Full Cast And Creative Team Announced For JQA At Arena Stage
Arena Stage at the Mead Center for American Theater announces the full company for the world premiere of Aaron Posner's JQA, recipient of an Edgerton Foundation New Play Award. The first of Posner's plays that is not adapted from an existing work, JQA shines a spotlight with humor and care on an ineffectual presidency, the idea of government and how a society lives in relationship to it, and the American experiment as it continues to evolve. Directed by Posner as well, JQA runs March 1 through April 14, 2019 in the Arlene and Robert Kogod Cradle.
Each member of the four-person JQA cast embodies the persona of the title character at some point throughout the play and, in addition, performs the roles of several other historical American figures. Returning to Arena are Jacqueline Correa (Arena and Guthrie Theater's Native Gardens) as JQA/Abraham Lincoln/Louisa Adams and Eric Hissom (Arena's Vanya and Sonia and Masha and Spike; American Repertory Theater's The Tempest) as JQA/John Adams/Henry Clay. Making their Arena debuts are Phyllis Kay (Trinity Repertory's Macbeth, Lend Me a Tenor) as JQA/George Washington/Abigail Adams/John C. Calhoun and Joshua David Robinson (Off-Broadway's X: Or, Betty Shabazz v. The Nation, The Convent of Pleasure) as JQA/Frederick Douglass/Andrew Jackson.
JQA is the sixth commission to debut as part of Arena Stage's Power Plays, an ambitious initiative commissioning and developing 25 new plays and musicals from 25 writers over the course of 10 years. With Power Plays, Arena Stage focuses Washington, D.C.'s unique theatrical voice on politics, power and ideas of America, amplifying the theater's role as a national center dedicated to American voices and artists, located in the heart of the nation's capital. The massive undertaking features one story per decade, beginning with 1776 through present day, and builds on the tremendous success of previous Arena Stage commissions and Power Plays, including Lawrence Wright's Camp David, John Strand's The Originalist, and Mary Kathryn Nagle's Sovereignty.
"Arena's Power Play initiative - to commission 25 plays from 25 writers covering America's history by decade - is bringing some fascinating stories to light," explains Artistic Director Molly Smith. "Aaron Posner has an impressive career adapting stories for the stage, and now he has created something totally new. The story will follow John Quincy Adams along the path of his life and distinguished career - and remind us of the energy and fire of this American experiment called democracy."
"John Quincy Adams is a fascinating figure who has only recently become more understood and appreciated," shares Posner. "He was a unique and complicated figure - a truly brilliant man and yet a largely ineffective politician whose political life pre- and post-presidency was far more distinguished than his time as president. Our sixth president, he knew and worked with every president and important American from Washington to Lincoln. His life and times have a lot to tell us about where we are today - and how we got here."
Posner continues, "As we are seeing every day in absolutely graphic ways, our relationship to our government matters. It is not theoretical. It is practical and important. Here in D.C., the government touches nearly every part of our daily lives. But there is so much that we take for granted. Hopefully this play will nudge people to re-think some assumptions."
In addition to Posner, the creative team includes Set Designer Meghan Raham, Costume Designer Helen Huang, Lighting Designer Jesse Belsky, Sound Designer Karin Graybash, Dialect and Vocal Coach Lisa Nathans, Casting Directors Kate Murray and Victor Vazquez, Stage Manager Hethyr (Red) Verhoef and Assistant Stage Manager Emily Ann Mellon.
Aaron Posner (Playwright/Director) is an award-winning playwright, director, teacher and former artistic director of two LORT theaters. His Helen Hayes Award-winning play, Stupid F**king Bird, was one of the ten most produced plays in the country in 2015. Other plays include Life Sucks and No Sisters (both re-inventions of Chekhov), District Merchants (inspired by The Merchant of Venice), Who Am I This Time? & Other Conundrums of Love (adapted from Kurt Vonnegut), The Chosen and My Name Is Asher Lev (adapted from Chaim Potok), Sometimes a Great Notion (adapted from Ken Kesey) and several more. He has directed more than 150 productions at major regional theaters across the country, including Arena Stage, and currently lives outside of D.C. with his wife, actress Erin Weaver, and his amazing daughter, Maisie.
