In another edition of Ballet Across America, the Kennedy Center welcomed the Dance Theatre of Harlem and the Miami City Ballet to the Opera House stage at the iconic venue on the banks of the Potomac River for a week a classic and cutting edge dance.
The Miami City Ballet began its Friday Ballet across America evening with George Balanchine's Walpurgisnacht Ballet (1980), 'definitely the world according to Balanchine,' wrote Suzanne Farrell in her autobiography. The Miami ensemble got off to a ragged start, literally not up to speed, but once Principal Katia Carranza took the stage, in the role originated by Farrell, the ladies got with the program. Carranza combined necessary speed and technique with glorious attention to musical detail; every beat has been choreographed, and Carranza never missed one even if all she had to move was just a portion of an arm. Her cavalier, Rainer Krenstetter, added to his substantial elevation significant skill in landing--not only softly, but often exceptionally still. And by the time the Gounod score reached its feverish finish, the Corps de Ballet were at last working with the precision required for the final wedge formation; Balanchine's final image requires absolute solidity from the Corps as backdrop so that the sensational to the shoulder lift of Carranza by Krenstetter contains the power it's meant to.
The Miami City Ballet put on a varied and entertaining performance as part of the Kennedy Center's Ballet Across America on Saturday, June 1, 2019.
The School Of American Ballet hosted their Alumni Cocktail Reception at Lincoln Center on Friday, May 31th. See photos from the event below!
The School Of American Ballet is hosting their Alumni Cocktail Reception at Lincoln Center on Friday, May 31th. This event is for SAB alums who will toast the 2019 Annual Workshop Performances.
Since 2012 today's subject Lourdes Lopez has been living her theatre life as the Artistic Director of Miami City Ballet. The company is performing May 31st through June 2nd at the Kennedy Center as part of Ballet Across America. The May 31st performance is a shared program with Dance Theatre of Harlem who will be performing May 28th through the 30th.
Steven Spielberg's West Side Story announced today that acclaimed conductor Gustavo Dudamel will be guiding the baton for the film's recording of Leonard Bernstein's iconic score.
Lincoln Center for the Performing Arts (LCPA) marked the anniversary of the center's groundbreaking with the 60th Anniversary Diamond Jubilee Gala on Sunday, May 5 hosted by Neil Patrick Harris with performances by Joshua Bell; Harry Connick, Jr.; Larisa Martinez; Erin Morley; Jessie Mueller; conductor Luke Frazier with Juilliard students; Sugartone Brass Band; Young People's Chorus of New York City and award presentations by Chelsea Clinton, Misty Copeland, Justin Peck, Tiler Peck, and Damian Woetzel.
The Washington Ballet (TWB) is pleased to announce the dancers taking part in this season's exchange program with The Royal Danish Ballet. TWB's Alexandros Pappajohn traveled to Copenhagen, Denmark on April 8 for two months and has been cast in Lady of the Camellias. Tobias Praetorius a member of The Royal Danish Ballet Corps de Ballet performed with TWB in the company's Three World Premieres at The Harman Center April 3-7, 2019. He had a lead role in Trey McIntyre's Teeming Waltzes.
Now celebrating the 24th anniversary in Houston and the 27th season since its inception in Brussels, Belgium, Dance Salad Festival promises another gathering of world-class performers. Famous in their own countries, classical and contemporary dancers share the Dance Salad Festival stage to form a mix of movement and compelling choreography.
Artistic Director Helgi Tomasson and San Francisco Ballet today announced programming for the 2020 Repertory Season. Building on a heritage of commissioning groundbreaking dance from today's top choreographers, uncovering new choreographic talent, staging modern classics, and preserving the works that make up the canon of classic ballet, the 2020 Season places SF Ballet at the forefront of innovation and preeminence. Highlights include two new SF Ballet commissions by Cathy Marston and Trey McIntyre, and a co-commission with American Ballet Theatre of a work by Alexei Ratmansky; as well as works by George Balanchine, David Dawson, Harald Lander, Edwaard Liang, Benjamin Millepied, Mark Morris, Liam Scarlett, Helgi Tomasson, and Stanton Welch. The Season's three story ballets include Balanchine's A Midsummer Night's Dream, Wheeldon's Cinderella, and Tomasson's Romeo & Juliet.
Yesterday, additional casting was announced for the highly anticipated film adaptation of West Side Story from director Steven Spielberg. Paloma Grace-Lee was cast as Graziella, the girlfriend of the Jets' member Riff, who will be played by Dear Evan Hansen's Mike Faist.
Dances Patrelle is pleased to announce its spring 2019 season, including the world premiereof Francis Patrelle's The American Dream: It's Only Business, at New York Live Arts, 219 W 19th Street, NYC 10011. Performances are Friday, April 12 at 7pm, Saturday, April 13 at 2pm and 7pm, and Sunday, April 14 at 12pm. Tickets are $50, with student and senior discounts available, and are currently available at https:newyorklivearts.orgeventdances-patrelle.
Sometimes ballet can be tricky. It's an art form that, when misunderstood, can come off as stuffy and out-of-date. Neither of those labels are an accurate description of the program New York City Ballet is showcasing at the Kennedy Center. With a skillful blend of contemporary and classic techniques, there's something for everyone in this thrilling presentation.
The new artistic director and co-director of the New York City Ballet looked a little nervous Tuesday as they awkwardly welcomed the Kennedy Center audience to their annual week-long residency.
New York City Ballet will open its 2019-20 Season at Lincoln Center on Tuesday, September 17 with George Balanchine's full-length Jewels. The season will continue with 21 weeks of performances, through Sunday, May 31, and will feature 54 ballets and choreography by 12 different choreographers.
March 21-24, Houston Ballet presents PREMIERES, a program featuring Justin Peck's Reflections, Aszure Barton's Come In, and Jiri Kylian's Dream Time.
While the ballets each have a marked identity, the triad presentation serves to compliment the elements of each. It's a journey into well-crafted worlds, an escape and a reunion all at once.
Hadestown begins preview performances tonight, March 22, at the Walter Kerr Theatre, ahead of a Wednesday, April 17 official opening night. Get to know the cast below as they begin Broadway performances!
Triple-bill Program 06, Space Between, opens at San Francisco Ballet on March 29 with Tony Award-winner Justin Peck's Rodeo: Four Dance Episodes; the return of Arthur Pita's wild Bjork Ballet, created for the 2018 Unbound festival; and the world premiere of Die Toteninsel by Liam Scarlett, artist in residence at The Royal Ballet. Space Between's high-intensity programming is on display until April 9 at SF War Memorial Opera House.
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