The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Women and artists of color took center stage earlier this week at Theatre Puget Sound's 2017 Gregory Awards. Scroll down for the full list of winners!
After 10 years of producing award-winning productions and helping to change the face of mid-level professional theatre in Seattle, New Century Theatre Company (NCTC) is excited to share several new developments in its future.
I've never been a fan of transplanting classic works such as Shakespeare to "new and exciting" locales and time periods but I have seen it work as long as the adaptation enhances the existing story somehow or at the very least makes sense with the story. Unfortunately, Seattle Shakespeare Company's current musical adaptation of Shakespeare's "A Midsummer Night's Dream" with a 1930's movie musical bent fails on both respects and then some. It's got a few elements in it that work but overall it makes little sense and the added music adds nothing but confusion.
A Midsummer Night's Dream opens at Seattle Shakespeare Company tonight! Theatrical magic and fairy antics share billing in this musical valentine to the stage. It's a fantastical tale of love gone kerflooey.
New Century Theatre Company (NCTC) ends its 2017 10th Anniversary Season with Will Eno's The Realistic Joneses.
In Keiko Green's 'Nadeshiko', currently getting its world premiere from Sound Theatre Company, there are two stories happening on the stage. Only one of the stories is very well fleshed out and only one is very interesting and unfortunately they're not the same story. With stiff and stilted dialogue, pacing, and acting, the play amounts to a look into an interesting part of history most are unfamiliar with but doesn't explore that history in an interesting way.
Sound Theatre Company presents the world premiere of Keiko Green's Nadeshiko to kick off their 2017 Season: AMPLIFY! - Raising Women's Voices, devoted to women writers and directors.
From chaos springs opportunity. No one knows this better than the scheming noble families in the houses of York and Lancaster. The power struggle for the crown of England thunders onstage with an all-female ensemble. From battlefield betrayals to court deceptions, the collapse of a kingdom gets re-imagined in this epic premiere adaptation of Shakespeare's Henry VI trilogy.
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
It's been a crazy year, Dear Readers. Lots of ups, lots of downs, and LOTS of emotions. And I'm not just talking about on stage. But let's not dwell on the bad things that may have happened in the world and focus on some of the amazing things Seattle theater companies gave us this past year, and let me tell you there were quite a few. So many in fact that in some categories I simply had to call out more than the usual Honorable Mentions as some performances just needed to be noted. You'll see what I mean especially when you get to the female categories as the ladies were certainly bringing it this year. But let's get started shall we? Out of the myriad shows I saw this year in Seattle, here are the shows and performances that truly stood out to me.
Coming off their second win for Outstanding Theatre of The Year from the Gregory Awards, Sound Theatre Company announces their most compelling and relevant season to date.
One of my favorite things in seeing all the shows I do is to stumble upon one that I like to refer to as 'alchemy'. It's that rare instance where all of the elements, the script, actors, director, set, costume, lights, music, etc all come together in just the right way and at just the right times to form pure gold. It may look like science or technical expertise but it's really just magic. One of those shows is ACT's current production of Christopher Hampton's 'Dangerous Liaisons'. If in seeing this show you are not able to have a thrilling night then you're just not paying attention.
Are there any taboo subjects for musicals anymore? I mean we've had shows about serial killers and assassins, drug addicts and prisoners, demons and super powered psychotic teens, and even oversexed puppets. So I don't know why anyone should be surprised by the new musical at ACT in conjunction with ArtsWest and Circle X Theatre Co., 'Bad Apples' which takes a look at one of our countries most disgraceful moments, the Abu Ghraib prison scandal. This in your face rock musical will definitely not be everyone's cup of tea and especially not for the kids. But if you can get past all the language, sex, and horrific images then what you're left with is a killer show that looks at how easily people in power can justify appalling acts.
Bad Apples is the new rock musical inspired by the real-life prisoner abuse scandal at Abu Ghraib prison in Iraq. Bad Apples seeks to answer the simple question: How in God's name did this happen? Two soldiers ended up pregnant by fellow soldier Charles Graner; both women wanted to marry him, competed with each other to win his love, and enthusiastically tortured prisoners together, documenting most of it in pictures that later leaked and shocked the world.
Absolute truth is an elusive thing. In our daily lives we lie to get what we want. We lie to be polite and spare someone's feelings. We lie by not telling all the facts. And sometimes we lie by manipulating the facts so they're true to us. Seattle Public Theater's current production "Caught" by Christopher Chen walks a treacherous tightrope between truth and lies on multiple levels with a thoughtful and humorous show. And even as engaging as it was, ultimately it felt a little long winded and I question what its own truth really was.
Slice of life plays, like "Puny Humans" currently playing at Annex Theatre, are difficult at best especially when focusing on one specific sub-culture such as Comic-Con attendees. You need something new to say about your subjects, you need to make your subjects empathetic and you need an over-arching reason for us to be looking at this particular slice of life. Unfortunately writers Bret Fetzer and Keiko Green fail at all three of those elements making their 2 hour and 45 minute show (yeah, you heard me) drone on.
I'm perfectly fine when a play chooses to break the fourth wall and become self-referential. The ability for anything to be able to point out its own shortcomings is a sign of self-actualization. But when a play repeatedly does so and then pats itself on the back for its cleverness of doing so as does Aaron Posner's "Stupid F**king Bird", currently playing at ACT, then it becomes wearing almost to the point of insulting. And while Posner's play certainly has its funny moments, those repeated exposes onto itself started to feel like the play was flipping the audience the bird (and I don't mean a Seagull).
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