Kimberly Gilbert News

Time is running out to vote for the 2015 BroadwayWorld Washington, DC Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!

Voting is fully underway for the 2015 BroadwayWorld Washington, DC Regional Awards! Check out the latest live stats as of December 11. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Washington, DC Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Washington, DC Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Lettuce and laughter were being tossed in abundance at last night's opening, and world premiere, of playwright Sheila Callaghan's new play, WOMEN LAUGHING ALONE WITH SALAD, the inaugural production of Woolly Mammoth's 36th season. The play is among the more than fifty works by women being featured in DC theaters during the Women's Voices Theater Festival this fall. Woolly Mammoth has a well-earned reputation for presenting bold works that challenge audiences, and push the boundaries of how stories are being told on stage. WOMEN LAUGHING is a perfect fit for Woolly Mammoth, and for the cast and creative team who have crafted this piece.

Woolly Mammoth Theatre Company announces its first production of Season 36, the world premiere of Women Laughing Alone with Salad by playwright Sheila Callaghan, directed by Kip Fagan. Women Laughing Alone with Salad will run from September 7 to October 4 as part of the inaugural Women's Voices Theater Festival.

The Kennedy Center, in association with the Kennedy Center American College Theater Festival, the National New Play Network (NNPN)-the country's alliance of non-profit theaters that champions the development, production, and continued life of new plays-and with Stanford University's National Center for New Plays, will host more than 50 playwrights, directors, and dramaturgs from July 25 to August 2, 2015 as part of the 10th annual weeklong MFA Playwrights' Workshop featuring new works by MFA students from Columbia University, Northwestern University, Fordham University, Yale School of Drama, the Juilliard School, New York University-Tisch School of the Arts, University of California-San Diego, and the Juilliard School.

Studio Theatre's latest production depicts an admirably affable band of losers in a script that is well balanced, and a show that is extremely well acted.

Armed with a new, more relevant, adaptation by Annie Baker, director John Vreeke has pulled together a lively and energetic take on Chekov that is a hilarious as it is heartbreaking. A great team of designers and extraordinary cast has made Round House Theatre's take on UNCLE VANYA a highlight of the season.

Tonight before a crowd of 1,200 theatre-makers and theatre-lovers at the historic Lincoln Theatre, theatreWashington celebrated excellence on Washington stages at the 2015 Helen Hayes Awards. The awards celebration was a night of excitement and surprise as 57 Washington theatre artists, theatres, and ensembles received honors in 47 categories for their outstanding accomplishments during the 2014 theatre season. Scroll down for the full list of winners!

One of the country's most prestigious cultural honors, The Helen Hayes Awards recognizes and celebrates excellence in professional theatre throughout the Washington metropolitan area. theatreWashington will host The 2015 Helen Hayes Awards ceremony tonight, April 6, 2015 at the historic Lincoln Theatre.

Woolly Mammoth Theatre Company has announced its 2015-2016 season, featuring a world premiere as well as new plays receiving their Washington area premieres after garnering accolades from performances in New York, Los Angeles, and London including the Laurents/Hatcher Award, the Susan Smith Blackburn Prize, and the Obie Award for Best New American Play. Woolly's new season features the work of Sheila Callaghan, Jennifer Haley, Branden Jacobs-Jenkins, Rajiv Joseph, the Chicago Neo-Futurists and Canadian duo Marcus Youssef and James Long.

Tonight before a crowd of 150 theatre makers and theatre lovers, theatreWashington announced the nominees for the 2015 Helen Hayes Awards. One of the country's most prestigious cultural honors, The Helen Hayes Awards recognizes and celebrates excellence in professional theatre throughout the Washington metropolitan area. Watch the full announcement below, and scroll down for the list of nominees!

Filled with laughs and anarchic asides, as well as a healthy dose of audience participation, Theatre J has an unqualified hit in Aaron Posner's Life Sucks [Or the Present Ridiculous]. Here we have Posner's thoroughly irreverent, Jewish take on Uncle Vanya, Russian playwright Anton Chekov's classic tale of unrequited love and unfulfilled lives. Forget the theatre history lecture, however; this is pure slapstick at Chekhov's expense and nothing to be intimidated by in the least.

We've all heard of the plight of Marie Antoinette, but those that make a visit to Woolly Mammoth Theatre Company throughout the next few weeks can perhaps see it in a slightly different light. And that's a good thing.

Woolly Mammoth Theatre Company announces the first offering of its 35th season: David Adjmi's Marie Antoinette, a highly contemporary look at the famously iconic and controversial queen of France, from her growing celebrity to her ultimate demise at the hands of those who had once extolled her. Woolly Company Member Kimberly Gilbert will take on the role of Marie in a production directed by new Woolly Company Member Yury Urnov, who last directed at Woolly in 2012, with the World Premiere production of You For Me For You. Marie Antoinette will run from Monday, September 15 to Sunday, October 12, 2014.

Woolly Mammoth Theatre Company is bringing back the bird and reuniting the entire cast and creative team of Aaron Posner's Stupid f**king Bird after its runaway success in the summer of 2013. Nominated for eight Helen Hayes Awards and winner for Outstanding Resident Play and Outstanding New Play or Musical, Stupid f**king Bird is directed by Woolly Artistic Director Howard Shalwitz and runs for three weeks, beginning tonight, July 28, 2014, and continuing through August 17, 2014.

Woolly Mammoth Theatre Company is bringing back the bird and reuniting the entire cast and creative team of Aaron Posner's Stupid f**king Bird after its runaway success in the summer of 2013. Nominated for eight Helen Hayes Awards and winner for Outstanding Resident Play and Outstanding New Play or Musical, Stupid f**king Bird is directed by Woolly Artistic Director Howard Shalwitz and runs for three weeks: July 28, 2014 through August 17, 2014. Scroll down for a first look at the cast in action!

Woolly Mammoth Theatre Company is bringing back the bird and reuniting the entire cast and creative team of Aaron Posner's Stupid f**king Bird after its runaway success in the summer of 2013. Nominated for eight Helen Hayes Awards and winner for Outstanding Resident Play and Outstanding New Play or Musical, Stupid f**king Bird is directed by Woolly Artistic Director Howard Shalwitz and runs for three weeks: July 28, 2014 through August 17, 2014.

A fascinating blend of dance, monologue, dialogue, lights, sound effects and live music, 'Enter Ophelia, distracted' gives you a piercingly perceptive look into the psyche of a young girl fated to lose first the love of her life, then her father, her mind, and then her life. Ophelia's fictional fate resonates strongly with women to this day, and Kim Gilbert-with the help of Choreographer Erin F. Mitchell-has plumbed her depths in ways that are intensely personal and unforgettable. The intimate confines of the Capitol Hill Arts Workshop fairly burst with the passions unleashed in this piece.