Jennifer Haley News

The Group Rep presents BREADCRUMBS written by Jennifer Haley, directed by Bert Emmett, produced by Helen O'Brien for the Group Rep.  The play is about a reclusive fiction writer diagnosed with dementia who must depend upon a troubled young caretaker to complete her autobiography. In a symbiotic battle of wills, they delve into the dark woods of the past, unearthing a tragedy that shatters their notions of language, loneliness, and essential self.

Coal Mine Theatre and Studio 180 Theatre join forces to produce Jennifer Haley's electric and groundbreaking play THE NETHER, directed by Coal Mine alumni Peter Pasyk (Killer Joe, Poison), October 7 - November 4, 2018.

The Flea Theater presents the World Premiere of SCRAPS written by Geraldine Inoa, a writer on The Walking Dead and the inaugural recipient of The Shonda Rhimes Unsung Voices Playwriting Commission. It is directed by Flea Artistic Director Niegel Smith. Now in previews, opening night is slated for Thursday, August 30.

After serving as Artistic Director of the company since 2008, Christine Louise Marshall is stepping down from the position before the 2018-19 season.

After serving as Artistic Director of the company since 2008, Christine Louise Marshall is stepping down from the position before the 2018-19 season.

Daniel Schumann, Lee Dean and Cambridge Arts Theatre in association with Birmingham Repertory Theatre today announce John Stahl (Big Ger Cafferty) and Cathy Tyson (Siobhan Clarke) will join Charles Lawson (John Rebus) in Rebus: Long Shadows, a brand new Rebus story written exclusively for the stage by author of the original novels, Ian Rankin and playwright Rona Munro. Further casting to be announced shortly.

Waterbury Festival Playhouse is known for doing shows that are intense and that you'll talk about for hours after you've seen them.  Jennifer Haley's, The Nether, is just such a show, a cunning yet creepy play about the not too distant future. Haley, a Los Angeles writer who specializes in the ethics of technology, has created an intricate drama and a haunting thriller set in what may be the near future that makes us question what constitutes crime in a world of relative realities.  The Internet has morphed into the Nether and as her characters spend more time in the Nether than they do in "real life", the distinction between the real world and the virtual realm begins to blur.

Tiffany Mills Company presents the world premiere of Blue Room, an evening-length work that explores connections and boundaries created by various modes of human interaction. Performances are Wednesday-Saturday, September 12-15, at 7pm, at The Flea Theater in Tribeca.

TOSOS presents its upcoming production of Waiting for Giovanni at The Flea Theater. A great American writer at a pivotal moment in his career is the subject of a play by another iconic American author.

The critically acclaimed and award-winning Coal Mine Theatre, Toronto's Off-Off Broadview theatre, returns with another explosive season of plays that continue to prioritize excellence while offering a highly entertaining experience in their intimate eighty-seat theatre.

TOSOS presents its upcoming production of Waiting for Giovanni at The Flea Theater. A great American writer at a pivotal moment in his career is the subject of a play by another iconic American author.

The series follows ambitious FBI agent Holden Ford (Jonathan Groff) as he struggles to comprehend incarcerated killers, so that he might use this knowledge to catch others. He's teamed with experienced agent Bill Tench (Holt McCallany) in the Behavioral Science Unit and will work with his sometimes reluctant partner to find new methods of investigation. Together they will meet some of America's gravest killers, including Edmund Kemper (played by a mesmerizing Cameron Britton) – and face the cynicism and scorn of the tradition-bound hierarchy of the 1970s' Federal Bureau of Investigation. Ford will risk empathizing with 'evil' in order to save lives. But, as Tench says, when arguing the case for their work: “How do we get ahead of crazy if we don't know how crazy thinks?”

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening today, May 17 at 7:00pm.

Following their innovative production of TITUS: A Visual-Physical Adaptation of Shakespeare's Titus Andronicus, New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official press opening on Thursday, May 17 at 7:00pm. 

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.

Sundance Institute's Theatre Lab kicks off on May 6th, and today announced this year's participating acting company and creative advisors. The Lab, which runs through May 27 at the Fellah Hotel outside Marrakech, Morocco, is supervised by Artistic Director Philip Himberg and Producing Director Christopher Hibma, and is the centerpiece of the Institute's year-round work with the theatre community, alternating locations between Sundance Resort in Utah and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists writing in English and Arabic.

As the folks at Washington Ensemble Theatre point out over and over in the lobby and in the press info of their latest offering, Jennifer Haley's "The Nether", the show is filled with trigger warnings and not for the faint of heart. With strobe lights and elements of violence and sexual assault of children at the forefront of the story, some may not be able to handle the play. Even I, who usually scoffs at any kind of trigger warning with a haughty derision that reads, "I can handle whatever you want to throw at me", found myself squirming in my seat and had occasion to want to stand and yell, "oh, don't do that!" (I did not.) But if you can get past the ick-factor what you have is a well-crafted thriller with a futuristic bent that will keep you guessing.