Justin Weaks News

Casting is set for Studio Theatre's production of Pipeline, playwright Dominique Morisseau's searing drama about the school-to-prison pipeline and a mother desperately trying to keep her son from becoming ensnared in it. The production runs January 15-February 16, 2020 and is directed by Awoye Timpo. Starring are DC theatre favorite Justin Weaks (Studio's Curve of Departure) as high school student Omari and Andrea Harris Smith making her Studio debut as his mother, public school teacher Nya. In its recent People Issue, Washington City Paper's called Weaks a 'standout,' going on to say: 'D.C. theater audiences love Justin Weaks. ...Weaks came to D.C. for a job about four years ago, not expecting to stay. But he kept getting cast in shows, and lucky for local theatergoers, he's still here.'

There's just a few weeks left to make your voice heard and submit your votes for the 2019 BroadwayWorld Washington, DC Awards, brought to you by TodayTix! The people have spoken nominations are set, and now you can vote to make sure your favorite local theatre's achievements and performers are recognized!

It's December! Voting is now underway for the 2019 BroadwayWorld Washington, DC Awards, brought to you by TodayTix! Now you can vote to make sure your favorite local theatres and performers are recognized. Check out the first set of stats below.

Voting is NOW OPEN and the first votes are in for the 2019 BroadwayWorld Washington, DC Awards, brought to you by TodayTix! The nominees are set, and now you can vote to make sure your favorite local theatres and performers are recognized!

Ford's Theatre Society presents August  Wilson's Fences, directed by Timothy Douglas— one of the foremost interpreters of Wilson's work.

Ford's Theatre Society announced full casting and the design team for August Wilson's Fences, directed by Timothy Douglasa?" one of the foremost interpreters of Wilson's work.

Notable for being the final selection of Woolly's incomparable Founding Artistic Director Howard Shalwitz, Rajiv Joseph's 'Describe the Night' is a must-see for any serious DC area theatergoer

The John F. Kennedy Center for the Performing Arts hosts more than 120 outstanding theater students from colleges and universities across the nation as part of the 50th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 16-20, 2019 in multiple locations throughout the Center. The Center also announced the national awardees for the KCACTF. Selected awardees and representatives will be brought to Washington, D.C. for an expense-paid trip to participate in the National Festival. These student artists from across the United States have been recognized for their outstanding work from the eight regional festivals that were held January 8 through February 28, 2019.

A number of families packed the Kennedy Center's Eisenhower Theatre Friday for the world premiere of 'The Watsons Go to Birmingham - 1963.'

The John F. Kennedy Center for the Performing Arts announces that Alicia Grace (the Kennedy Center's She A Gem) will step into the role of Joetta "Joey" Watson. She replaces the previously announced Hailey Kilgore, who is departing the production due to an unanticipated scheduling conflict.

The John F. Kennedy Center for the Performing Arts announces complete casting for The Watsons Go to Birmingham-1963. This world premiere Kennedy Center commission is adapted by Christina Ham from Christopher Paul Curtis's Newbery Medal and Coretta Scott King Award-winning book.

Aziza Barne's BLKS is a stop-you-in-your-tracks, laugh-out-loud comedy that is about to take DC by storm. Barnes' electric writing powerfully celebrates, queerness, sisterhood and the implications of being 'Black and alive.' With director Nataki Garrett at the helm, the cast brings Aziza's words to life with infectious joy. My cheeks still hurt from smiling.

Timothy Douglas' production of Wilson's Gem of the Ocean is as rich an experience as you could possibly ask for; set at the turn of the twentieth century, it offers a lesson in the trials of Pittsburgh's African-American community at a pivotal time in the Hill district's history. More importantly, it is an examination of a violent, exploitative past from which we, as a nation, have yet to emerge.

Long Way Down delves deeply into the circumstances surrounding urban gun violence, and the impacts which it has on those left in its bloody wake.

The John F. Kennedy Center for the Performing Arts presents a world premiere Kennedy Center commission, Long Way Down, running October 27 - November 4, 2018 in the Family Theater. Based on Jason Reynolds's New York Times best-selling book, this timely and compelling production follows Will, a fifteen year-old whose brother has just been murdered. Told entirely in free-form poetry, Long Way Down captures the potent minute Will spends in an elevator as he decides whether or not to take revenge.  On the ride down, mysterious guests appear at each floor, and Will realizes there might be a bigger story to be told.

It's an explosive and thought-provoking production in more ways than one - and a natural fit for Woolly.

Round House Theatre announces casting for the five mainstage shows that will comprise its 41st season. "Our 2018-2019 Season launches our exciting Resident Artist program, and once again confirms our longstanding value to prioritize the use of local artists, with more than 90% of our artists hailing from the DC area," says Artistic Director Ryan Rilette. "We're thrilled to pair the best DC artists with some of the most exciting new plays and modern classics in American theatre. It's a season you won't want to miss." 

The John F. Kennedy Center for the Performing Arts today announced programming for its 2018-2019 season of Performances for Young Audiences, featuring trailblazing journeys in theater, music, and dance that will inspire and resonate with audiences of all ages. The Kennedy Center has commissioned and co-commissioned six world premiere works that will bring audiences on expeditions through time and place to Birmingham in the 1960s, through a young man's imagination in present day New York City, and even to the stars and beyond.

All told, 'Curve of Departure' is an eighty-minute emotional rollercoaster that packs more of a punch than any play I've seen this season.

Back by popular demand (and just in time) WORD BECOMES FLESH is theatre worth doing more than thinking about. This encore presentation written by Marc Bamuthi Joseph with additional dramaturgical compositions by Khalil Anthony and Dahlak Brathwaite and directed by Psalmayene 24 is an arresting composition of dance, hip-hop, music, and spoken word performed by an indefatigable five man ensemble. Louis E. Davis, Chris Lane, Clayton Pelham Jr., Gary L. Perkins III, and Justin Weaks, with nary a weak link among them, move with one heartbeat as they perform a series of letters from a young black man to his unborn son and explore what it means to grow up black in the 21st century. Sneakers squeak, sweat drips, music blares, voices reverberate around every corner of the intimate theatre. It's clear a rebellion is taking shape.