PlayMakers Repertory Company presents 'Dairyland,' a world premiere comedy by Heidi Armbruster. This whimsical, heartfelt tale of one woman's journey from farm to table and table to farm is directed by Vivienne Benesch, and runs from October 16 to November 3, 2019.
PlayMakers Repertory Company presents a?oeDairyland,a?? a world premiere comedy by Heidi Armbruster. This whimsical, heartfelt tale of one woman's journey from farm to table and table to farm is directed by Vivienne Benesch, and runs from October 16 to November 3, 2019.
MTC announced ticketing information today for four upcoming world premiere productions in Manhattan Theatre Club's upcoming 2019-2020 season, off-Broadway at New York City Center.
And now of course we are into the story of Antonio's family of origin, and the world of his origin, which has conditioned him to behave this way, which implicitly and explicitly looks to its men to solve problems with violence.
With a picnic hosted by the Board of Trustees, the Contemporary American Theater Festival at Shepherd University welcomes 2019 company members. Attended by CATF partners, donors, and community members, this annual event is the first time CATF's 2019 company comes to celebrate the six new plays they are about to create. These artists, from around the country, including cities such as New York, Chicago, and Los Angeles, gather in historic Shepherdstown to create the future of American theater.
Evolve Puppets (Tanya Khordoc & Barry Weil) open their new play HOME tonight at The Tank NYC! It will run from May 30-June 2, 2019.
Home, a new play by Evolve Puppets (Tanya Khordoc & Barry Weil) will be performed at The Tank NYC from May 30-June 2, 2019.
National Players, America's longest-running touring company and the hallmark outreach program of the Olney Theatre Center, conclude their 70th tour with a homestand featuring repertory presentations an adaptation of Jules Verne's Around the World in 80 Days from May 22-May 26 and Shakespeare's Twelfth Night from May 29-June 2 in Olney's Historic Theatre.
Woolly Mammoth Theatre Company announces its 2019-2020 season, which features an energizing array of plays by new voices and Woolly veterans.
If you are wondering whether it's necessary for you to have seen Qui Nguyen's critically-acclaimed 2015 play VIETGONE in order to enjoy its superior new sequel POOR YELLA REDNECKS, then don't worry too much about it. This incredibly funny, incredibly innovative, and incredibly well-acted follow-up is, by itself, a singular, superb stand-alone gem. All those loud laughs you're hearing in Costa Mesa for the past few weeks? They're all likely coming from South Coast Repertory, where this entertaining and thought-provoking must-see sequel is currently being presented in its first full World Premiere production through April 27, 2019 as part of the Tony Award-winning theater's annual Pacific Playwright's Festival. I truly cannot recommend this play-with-music enough.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have just announced three productions slated for Manhattan Theatre Club's upcoming 2019-2020 season.
Ahktar has a knack for writing real people with real flaws, and for taking a hard look at tough, often-uncomfortable issues in our society. Per a WUWM interview, Akhtar asserts that Junk is not pessimistic, just real. "It's bleak but it's realistic, unfortunately," he says. "If you're coming to the play and you're expecting something uplifting, just be prepared."
Milwaukee Repertory Theater presents Junk, the hit Broadway play by Milwaukee native and Pulitzer Prize-winning playwright Ayad Akhtar in the Quadracci Powerhouse now through February 17, 2019. Since its Broadway premiere at Lincoln Center last year, Ayad Akhtar along with Artistic Director Mark Clements have continued to hone Junk to bring Milwaukee audiences a new, two hour no intermission riveting story set in the financial world of the 1980s.
Milwaukee Repertory Theater presents Junk, the hit Broadway play by Milwaukee native and Pulitzer Prize-winning playwright Ayad Akhtar in the Quadracci Powerhouse now through February 17, 2019. Since its Broadway premiere at Lincoln Center last year, Ayad Akhtar along with Artistic Director Mark Clements have continued to hone Junk to bring Milwaukee audiences a new, two hour no intermission riveting story set in the financial world of the 1980s.
I had two main questions about the world premiere Kennedy Center commission of HOW TO CATCH A STAR: would it match the original children's book's ability to appeal to kids and adults alike, and would it be as visually charming as Oliver Jeffers's illustrations? I'm pleased to report that the answer to both is a resounding yes. Appropriate for ages three and up, HOW TO CATCH A STAR uses stunning projection design (Olivia Sebesky) and quirky choreography (Orange Grove Dance Company) to tell the story of how a boy's seemingly impossible dream of catching a star leads him to discover important lessons about life.
Milwaukee Repertory Theater is pleased to announce the complete cast and creative team for the Midwest premiere of Junk by Milwaukee native and Pulitzer Prize-winning playwright Ayad Akhtar. Since its Broadway premiere at Lincoln Center last year, Ayad Akhtar along with Artistic Director Mark Clements have continued to hone Junk to bring Milwaukee audiences a new, two hour no intermission riveting story set in the financial world of the 1980s.
What was it like 21 years ago when Paula Vogel's 'How I Learned to Drive' premiered off-Broadway?
Today, The Collaborator Party, headed by theatrical sound designers Lindsay Jones and John Gromada, announced that their event was a complete sell-out for the fourth year in a row. The Collaborator Party is the official Tony night party for the entire theatre community. The main party was held June 10, 2018 at Houston Hall (222 W. Houston St. in New York City) from 7pm-11pm, with additional parties held simultaneously in Chicago, Houston, Los Angeles, San Francisco, and southern Indiana.
Today, The Collaborator Party, headed by theatrical sound designers Lindsay Jones and John Gromada, announced that their event will return for its fourth year in New York City, after three years of the now legendary sold-out parties across the country. The Collaborator Party is the official Tony night party for the entire theatre community. This year, the main party will be held June 10, 2018 at Houston Hall (222 W. Houston St. in New York City) from 7pm-11pm EDT, with additional parties taking place simultaneously in Chicago, Houston and Los Angeles. A full video invitation for this year's event can be viewed at https://youtu.be/3hpjMkxngZM or http://www.collaboratorparty.com.
Jennifer Barclay's RIPE FRENZY is produced by Greenway Arts Alliance (Whitney Weston and Pierson Blaetz, Co-Founders and Co-Artistic Directors) at Greenway Court Theatre (544 N. Fairfax Avenue, Los Angeles), as part of a National New Play Network (NNPN) Rolling World Premiere with partnering theaters New Repertory Theatre in Boston and Synchronicity Theatre in Atlanta. Winner of the 2016 NNPN Smith Prize for Political Theatre, RIPE FRENZY is directed by Ovation Award-nominee Alana Dietze (Dry Land at the Echo Theater Company and Kirk Douglas Theatre) and projection designs by Obie Award-winner Jared Mezzocchi (Vietgone at Manhattan Theatre Club). Performances will play May 17 through June 17, 2018; with the press opening on Saturday, May 19.
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