The New York City Opera/National Yiddish Theatre Folksbiene's world premiere production will feature a cast of nine headed by Jessica Tyler Wright, Glenn Seven Allen, Rachel Zatcoff, and Peter Kendall Clark.
New York City Opera has announced that it will produce the world premiere of the award-winning jazz composer/pianist Ted Rosenthal's DEAR ERICH. This new jazz opera, to be co-produced with the National Yiddish Theatre Folksbiene at the Museum of Jewish Heritage, will open Wednesday, January 9 and will play four performances only through Sunday, January 13 at the Edmond J. Safra Hall at 36 Battery Place, in lower Manhattan.
The Weidner Center for the Performing Arts celebrates its 25th Anniversary Season with a homecoming of talented performers today, September 22, 2018 at 7:30 p.m. The 25th Anniversary Concert will feature Wayne Lin, Brad Little, Jessica Tyler Wright, the Youth Symphony Orchestra at St. Norbert and the Weidner Anniversary Orchestra. Tickets for this event can be purchased at www.WeiderCenter.com, by phone at 800-895-0071 or in person at the Ticket Star Box Office at the Resch Center (1901 S. Oneida St., Green Bay, Wis.).
The Weidner Center for the Performing Arts celebrates its 25th Anniversary Season with a homecoming of talented performers on Saturday, September 22, 2018 at 7:30 p.m. The 25th Anniversary Concert will feature Wayne Lin, Brad Little, Jessica Tyler Wright, the Youth Symphony Orchestra at St. Norbert and the Weidner Anniversary Orchestra. Tickets for this event can be purchased at www.WeiderCenter.com, by phone at 800-895-0071 or in person at the Ticket Star Box Office at the Resch Center (1901 S. Oneida St., Green Bay, Wis.).
New York's acclaimed Classic Stage Company recently marked its 50th birthday with a gala celebration on Monday evening, April 23 at Bohemian National Hall recognizing Artistic Director John Doyle and Board Chair Lynn Angelson. Check out the photos below!
New York's acclaimed Classic Stage Company will mark its 50th birthday with a gala celebration on Monday evening, April 23 at Bohemian National Hall (321 East 73rd Street) recognizing Artistic Director John Doyle and Board Chair Lynn Angelson. The evening will feature special guest performances from Doyle's New York career including Cynthia Erivo, Judy Kuhn, and Donna McKechnie.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents Celia Keenan-Bolger, Stephanie J. Block, Nikki Renee Daniels and more in Broadway Baby Mamas Benefit Ruthie Ann Miles (formerly to benefit Planned Parenthood) on March 15, 2018.
There are no second acts in American lives, wrote F. Scott Fitzgerald in 'The Last Tycoon.' New York City Opera proves him wrong, with its new chamber version of the Tobias Picker-JD McClatchy 2013 opus DOLORES CLAIBORNE. Based on a novel by Stephen King perhaps better known from the film starring Kathy Bates this terse retelling of murder and misery among the rich and poor is never less than interesting and sometimes compelling in Michael Capasso's quickly moving production.
New York City Opera opened New York's cultural season with a new production of Puccini's beloved La fanciulla del West, which WQXR called one of the resurrected City Opera's strongest productions yet. This October City Opera follows the success of La fanciulla del West with the world premiere of a new chamber adaptation of Tobias Picker's 2013 opera Dolores Claiborne, based on the novel by Stephen King. The adaptation has been prepared for City Opera by Picker, who is also City Opera's Composer-in-Residence.
Producers of Play Like A Winner, the new musical by Erik Johnke & David Wolfson and winner of last year's NYMF Developmental Reading Award, are thrilled to announce the complete casting for this July's limited run during the 2017 New York Musical Festival (NYMF).
The tenth season of New York Theatre Barn's New Works Series continues on Monday, May 22, 2017 at The Cell with pre-premieres of two new musicals: Martian Child and Going South.
On Monday, February 6, the Broadway at Birdland concert series welcomed Jay Armstrong Johnson, who recently starred in the titular role in Candide in the New York City Opera production. His concert was musical directed by Rodney Bush, and his special guests were Elizabeth Stanley, Alysha Umphress, Jessica Tyler Wright, Meghan Picerno and Chip Zien. Scroll down for photos from the concert!
The Broadway at Birdland concert series welcomed Jay Armstrong Johnson, who recently starred in the titular role in Candide in the New York City Opera production, in concert at the historic room last night, February 6. BroadwayWorld has photos from the show below!
Following the successful, sold-out run of Leonard Bernstein's Candide, New York City Opera continues its 2016 - 2017 Concert Series with Oh, Happy Us, a romantic evening of song that reunites Candide stars Jay Armstrong Johnson (Candide), Meghan Picerno (Cunegonde), and Jessica Tyler Wright (Paquette). Legendary choreographer of stage and film, Patricia Birch directs this concert of selections from classic and contemporary musical theater that explores continuity in love and life. This one-night-only performance will take place on Valentine's Day, February 14, 2017, at 7:00 p.m., at Jazz at Lincoln Center's Appel Room.
The opening fanfare of one of the most exhilarating overtures ever to hit Broadway signals the joyous return of New York City Opera. After financial woes threatened to pull down the curtain for good in 2013, the company that was christened in 1943 as 'the people's opera' by Mayor Fiorello La Guardia has returned with a new home and an old friend, director Harold Prince's rollicking production of Leonard Bernstein, Richard Wilbur, Stephen Sondheim, John La Touche and Hugh Wheeler's CANDIDE.
When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming. After all, what could be further from Mazzoli's brilliant but grim gem than Bernstein's comic masterpiece--proving there's more than one way to skin a music theatre piece?
Last night Leonard Bernstein's Candide, directed by legend Broadway visionary Harold Prince was presented by the New York City Opera and BroadwayWorld was at the opening night festivities.
This month, the legendary Broadway visionary Harold Prince returns to New York City Opera to direct a new production of Leonard Bernstein's Candide.
Leonard Bernstein's CANDIDE has had more lives than that proverbial cat--the latest being New York City Opera's new take on it, opening on January 6 for a ten-performance run at Jazz at Lincoln Center's Rose Theatre. It is, once again, helmed by director Hal Prince and choreographer Pat Birch, who were responsible--with librettist Hugh Wheeler and conductor John Mauceri--for the resuscitation and renovation of the once-considered unproducible work, more than 40 years ago.
This January, the legendary Broadway visionary Harold Prince returns to New York City Opera to direct a new production of Leonard Bernstein's Candide. The production, choreographed by Emmy Award-winning and Tony Award-nominated choreographer Patricia Birch, brings together a versatile cast of Broadway veterans and rising opera stars to tell the story of Candide's adventures and tribulations in the "best of all possible worlds."
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