Jennifer Haley News

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening today, May 17 at 7:00pm.

Following their innovative production of TITUS: A Visual-Physical Adaptation of Shakespeare's Titus Andronicus, New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official press opening on Thursday, May 17 at 7:00pm. 

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.

Sundance Institute's Theatre Lab kicks off on May 6th, and today announced this year's participating acting company and creative advisors. The Lab, which runs through May 27 at the Fellah Hotel outside Marrakech, Morocco, is supervised by Artistic Director Philip Himberg and Producing Director Christopher Hibma, and is the centerpiece of the Institute's year-round work with the theatre community, alternating locations between Sundance Resort in Utah and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists writing in English and Arabic.

As the folks at Washington Ensemble Theatre point out over and over in the lobby and in the press info of their latest offering, Jennifer Haley's "The Nether", the show is filled with trigger warnings and not for the faint of heart. With strobe lights and elements of violence and sexual assault of children at the forefront of the story, some may not be able to handle the play. Even I, who usually scoffs at any kind of trigger warning with a haughty derision that reads, "I can handle whatever you want to throw at me", found myself squirming in my seat and had occasion to want to stand and yell, "oh, don't do that!" (I did not.) But if you can get past the ick-factor what you have is a well-crafted thriller with a futuristic bent that will keep you guessing.

A collective of perspectives. A public outcry. The establishment of a movement. This month, two new plays- Until the Flood by Dael Orlandersmith, directed by Neel Keller and florissant & canfield by Kristiana Rae Colon, directed by Derrick Sanders-bring a national dialogue to the stage.

Washington Ensemble Theatre has announced full casting for the Seattle premiere of The Nether, Jennifer Haley's award-winning play that asks: What responsibility do humans have for one another as we dive deeper and deeper into a technology-centered world? Featuring a stellar cast, including Pilar O'Connell as Morris and James Weidman as Sims/Papa, The Nether is part crime drama, part haunting sci-fi thriller about a futuristic and disturbing virtual wonderland that provides sensory immersion devoid of consequence for its users. WET's lead producer and casting director Bobbin Ramsey directs this thoughtful and unsettling tale that amplifies the ways anonymity allows a human being to be someone (or something) else behind a literal and metaphorical pane of glass.

Keith Garsson today announced that Primal Forces has signed a deal to become the resident theater company at Sol Theatre in Boca Raton. After a twenty-year incarnation as The Boca Raton Theater Guild, a re-branding in 2014 and then a four-year detour through Andrews Living Arts (twice), Arts Garage and Empire Stage, Primal Forces is thrilled to reveal the theater company's 2018-2019 season at their new home. A special subscription flex pass is now being offered for all four shows at $100. For more information please visit, www.primalforces.com

The Flea Theater continues its partnership with Brown University's Writing for Performance program for the second annual playwriting Project Residency, taking place from March 31 - April 3, 2018.

Artistic Directors Douglas Aibel and Sarah Stern announce that Irina Dvorovenko ('The Americans'), a former American Ballet Theatre principal dancer, Tony Award nominees Tony Yazbeck (ON THE TOWN, FINDING NEVERLAND) and Peter Friedman (RAGTIME, The Vineyard's THE SLUG BEARERS OF KAYROL ISLAND...), and Teagle F. Bourgere (THE CRUCIBLE, A RAISIN IN THE SUN) will be featured in the world premiere of THE BEAST IN THE JUNGLE, an original work fusing dance, drama and music by legendary composer and four-time Tony Award winner John Kander (CABARET, CHICAGO), Tony Award nominee playwright David Thompson (STEEL PIER; FLORA, THE RED MENACE), and five-time Tony Award-winning director and choreographer Susan Stroman (THE PRODUCERS, CONTACT). Performances will begin May 4, 2018 with opening night set for May 23. Kander, Thompson, and Stroman previously collaborated at The Vineyard on THE SCOTTSBORO BOYS.

On the heels of a critically-acclaimed off-Broadway run, Goodman Theatre Artistic Associate and Alice Center Resident Artist Dael Orlandersmith brings her one-woman show, Until the Flood to Goodman Theatre, April 27 - May 13.

Wednesday, January 3rd, 2018 Road Less Traveled Productions (RLTP) will welcome 2018 with mystery sci-fi drama The Nether by Jennifer Haley. The Nether will star Steve Jakiel, Eve Everette, David Marciniak, Sabrina Kahwaty and Patrick Cameron under the direction of RLTP Ensemble member Katie Mallinson. Production team includes Dyan Burlingame (set design), John Rickus (light design), Maura Simmonds Price (costume/props) and Eric Burlingame (sound design).

Capital Stage presents the Sacramento Premiere of the Award Winning Play The Nether by Jennifer Haley. This haunting sci-fi thriller explores the dark side of the internet, and of human behaviour. The Nether will be Kirk Blackinton's Capital Stage directing debut and is the fourth production of Capital Stage's 2017/18 Season. Performances will run from January 24 - February 25, 2018 with a Press Opening on Saturday, January 27, 2018 at 8:00 pm.

Niegel Smith, Artistic Director and Carol Ostrow, Producing Director of The Flea Theater proudly announce the slate for their spring season, which will feature three world premieres, the return of its late-night series Serials, as well as new programming Cereals, plays for younger audiences and Flea Fridays, an immersive weekend cabaret.

Roundabout Theatre Company has just announced its 2017-18 Artists in Residence. 'I started the Artists in Residence program about 25 years ago to provide artistic and financial support to early-career artists, giving them a theatre to call home and to provide peace of mind for a sustainable career,' says Roundabout Artistic Director Todd Haimes. 'Over the years, this program has evolved to include playwrights, mid-career directors and even an entire young company. And while these residencies have allowed us to help cultivate the next generations of theatre leaders, these artists have also become invaluable to me and our audiences, invigorating this institution with fresh voices.'

Do you want to grow things or kill things? As a teenage goddess, Seph lives in her family's in-between. With her mom, she makes grass grow and flowers bloom.

The Lark has announced six plays and playwrights have been chosen through its Open Access Program for the 24th Annual Playwrights' Week.