Cast Biographies (in alphabetical order)
Jacqueline Correa (JQA/Abraham Lincoln/Louisa Adams) last appeared at Arena Stage as Tania in Native Gardens directed by Blake Robison. Her regional theater credits include Native Gardens (Guthrie Theater), Brick City (Premiere Stages), Macbeth (Arkansas Rep), The Women of Padilla (Two RiverTheater), Hamlet (Guthrie/The Acting Company), Rosencrantz & Guildenstern Are Dead (Guthrie/The Acting Company), Confluence (Guthrie Theater), On the Verge and American Tet (CATF) and Macbeth (Pennsylvania Shakespeare Theater). Other stage credits include Peter Pan directed by Mark Lamos, The Cradle Song directed by Jonathan Bank and A Christmas Carol directed by Joe Dowling. Jacqueline has appeared in the films The Dog Days and Once a Year. She holds an MFA from the Professional Theater Training Program at The University of Delaware. Instagram: @Ms_Jacqueline_Correa www.JacquelineCorrea.com
Eric Hissom (JQA/John Adams/Henry Clay) first appeared at Arena Stage in Vanya and Sonia and Masha and Spike. D.C. area credits include Twelve Angry Men and Born Yesterday at Ford's; Cyrano, Arcadia (Helen Hayes Award) and Winter's Tale at the Folger; Everything is Illuminated, Body of an American and Life Sucks at Theatre J; Bengal Tiger at the Baghdad Zoo at Round House; The Effect at Studio; The Vibrator Play at Woolly Mammoth; and others. Eric did the national tour of The Thirty-Nine Steps, and has worked at regional theaters all over the country, including Seattle Rep, LaJolla Playhouse, Cleveland Playhouse, Milwaukee Rep, Asolo Rep, The Arden Theatre, Orlando Shakespeare Theater, Cape Playhouse and others. Eric has an MFA from the FSU/Asolo Conservatory.
Phyllis Kay (JQA/George Washington/Abigail Adams/John C. Calhoun) is a longtime member of the Trinity Rep Resident Acting Company and has worked at several regional theaters. Favorite productions include Macbeth, Lend Me a Tenor, Angels in America, The Beauty Queen of Leenane, The Cider House Rules, The Merry Wives of Windsor, Cherry Orchard, All the King's Men, Cabaret, King Lear, Hunchback of Seville, Appropriate, Death of a Salesman and Into the Breeches! She has appeared in the films Smithereens, Federal Hill, Brooklyn Rules, The Proposal, Fairhaven, Some Freaks and Polka King, and on television in Miller's Court, Law & Order, The Sopranos and Body of Proof. She is a 2015 Lunt-Fontanne Fellow.
Joshua David Robinson (JQA/Frederick Douglass/Andrew Jackson) is honored to be making his Arena Stage debut in this production, returning to perform in his hometown for the first time. Joshua has appeared Off-Broadway in X: Or, Betty Shabazz v. The Nation (Theatre at St. Clement's, The New Victory Theater); The Convent of Pleasure (Cherry Lane Theatre); and Sense of an Ending (59E59 Theatres). Regionally Joshua has been seen in All the Way (Cleveland Playhouse); Sherwood: The Adventures of Robin Hood and Three Sisters (Playmakers Repertory); and A Connecticut Yankee in King Arthur's Court (The Guthrie). Holding an MFA from NYU Graduate Acting, Joshua is always working to use theater as a means to engage with his community and as a vehicle for social change.
For full company biographies, please visit https://www.arenastage.org/tickets/season-landing/jqa/.
JQA is generously sponsored by the David Bruce Smith Foundation, Sue Henry and Carter Phillips and Susan and Steven Bralove.
Connect with our shows beyond the performance at a post-show conversation with artists and staff - March 13, March 26 and April 10 following the noon performance; March 28 following the 8:00 p.m. performance and April 2 following the 7:30 p.m. performance.