Portland Opera Closes Season With PUCCINI: IN CONCERT
by Stephi Wild
- Apr 9, 2024
Portland Opera will cap off their season on May 11, 2024, with Puccini: In Concert, a one-night-only performance commemorating the great Italian opera composer, Giacomo Puccini, 100 years after his passing.
New York Festival Of Song Presents GRACIAS A LA VIDA
by A.A. Cristi
- Oct 26, 2023
New York Festival of Song (NYFOS), led by Artistic Director Steven Blier, continues its Mainstage season with Gracias a la vida, a musical tour of South America, with songs from Brazil, Bolivia, Argentina, Venezuela, Ecuador, Peru, and Chile, on Tuesday, December 5, 2023 at 8:00 p.m. at Merkin Hall.
New York Festival Of Song Presents A GOYISHE CHRISTMAS TO YOU!
by A.A. Cristi
- Nov 9, 2021
New York Festival of Song, led by Artistic Director Steven Blier, presents its annual holiday tradition, A Goyishe Christmas to You! on Monday, December 6, 2021 at 7:00pm at Merkin Hall's Upper Lobby at the Kaufman Music Center. The
New York City Opera to Present CARMEN as Part of Bryant Park Picnic Performances
by Chloe Rabinowitz
- Jun 21, 2021
Bryant Park Picnic Performances' season of free, live performances will continue on Friday, July 2 at 7pm with a fully-staged, one-hour abridged performance of Georges Bizet's beloved opera, Carmen, from the New York City Opera. This will be New York City Opera's first fully staged, hour-long adaptation performed this year.
Experiments in Opera's New Podcast AQUA NET & FUNYUNS Launches in December
by Chloe Rabinowitz
- Nov 12, 2020
Starting Monday, November 23, Experiments in Opera (EiO)-the mad scientists behind Video Operas, Radio Operas, Binge Operas-will offer critics the chance to preview EIO's new five-part podcast opera AQUA NET & FUNYUNS (available to the general public for free after December 7).
On Site Opera Presents AMAHL AND THE NIGHT VISITORS In Partnership With Breaking Ground
by Marianka Swain
- Nov 28, 2019
On Site Opera, an organization dedicated to presenting site-specific opera productions in non-traditional venues throughout New York City, will present the return of Gian Carlo Menotti's perennial one act opera Amahl and the Night Visitors at Holy Apostles Soup Kitchen December 4-8, following its critically acclaimed run in 2018.
On Site Opera Will Present AMAHL AND THE NIGHT VISITORS at Holy Apostles Soup Kitchen
by Stephi Wild
- Nov 21, 2019
On Site Opera, an organization dedicated to presenting site-specific opera productions in non-traditional venues throughout New York City, will present the return of Gian Carlo Menotti's perennial one act opera Amahl and the Night Visitors at Holy Apostles Soup Kitchen December 4-8, following its critically acclaimed run in 2018.
On Site Opera Blurs The Lines Of The Audience-Theater Experience This Season
by A.A. Cristi
- Sep 26, 2019
On Site Opera, an organization dedicated to presenting site-specific opera productions in non-traditional venues throughout New York City, announces its dynamic 2019-2020 season. As the company has grown in recent years, they have established a season that includes three core mainstage productions, The Turn of the Screw, October 25-27, Amahl and the Night Visitors, December 4-8, and Das Barbecu, January 26-February 11, along with additional partnerships and events beyond the boundaries of the New York City boroughs in summer of 2020.
Resonance Works Presents Bach's ST. JOHN PASSION
by Julie Musbach
- Feb 28, 2019
Resonance Works presents Bach's dramatic St. John Passion on Friday, March 22nd at 8 p.m. at Heinz Memorial Chapel in Oakland and Sunday, March 24th at 3 p.m. at Westminster Presbyterian Church in Upper St. Clair. A distinguished cast of vocal soloists join the Resonance Chamber Orchestra and Chorus conducted by founder and Artistic Director Maria Sensi Sellner.
BWW Review: Halloween Comes Early with Kallor's FRANKENSTEIN and Poe in Green-Wood Cemetery
by Richard Sasanow
- Oct 14, 2018
I grew up with many versions of the Frankenstein story--some with greater nods to Mary Shelley's novel than others--spending Saturday afternoons being scared witless and loving every minute of it. But I was changed forever by Mel Brooks' YOUNG FRANKENSTEIN, making it hard to come to the story of monster and master today with fresh eyes and ears, no matter how serious the intentions. But Gregg Kallor's SKETCHES FROM FRANKENSTEIN, which played last week in the catacombs of Brooklyn's Green-Wood Cemetery, managed to do it.
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