Jerry Vogel News

We've got a first look at the Muny's production of Guys and Dolls!

BroadwayWorld has a first look at The Muny's production of GUYS AND DOLLS! Check out the video!

The Muny announced today its complete cast, design and production team for 1776, the third show of its second century, June 27 - July 3. 

Muny announced today its complete cast, design and production team for Footloose, the fifth show of its second century, July 18 - 24.

BroadwayWorld has learned today the complete cast, design and production team for Guys and Dolls, the first show of its second century, June 10 - 16.

An exposed-brick studio apartment in Brooklyn in 2009 is the setting for Time Stands Still, a moving play by Donald Margulies, directed by Doug Finlayson, playing now at The New Jewish Theatre. Romantic partners for 8 ½ years, photojournalist Sarah (Wendy Renee Greenwood) and war correspondent James (Ben Nordstrom), return home, Sarah's face bandaged, her arm in a sling, and her leg bound with a brace as she struggles to maneuver on crutches. We don't know exactly what has happened just yet, but we know it's bad, as the play opens with poignant silences, emerging compromises, and a shared consideration for anguish. We soon learn that the couple has covered the horrors of combat, famines, and genocides; that they have nearly died several times, and that as Sarah begins recovering from the physical wounds from a roadside bomb, James has already been home and is on meds recovering from his emotional ones. The question associated with a recovery of this magnitude is, "What happens next?" And what happens after that and after that?

The New Jewish Theatre's 2018-19 season continues with Donald Margulies' thoughtful drama, Time Stands Still, directed by Doug Finlayson.

2017 Tony Award winner for Best Play, Oslo, by J.T. Rogers, is Repertory Theatre St. Louis' artistic director Steven Woolf's final directing project before his retirement begins. It is the story of the Norwegian couple-an academic and social scientist, Terje, who has developed a new approach to conflict resolution, and his clever wife, Mona, who is a dignitary in the office of the Foreign Ministry-who together initiated and facilitated clandestine peace talks between the Israelis and the Palestinian Liberation Organization in 1992 and 1993; talks that would highlight the past and decide the futures of two peoples, each having reasonable grievances, though each striving to find resolution.

For longtime Repertory Theatre of St. Louis artistic director Steven Woolf, Oslo is his final directing project before his retirement at the end of this season. So it's no surprise that The Rep is pulling out all the stops in its production of the 2017 Tony Award winner for Best Play, assembling an all-star cast and design team to bring this grand political epic to The Rep stage.

Octogenarian Lenny was once a busy physician at the epicenter of a vibrant family who now has no recollection whatever of his earlier life. These days his chief adventure is the daily tracking down of the remote control-at least until a friendly social worker named Lola shows up. Try as she might to help Lenny recover his memory, though, he continues to live within the moment, and the poignancy of his plight forces Lola to question the meaning of her own past as well as her future.

The majority of Martin McDonagh's works are challenging in the most unexpected ways. What may seem to be a thriller is often a comedy of pitch-black proportions. His dialog is also quite profane, and often offensive, and yet, we find ourselves laughing when we should probably be shocked. Or, at least I do. A BEHANDING IN SPOKANE is the rare opportunity to see him set his ideas in America, and he delivers a bizarre representation that's disturbing and amusing at the same time. I love his work, and I'm always thrown for a loop by the twists that always seem to pop up along the way. The St. Louis Actors' Studio is presenting a deftly staged and executed production, and I recommend seeing it before the run ends. Especially if your taste runs toward the weird and absurd.

With a story as epic and revered as Hamlet, a theatre company has to either go big or go home. And with its first-ever production of William Shakespeare's iconic tragedy (running October 11 through November 5), The Repertory Theatre of St. Louis is most definitely going big with an all-star cast and production team.

With a story as epic and revered as Hamlet, a theatre company has to either go big or go home. And with its first-ever production of William Shakespeare's iconic tragedy (running October 11 through November 5), The Repertory Theatre of St. Louis is most definitely going big with an all-star cast and production team.

BroadwayWorld is excited to announce that Broadway star Caroline Bowman will be taking us behind the scenes at The Muny's thrilling new production of ALL SHOOK UP!

ALL SHOOK UP, a celebration of music performed by the King, Elvis Presley, is a entertaining mash-up of Shakespeare's TWELFTH NIGHT, combined with some ideas from FOOTLOOSE, and with just a pinch of the movie version of GREASE (book by Joe DiPietro). I know how that sounds, but instead of taking itself or the music too seriously, this show actually achieves a sort of subversive and hilarious kitsch appeal. It's the current production on the MUNY's stage, and it's a splashy, funny, silly, and tune-filled hoot from start to finish.

The Muny just celebrated its opening night performance of All Shook Up last night, July 13, 2017, and BroadwayWorld has a first look at the cast in action below!

Set to the chart-topping hits of the King of Rock 'n' Roll, himself, Elvis Presley, and based on Shakespeare's Twelfth Night, All Shook Up follows the story of Natalie, a tomboy mechanic with a longing heart, and Chad, a mysterious, hip-swiveling roustabout who is new to town and ready to shake things up. Set in the 1950s, and filled with secret crushes, hysterical shenanigans and matters of the heart, this is one Muny production that promises to have the entire family dancing in their 'Blue Suede Shoes.'

Set to the chart-topping hits of the King of Rock 'n' Roll, himself, Elvis Presley, and based on Shakespeare's Twelfth Night, All Shook Up follows the story of Natalie, a tomboy mechanic with a longing heart, and Chad, a mysterious, hip-swiveling roustabout who is new to town and ready to shake things up. Set in the 1950s, and filled with secret crushes, hysterical shenanigans and matters of the heart, this is one Muny production that promises to have the entire family dancing in their "Blue Suede Shoes."

Shakespeare Festival St. Louis' production of The Winter's Tale opens at 8 p.m., on Fri., June 2, at Shakespeare Glen in Forest Park. Highlights to this year's production include original music composed by St. Louis-based The Rats & People Motion Picture Orchestra, a diverse cast under the direction of four-time Festival director Bruce Longworth, and the unveiling of Schlafly's custom-labeled draft beer, The Winter's Ale. Preview performances are scheduled May 31 and June 1. Performances run nightly, except Tuesdays, and begin at 8 p.m., through Sun., June 25.

The Muny announced today its full cast and design teams for All Shook Up, the fourth production of its 99th season, which plays July 13-19. All Shook Up is proudly sponsored by US Bank.