Review: 10 DAYS IN A MADHOUSE at Bluma Appel Theatre: St. Lawrence Centre For The Arts
Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can.
Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can.
The Toronto Alliance for the Performing Arts (TAPA) today revealed all nominations for the 46th Annual Dora Mavor Moore Awards.
National Philharmonic revealed its 2026-27 season at The Music Center at Strathmore, featuring the East Coast premiere of Jocelyn Hagen's What The Soul Already Knows and works by Beethoven, Copland, and Dvořák.
New York Festival of Song announced the release of MY BROTHER'S KEEPER on NYFOS Records, featuring six leading Black male vocalists co-produced by baritone Justin Austin and GRAMMY-nominated pianist Steven Blier.
Composer Rene Orth’s award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company.
Composer Rene Orth's award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company.
Rene Orth and Hannah Moscovitch's opera 10 DAYS IN A MADHOUSE will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company, running June 16-21, 2026.
10 Days in a Madhouse is a bold contemporary opera from innovative American composer Rene Orth and acclaimed Canadian playwright Hannah Moscovitch that will make its Canadian premiere in four performances at the Bluma Appel Theatre.
Kentucky Opera will present its third annual Amplify: Songs of Justice concert at the Kentucky Opera Center for Cultural Health.
Opera Columbus will close its bold 2024–25 season with an unforgettable take on one of the world’s most beloved operas: The Marriage of Figaro, on stage at the Southern Theatre April 25 and 27 following an incredibly city-wide success with the recent West Side Story.
New York Festival of Song will present its annual holiday show, A Goyishe Christmas to You! in December at the Congregation Beth Simchat Torah.
Experience the 15th annual A GOYISHE CHRISTMAS TO YOU! by the New York Festival of Song at Congregation Beth Simchat Torah, featuring Yuletide songs by Jewish composers.
The New York Festival of Song announced a concert on November 19, conceived by Justin Austin and featuring performances by Will Liverman and other artists, showcasing a diverse musical program.
National Philharmonic has announced its 2024-2025 Season, which opens in September with an all-Rachmaninoff program to celebrate NatPhil's 40th Anniversary.
Discover the exciting lineup for the New York Festival of Song's 2024-25 season, featuring a diverse range of performances and events celebrating the art of song.
It’s easy to understand why Neal Goren, founder and artistic director of Catapult Opera, was immediately taken with LA VILLE MORTE.
Catapult Opera's production of Nadia Boulanger's La Ville Morte will mark the first time New York audiences will get to experience her sole opera.
The legendary opera La Ville morte, the only opera ever composed by leading music educator and conductor Nadia Boulanger, in collaboration with her mentor Raoul Pugno, will be given its Greek premiere –and only its third ever production worldwide– on the GNO Alternative Stage, at the SNFCC.
The Greek National Opera (GNO) presents the Greek premiere of La Ville morte (The Dead City), the only opera composed by Nadia Boulanger—one of the most important conductors and music educators, and mentor to some of the greatest music figures of the 20th century—in collaboration with her mentor
Catapult Opera's production of Nadia Boulanger's La Ville Morte will mark the first time New York audiences will get to experience the sole opera from “the most renowned composition teacher of the 20th century — if not of all musical history” (The New York Times).