Hartford Stage announced today the cast and creative team for Dominique Morisseau's Detroit '67. The powerful drama, produced in association with the McCarter Theatre Center, will perform at Hartford Stage Thursday, February 14, through Sunday, March 10.
Hailed as one of the funniest shows of all time, 'Noises Off' is on stage at Two River Theater through Sunday, February 3. You'll laugh, laugh, and laugh some more at this truly timeless comedy. Directed by Sarna Lapine and featuring a marvelous cast, the production is an absolute pleasure. Whether you've seen it before or not, don't miss the hilarious rendition happening in Red Bank.
Two River Theater continues its 25th Anniversary Season with Michael Frayn's Noises Off, directed by Sarna Lapine.
Arena Stage at the Mead Center for American Theater announces the full company for the world premiere of Aaron Posner's JQA, recipient of an Edgerton Foundation New Play Award. The first of Posner's plays that is not adapted from an existing work, JQA shines a spotlight with humor and care on an ineffectual presidency, the idea of government and how a society lives in relationship to it, and the American experiment as it continues to evolve. Directed by Posner as well, JQA runs March 1 through April 14, 2019 in the Arlene and Robert Kogod Cradle.
Two River Theater presents Michael Frayn's Noises Off, directed by Sarna Lapine. The production opens to the press on Friday, January 18 at 7pm and continues through Sunday, February 3 in Two River's Rechnitz Theater, 21 Bridge Avenue, Red Bank, NJ.
Two River Theater continues its 25th Anniversary Season with Michael Frayn's Noises Off, directed by Sarna Lapine.
The world premiere of Little Girl Blue - The Nina Simone Musical-a powerful new show exploring the life of American icon Nina Simone, as told through her own words and groundbreaking music-will kick off 2019 at George Street Playhouse in New Brunswick, NJ.
Two River Theater continues its 25th Anniversary Season with Michael Frayn's Noises Off, directed by Sarna Lapine.
It's the summer of 1967, and the songs of Motown are breaking records and breaking barriers. Chelle and her brother, Lank, are running an unlicensed after-hours juke joint out of their basement-risky business-especially during a brutal police crackdown that sets off riots throughout the city. When Lank offers refuge to a mysterious stranger, he and Chelle clash. Pent-up emotions erupt, and they must navigate the chaos both outside and within.
It's the summer of 1967, and the songs of Motown are breaking records and breaking barriers. Chelle and her brother, Lank, are running an unlicensed after-hours juke joint out of their basement-risky business-especially during a brutal police crackdown that sets off riots throughout the city. When Lank offers refuge to a mysterious stranger, he and Chelle clash. Pent-up emotions erupt, and they must navigate the chaos both outside and within.
It's the summer of 1967, and the songs of Motown are breaking records and breaking barriers. Chelle and her brother, Lank, are running an unlicensed after-hours juke joint out of their basement-risky business-especially during a brutal police crackdown that sets off riots throughout the city. When Lank offers refuge to a mysterious stranger, he and Chelle clash. Pent-up emotions erupt, and they must navigate the chaos both outside and within.
Bristol Riverside Theatre opens its 32nd Mainstage season with the one-woman tour de force, Erma Bombeck: At Wit's End by Allison Engel and Margaret Engel on September 18th - October 7th. Directed by Jennie Eisenhower, it stars Licia Watson in the title role.
Bristol Riverside Theatre opens its 32nd Mainstage season with the one-woman tour de force, Erma Bombeck: At Wit's End by Allison Engel and Margaret Engel on September 18th - October 7th. Directed by Jennie Eisenhower, it stars Licia Watson in the title role.
Bristol Riverside Theatre opens its 32nd Mainstage season with the one-woman tour de force, Erma Bombeck: At Wit's End by Allison Engel and Margaret Engel on September 18th - October 7th. Directed by Jennie Eisenhower, it stars Licia Watson in the title role.
William Shakespeare's 'Titus Andronicus' is now being presented at The Shakespeare Theatre of New Jersey through August 5th. With the creative and clever direction by Brian Crowe and a stellar cast, this story of murder and mayhem will keep you captivated.
BWW Review: SKELETON CREW at Dorset Theatre Festival receive a standing ovation
Dorset Theatre Festival, under the leadership of Artistic Director Dina Janis, Producing Director Will Rucker, and Executive Director Marissa Hutton, presents Dominique Morisseau's SKELETON CREW, directed by Jade King Carroll, with a case that includes Brenda Pressley (The Lyons) as "Faye," Leland Fowler (Henry V) as "Dez," Mirirai Sithole (School Girls; Or, The African Mean Girls Play) as "Shanita," and Gabriel Lawrence ("Madam Secretary") as "Reggie."
The Shakespeare Theatre of New Jersey continues its 56th season with its second Main Stage production, Titus Andronicus. Resident Director Brian B. Crowe will helm this rarely produced Shakespearean tragedy. STNJ veteran Bruce Cromer will play the title role; Tony Award nominee Robert Cuccioli and returning company members Vanessa Morosco and Benjamin Eakeley will play leading roles amongst a cast of 20 actors that also includes young artists from the Theatre's renowned Summer Professional Training Program.
Portland Stage's current production of Michael Hollinger's 2000 noir comedy set in the Cold War era skillfully weaves a tapestry of three love stories and one murder against the backdrop of McCarthyism, nuclear bombs, 50s pop culture, and zany shenanigans - all of which makes for a delightful, fast-paced evening of nostalgic wit.
Two River Theater (TRT) continues their successful 2017/2018 season with the enthralling world premiere of 'The Bridge of San Luis Rey' by Thornton Wilder. Expertly directed by Ken Rus Schmoll, this timeless story has been artfully adapted for the stage by David Greenspan who also stars in the production accompanied by a stellar cast.
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