The Saratoga Performing Arts Center (SPAC) will welcome home resident companies New York City Ballet, The Philadelphia Orchestra, and The Chamber Music Society of Lincoln Center in a 2019 line-up marked by a record number of SPAC premieres of both iconic works of the classical repertoire and works by living composers and choreographers.
The Washington Ballet announces updates to its company roster for the 2018.19 season.
Works & Process at the Guggenheim presents The Choreography of Light by Brandon Stirling Baker on Friday, January 18 at 7:30pm and Sunday, January 20 at 7:30pm.
To Kill A Mockingbird officially opened last night at the Shubert Theatre. BroadwayWorld was there and you can check out photos from the opening night red carpet below!
Works & Process at the Guggenheim is pleased to announce its spring 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. Programs explore the artistic process through stimulating discussions and riveting performance highlights. Each 70-minute program takes place in the intimate Frank Lloyd Wright-designed Peter B. Lewis Theater. Additional information is available at worksandprocess.org.
Ballet Sun Valley announces today that it will present the internationally acclaimed San Francisco Ballet led by Artistic Director Helgi Tomasson, July 5 and 7, 2019, in the Sun Valley Pavilion. This much anticipated weekend of dance will also feature an Education Program, that was developed to inspire and teach all levels of ballet to young students from around the country.
The Washington Ballet is pleased to announce a special performance of Septime Webre's The Nutcracker on Friday, December 7 at 7PM, featuring the Washington Nationals Racing Presidents; George Washington, Thomas Jefferson, Abraham Lincoln and Theodore Roosevelt will take the stage during Act II to perform Frontiersman.
No one can accuse countertenor Anthony Roth Costanzo of sitting around and waiting for projects to fall into his lap. GLASS HANDEL was first produced by the singer with Visionaire and Cath Brittan at Opera Philadelphia's (OP) O18 Operafest in September and presented in NY by OP and National Sawdust for four performances this week at the Cathedral of St. John the Divine (a co-producer), GLASS HANDEL was a trip--in many senses of the word.
Jack Ferver's critically acclaimed Everything Is Imaginable returns to New York Live Arts' mainstage as the finale to the 2019 Live Arteryplatform during the annual Association of Performing Arts Professionals conference, January 7, 2019 at 10pm and January 8-12 at 8pm. Presented in collaboration withAmerican Realness, Ferver's radiant and evocative dance-theater piece juxtaposes the lives, virtuosity, and fantasies of its five queer performers.
Exploring the breadth and depth of artistry within American ballet, the Kennedy Center's Ballet Across America series returns May 28-June 2 for seven performances in the Opera House. This season's engagement features deeper looks at companies led by distinguished Artistic Directors Virginia Johnson and Lourdes Lopez with their respective companies, Dance Theatre of Harlem (DTH) and Miami City Ballet (MCB). Each company will present a full program while a one-night-only celebration on May 31 features a shared program that includes both companies in a world premiere Kennedy Center commission by renowned choreographer Pam Tanowitz.
Produced and Presented by Cheryl Baxter-Ratliff and Allen Walls, in association with Break The Floor and held at the Saban Theatre in Beverly Hills, CA, there was an overwhelming turnout within the Dance Community to this event. There were reportedly 1,400 people attending. It was a spectacular evening! The all -inclusive 8th Annual WORLD CHOREOGRAPHY AWARDS. Because this is the 8th Annual Awards Ceremony, I feel a change has evolved regarding categories up for Awards. Wider acceptance of all forms of Dance, Interpretive Movement, new forms of technology and genres not considered previously. All-Inclusive is a modern term, but it's great to see that the WCA is embracing and incorporating so many more possibilities that qualify for our consideration.
Six new works will have their East Coast premieres October 23-28, when the world-renowned San Francisco Ballet returns to the Kennedy Center with selections from its acclaimed Unbound: A Festival of New Works. Presented over two programs and seven performances, the engagement presents familiar and new choreographers to D.C. audiences whose critically acclaimed new work displays the company's remarkable depth of artistry. The Kennedy Center Opera House Orchestra will accompany the performances.
Karen Kain, Artistic Director of The National Ballet of Canada and Barry Hughson, Executive Director today announced that the company's first performance in Moscow will be livestreamed across Russia on Yandex. The free livestream will take place on October 15, 2018 direct from The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre in Moscow where the National Ballet will perform a mixed programme to a sold-out audience as part of Diana Vishneva's Context festival.
Ming Luke will act as guest conductor for San Francisco Ballet (SFB), "one of the world's top ballet companies" (London Sunday Times), at Kennedy Center on October 28th, 1:30pm. Luke will lead the Kennedy Center Opera House Orchestra in live accompaniment for pieces choreographed by some of the world's most renowned dance-makers.
On September 27, New York City Ballet presented the seventh installment of its annual Fall Fashion Gala, celebrating choreography and costume design with an evening of world premiere ballets and creative collaborations between some of today's most exciting artists from the worlds of dance and design. Go inside the gala in the video below!
An admission. I didn't go to the New York City Ballet fashion gala. Why? Because I didn't care. The New York City Ballet is probably the only company in the world that never had to pander to an audience seeking couture thrills, at least when Balanchine was alive. I know that's changed and the company has to bring in the bucks, but when the draw seems to be clothes and not choreography, it gets me thinking. What's in store for us?
In a time when so much feels shallow and temporary, it's a joy to come back to something warm and familiar. In this case, that sweet nostalgia came from the 15th anniversary of the celebrated Fall for Dance Festival at the New York's historic City Center. With five different programs featuring a variety of choreographers and dancers, Fall for Dance is the best representation of dance we have in the modern world; not only does each piece reveal something new, but it shows us the parts of ourselves we don't often show to the world.
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