, a rock opera that was half ear-blasting concert performed live, half film.

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